Les femmes de la nuit

Women of the Night (1948)

*** 1/2 (out of 4)

Set in post WWII Japan, director Kenji Mizoguchi's film deals with a pair of sisters (Kinuyo Tanaka, Sanae Takasugi) who find themselves going into prostitution due to the rather dire living conditions. WOMEN OF THE NIGHT is certainly a hard-hitting little gem that manages to hold no punches in regards to its subject matter. Several countries released films dealing with the aftermath of WWII but what's so fascinating about this film is the fact that it deals with subjects that most other places wouldn't touch. This includes prostitution obviously but there's also abortion, drug use, sexual transmitted diseases and other subjects that were a big no-no during this era. This off-topic subjects certainly help keep the film very fresh for today's viewers. Another fascinating thing were some of the streets where it's obvious they haven't been fixed up since WWII. I'm guessing these streets with debris all over them weren't just made up for the film and instead they are actually locations and these images really make you understand the desperate situation of the people living there. We get three different women and their stories of how they were forced to go into the business and each of them are quite touching on their own. I will say that the ending was a bit over-the-top and didn't reach the punch it was going for but it certainly didn't ruin the movie. The two lead performances are certainly wonderful and they're just so raw that you feel as if you're watching real people struggling. There are some rather bleak and ugly images to be found here and especially during a sequence where we see the downside of this lifestyle as most of the women are suffering from various mental problems. WOMEN OF THE NIGHT runs a very quick 74-minutes and it's certainly quite memorable.

This film was produced not long after World War II when Japan was militarily defeated and its economy in total ruins. As a result a large number of people were left without money and employment was sometimes difficult to obtain. That being said, this film depicts three women who have to struggle in that regard. The first woman, "Fusaka Owada" (Kinuyo Tanaka) has just lost her young son to tuberculosis just after being informed that her husband has passed away while serving in the military. Luckily, she manages to get a job as an executive secretary working for a man she greatly admires. The second woman named "Natsuko Kimishima" (Sanae Takasugi) is her sister who has recently moved in with her and works as a dancer at a nightclub. The third woman, "Kumiko Owada" (Tomie Tsunoda) is also very close to both Fusaka and Natsuko but decides to run away from where she is living in search of something new and exciting. For her efforts she falls in with the wrong crowd and is subsequently raped and forced to become a prostitute. Now rather than reveal any more I will just say that I found this movie to be a bit too dark and brutally harsh for my tastes. No doubt others will disagree and that is fine. However, the relentless savagery depicted by the director (Kenji Mizoguchi) was overdone in my view and because of that I have rated it accordingly. Average.

Fusako Owada, a young woman in postwar Japan, is the mistress of a notorious drug dealer. Fusako's tenuous grasp on meaningful life is shaken when she learns that her lover is having an affair with her sister.

This film is generally dismissed as one of Mizoguchi's "lesser" films, and has been called a "good melodrama" -- something of a backhanded compliment. I like to think it was a bit more than that.

Aside from the drug aspect and the sister relationship, just the mistress status alone is worth examining. This is a very emotional part, as can be seen when the secretary asks if her boss really likes her. He gives a response along the lines of "I will try to be more affectionate." She is craving real love, and he is only acting the part...

Three disparate women end up selling themselves to survive in a bleak post-war Osaka. Like a number of Mizoguchi's films, 'Women of the Night' is a harsh commentary about the conditions and behaviours that many women were forced to endure in pre- and post-war Japanese society. The film is not particularly nuanced, and the director delivers his message with a heavy and unsubtle hand as the women's lives rapidly go from bad to worse to horrible (one of the women, desperate for money, tentatively approaches a sleezy procuress and the next time we encounter her, she's a tough, diseased, street-walking junkie). Despite the occasional weaknesses in pacing and character development, there are some devastating scenes, notably when a young run-away, intrigued by the 'glamorous lifestyle' of a dance-hall hostess, discovers just how mean the mean-streets of Osaka can be. The ending of the film is weaker than the build-up - the final scenes of the prostitutes fighting on a set that appears to be the ruined shell of a church with intact stain-glass windows (featuring the Virgin no less) are artificial, overly melodramatic, and a bit trite. Mizoguchi 'wears his heart on his sleeve' in his films about the travails of Japanese women but he has done so better in other films, such as 'Sisters of the Gion' (1936), 'The Life of Oharu' (1952) or 'Street of Shame' (1956). Watched with English subtitles.

Kenji Mizoguchi is arguably the greatest Japanese film-maker ever and it is truly a pity, therefore, that this is only the fifth film of his I have watched; luckily, the host of the Italian TV programme which showed WOMEN OF THE NIGHT promised that they will be screening a few more of his films in the near future. In any case, even if I found precious little reading material on the film, that same host dubbed it a "masterpiece" and a French review I found on the Internet said that it was "absolutely unmissable"! Having now watched it, I can verify that it was no idle praise.

Mizoguchi is well-known for being a feminist director and his extensive filmography is full of studies of downtrodden Japanase women of both contemporary and past eras. This happens to be the first bona-fide "women's picture" of his I have watched and even if it may be a notch less appealing than his very best films, UGETSU (1953) and SANSHO THE BAILIFF (1954), it is nevertheless an exceptionally well-made and moving film with a typically strong central performance from Mizoguchi regular Kinuyo Tanaka. Besides, Mizoguchi's remarkably unsentimental outlook ensures that facile answers to the questions raised are kept well at bay but without rendering the film unnecessarily depressing or bleak.

The plot deals with three post-WWII women (from the middle-aged Tanaka to a teenage acquaintance of hers) who all gradually and unwillingly turn to prostitution to make ends meet. The "women of the night" are depicted as being either cynical and bitter (like Tanaka who, despite being infected with disease, still keeps on prostituting herself so as to carry out her revenge on all manhood after being betrayed by her employer/lover), nymphomaniacs (who usually take out their own frustrations on the newer 'recruits') or, worse still, disease-ridden yet pregnant (like Tanaka's younger sister). The kindly doctors who shelter the loose women when in labor are ultimately powerless to prevent them from going back to plying their dangerous trade once they have delivered their usually stillborn children. The devastating final sequence (superbly executed through Mizoguchi's peerless mise-en-scene) portrays just such an occurrence in which Tanaka literally tries to beat some sense into her sister when she joins her on the streets once more, at which point the rest of the prostitutes either vent their anger on the two for scaring off potential customers with all the commotion or take the sisters' side for seeking a way out of their profession.