User reviews

I was able to tape this film years ago. It is not often seen on TV and a true classic film. Tap Roots takes place at the outbreak of the Civil War, Lebanon Valley tries to secede from the state of Mississippi and remain neutral. Hating slavery, its leader, Hoab Dabney(Ward Bond), and a faithful Indian friend of the family, Tishomingo(Boris Karloff), promise to protect the valley against the Confederate army. There is a great cast of actors namely: Susan Hayward, Van Heflin and Julie London(former wife of Jack Webb, Dragnet T.V) Tap Roots is rather long and drawn out. However, the plot has romance, excellent photography of the Civil War costumes, sex situations and the action is of great value. Karloff is excellent as an Indian guide of the family and his make-up makes him look just like a Native American. I noticed the Smoky Mountains located in North Carolina and Tennessee where this Mississippi story was filmed which is magnificent to view.

The story is about the Dabney family and it begins in Mississippi just before the Civil War. The Dabneys are a proud family and not in favor of secession. But they and the folks around them are a distinct minority and eventually they end up seceding from Mississippi once the state joins the Confederacy. Not surprisingly, the new Confederacy is NOT pleased that this county has joined the Union...and bad things are a comin'.

But there's much more to the tale and it centers around Morna Dabney (Susan Hayward). She is vivacious and beloved by Clay--a man who loves the idea of war and secession. But when Morna is injured and it appears as if she'll never walk again, Clay shows his true colors...and the roguish Keith (Van Helfin) steps up and shows he really is a heck of a guy.

This is enjoyable and with very nice acting. The only real problem is that what happens to the Dabneys and the county is pretty much foreordained and there are few surprises here. The story, by the way, was inspired by a similar situation in Jones county, where such a rebellion against the state of Mississippi occurred.

Half backed shenanigans down plantation way. A story of a wealthy family of farmers who wish to remain separate from the insanity of the Civil War and the fiery minx who is the eldest daughter of said family.

More interesting for what it represented to its leading lady than for how the film turned out. When Susan Hayward landed in Hollywood after being spotted in a magazine advertisement she was still Edythe Marrenner a green kid from Brooklyn who along with a flock of other young hopefuls tested for the role of Scarlett O'Hara in Gone With the Wind. Obviously she didn't get the part and if you've ever seen her test it's obvious she was nowhere near ready. However it planted the seed for her desire to if not play Scarlett then at least play a Southern belle.

Within a short time she was discovered by producer Walter Wanger who recognized her potential and through the years carefully cultivated her career eventually making the film which won her the Oscar, I Want to Live! Along the way, about a decade after her initial GWTW test, Wagner developed this mint julep mediocrity for her to fulfill her dream. The thing is it's an odd choice to achieve that goal. Her character, the interestingly named Morna Dabney, after making a memorable entrance disappears for great swathes of the film's running time, first through infirmity and then being removed from the main action of the story for most of the climax. When the camera does train itself on her she is breathtaking, at the peak of her beauty in gorgeous Technicolor but the script hands her a confused character to play, one minute pining for the lout who runs off with her hussy of a sister, a young and lovely Julie London who is given little to do, the next passionate about Van Heflin playing another murkily defined role. Around the edges of the story are Boris Karloff ludicrously cast as an Indian and Ward Bond who by the end is hamming it up to the nth degree.

This is beautifully produced but a moderate affair. However for fans of Miss Hayward it's worth watching once but she has many much better movies in her filmography.

When the South secedes from the union, starting the Civil War, plantation owner Hoab Dabney (Ward Bond) declares that his land, encompassing the large Lebanon Valley in Mississippi, will not join in, and will be a free land where other like minded farmers can settle and ride out the war in peace. His daughters Morna (Susan Hayward) and Aven (Julie London) both pine for the same man, loyal Confederate officer Clay MacIvor (Whitfield Connor), while Hoab's chief lieutenant, newspaperman Keith Alexander (Van Heflin) has eyes for Morna. Eventually things reach a reckoning, and lives and loves are lost and won.

There's a lot of nice outdoor cinematography to be seen, and the production design is good, with detailed sets and authentic costumes. Heflin seems like an odd casting choice for the womanizing, pistol-packing Alexander, who seems more in the Clark Gable or William Holden vein. Heflin isn't bad, though, and he holds his own among some big scenery chewers,like Ward Bond and Susan Hayward. I watched this for Karloff, who plays a Choctaw Indian and loyal family retainer. His slightly lisping, British-accented voice seems odd for a Mississippi born-and-raised native, but if you roll with it, he does a good job. It's certainly one of the more interesting characters Karloff played around this time. The film's literary roots are apparent in an abundance of characters, themes and subplots, not all of which get enough attention in the script. A fun bit of trivia: Julia London took time off while filming this to elope with Jack Webb in Vegas.

Set in 1860s Missisippi with the prosperous Dabney family , founders of a rich plantation in Levington . The first founder was the proud grandfather Big Sam : Russell Simpson , though he remains really faithful to the Union . His son is called Hoab : War Bond and he has two beautiful daughters : Susan Hayward as Morna Debney , Julie London and a son : Richard Long . While war bursts out Hoab attempts to remain neutral and to withdraw the land around his plantation to avoid problems . Hoab gains support from local journalist Keith Alexander : Van Heflin . Grandfather Big Sam and Hoab attempt to keep their family out of the civil war but soon find find themselves much affected by tragic circumstances . They decide not get involved in the war because they believe that this isn't their war , but then things go wrong . Eventually , all of them get involved when their mansion is invaded by the Confederation troops . It is time of war and violence and tragedy reaches the Dabney family. When she lost her lover ... her sister gained one !

A thrilling and excting epic set in early Cvil American War in which both sides are really confronted , as the starring family , The Dabney , remains loyal to Union , while the daughter's boyfriend is an extreme Confederate officer . The films contains a similar plot to most successful "Shenandoah" 1965 by Andrew V McLagen with James Stewart , equally concerning a peaceful family becomes reluctantly involved into the Civil War resulting in fateful consequences . Main and support cast are pretty good . As Van Heflin is nice as the local newspaperman who finds himself in the middle of war and while falling in love for Morna Debney . And Susan Hayward is fine , though overacting at times , as the stubborn heir who suffers an accident being impeded to walk and along the way he is extremely enamored for a Southern officer . In addition, War Bond is the brave father who will stop at nothing to save his children , Boris Karloff plays competently an Indian who attempts to destroy the enemy plans , Russell Collins as the patriarch who vows to remains neutral , Julie London as the beautiful sister who will betray to Morna , besides : Richard Long as a valiente son , Whitfield Connor as the Cofederate Major , Arthur Shields as a Reverend , Rudy Dandridge as a servant , among others .

The motion picture produced in medium budget by Walter Wanger was professionallity directed by George Sherman , though with no much originality , neither enthusism and nor vigour , but there is entertainment enough . Sherman was a prolific artisan who made a long career , directing films of all kinds of genres and with penchant for Western , such as : "Big Jake" , "War Arrow", "Treasure of Pancho Villa" , "War Arrow" , "Tomahawk" , " Comanche Territory" , "The Last of the Badmen", "The Sombrero Kid" , "Santa Fe Stampede" , "Cowboys From Texas" , "Rock Mountain Rangers" , "Covered Wagon Days" , "Frontier Horizon", "Outlaws of Sonora", "Wyoming Outlaw" , "Pals of the Saddle" , "Overland Stage Raiders" , "Three Texas Steers" , "Outlaws of Sonora" , among others . Well worth watching.

Among the hundreds of hopefuls for the role of Scarlett O'Hara was young Susan Hayward who was about as unknown as you could get when David O. Selznick was testing potential Scarletts. Almost a decade later Hayward got to play a lead as a southern belle in Tap Roots. Although there are some superficial resemblances to Scarlett O'Hara in Morna Dabney this film is not Gone With The Wind by a stretch.

This is set in Mississippi at the beginning of the Civil War. The Dabneys are the local Cartwrights in the area, a proud plantation family with the requisite slaves. However they regard the Lebanon valley area and all its residents as serfs blacks and whites and Russell Simpson the head of the clan correctly sees that if Lincoln is elected and there is civil war, it's going to end badly for the south and life which includes slavery ownership for him is at an end. So his solution is for his part of Mississippi to secede from the rest of the state and declare neutrality. But Simpson dies and his son Ward Bond sends out a call to all who don't favor secession to join him in his valley fortress and keep the impending Civil War out.

Bond has two daughters, Susan Hayward and Julie London and a son Richard Long. Hayward is courted by cynical newspaper owner/editor Van Heflin, the Rhett Butler of the piece and Whitfield Connor a soldier set to leave the army and fight for the south. Hayward has them both panting hot and heavy for her and her love life gets hopelessly entangled with the politics of the Civil War.

There were pockets of Union sentiment all over the South during the war. Not everyone wanted to fight for some planter's right to own people. But nowhere was there anything like this recorded in the history of the era. Union sympathizers simply hunkered down and waited for the war to end however it would.

Hayward and Heflin are a pair of my favorite players and they were both good, doing as best they could to carry a preposterous plot premise. Ward Bond has a great scene going totally mad as he sees his valley being shot to smithereens by the Confederate army.

Boris Karloff is also in the cast. He plays a Choctaw Indian medicine man who seems to be the only one around and he's a retainer of Russell Simpson, a kind of Dabney family guardian. I'm sure the book on which Tap Roots is adapted better explains his presence, but he seems grafted into the film as far as I could tell.

Tap Roots is far from the worst film Hayward and Heflin were ever involved in. Still if Universal Pictures thought they had their own Gone With The Wind, they fell way short of the mark.

"Tap Roots" is a very good Southern drama set in Mississippi at the start of the Civil War. The story evolves around the Dabney family in the Lebanon Valley. Big Sam Dabney had settled the area and befriended a native Choctaw Indian, Tishomingo. He became a faithful companion and overseer of the Dabney estate and valley, with Sam's son, Hoab.

Hoab's three children are Bruce, Morna and Aven. Big Sam wants to see Morna married to her fiancé, Clay MacIvor, before he dies. MacIvor is a captain in the Army, and he and Morna are having an elegant home built. He won't marry until the house is finished; then, at the threat of war, he has further reason to wait. MacIvor's sentiments are strongly with the South, should it secede from the Union. But the Dabney men want no part of secession.

A third main character enters the story after Big Sam dies. Keith Alexander, publisher and editor of an influential and widely read newspaper writes a glowing tribute to Sam. But, Bruce thinks it's an insult to his grandfather. Tishomingo rides with Bruce to confront the editor, who had a reputation as a lady's man and for killing 20 men in pistol duels. Tishomingo's presence was to ensure that Bruce didn't become one of those dueling casualties.

But all turns out well after the mature and wiser Alexander sidesteps Bruce's charge and apologizes. He insists on going with them to apologize to the whole family. Most of the family befriend Alexander who falls for Morna. But he and MacIvor have an immediate dislike for one another. Thus begins a drama of war, romance, hatred, betrayal, revenge and love.

The film has a superb cast. Both leads are Oscar-winners - van Heflin (Alexander) having won his in 1943 for his supporting role in Johnny Eager. Susan Hayward (Morna Dabney) would win her best actress Oscar in 1959 for "I Want to Live." Others include Julie London (as Aven), Ward Bond (as Hoab), Richard Long (as Bruce), Russell Simpson (as Big Sam), Ruby Dandridge (as Dabby), Arthur Shields (as Rev. Kirkland), Whitfield Connor (as Clay MacIvor), and Boris Karloff (as Tishomingo).

Most of these and other supporting roles were very good. A few tidbits about various members of the cast are worth noting. Arthur Shields had a fine film career but never became as famous as his brother, Barry Fitzgerald. This is one of the few straight dramatic roles that Boris Karloff had in a career of more than 200 films, including 60 in the silent era. Karloff is widely recognized for his monster and horror films since playing Frankenstein in 1931. But he played diverse roles in early years. Ward Bond was well recognized over time as a solid sidekick to leading men in tons of Westerns, war films, mysteries and other action films. His career spanned just under 30 years. He died of a heart attack at age 57 in 1960. Except for Karloff who lived to be 81 and died in 1969, the rest of the leads in this film all had short lives. Three of them would die in the early 1970s. Van Heflin died of a heart attack in 1971. He was 61. But, Richard Long was only 47 when he died in 1974, after several heart attacks. And, Susan Hayward died in 1975 at age 57 of brain cancer.

This movie was based on a 1942 novel of the same title by James Street. It was the second of five books in his highly popular series about the Dabney family of Mississippi. While fictitious, the story borrows from history and legend, including the life of Newt Knight and Jones County, Mississippi. There was such a non-secessionist faction and area of Mississippi at the start of the Civil War. Knight was a very real person with a long and interesting history. Street, himself, had a short but interesting life. He was a one-time minister who worked as a journalist before becoming a full-time author. And, he was just 50 when he died of a heart attack. Others of Street's stories have been made into films. A short story in 1937 led to a hilarious comedy that year, "Nothing Sacred," that starred Frederic March and Carole Lombard. That also inspired the 1954 Dean Martin and Jerry Lewis comedy, "Living It Up."

"Tap Roots" couldn't match the performances or productions of the best pictures of 1948. It was one of those highly competitive years with many excellent films. But, it was no shame not to win honors against the likes of "Hamlet," "The Treasure of the Sierra Madre," "The Snake Pit," "Johnny Belinda," "Key Largo," "Red River," "Red Shoes," "Easter Parade," and many more superb films.

And, "Tap Roots" did well at the box office, taking in $6.6 million against a budget of $2.1 million. A 2016 movie based on the same story didn't fare as well. "Free State of Jones" that starred Matthew McConaughey, had only $25 million in domestic box office, against a budget of $50 million.

This is a fine drama and true love story, with a picture of the South before the Civil War. While the issue of slavery is in the background, this story is about one family, its independence and its tradition of respect for all people. Oh, yes, and just because this is a Civil War period movie that has romance, don't think it's anything like "Gone with the Wind" of 1939. They're two completely different stories, with very different characters.

Here are a couple of lines from the film.

Morna Dabney, "Aven, honey, I'd hate to see you die young. I'd really hate it."

Keith Alexander, "I give you fair warning. I'm gonna keep on making love to you whether you marry him or not."

Universal seem to have thrown a lot of cash at these sub 'Gone with the Wind' shenanigans but really should have paid more attention to the script. Although a potentially interesting idea - a small valley tries to stay neutral during the US Civil War - the movie concentrates almost exclusively on a vapid central romance lifted almost wholesale from that earlier Selznick classic.

Van Hefflin tries hard to inject the kind of dangerous humour that Clark Gable brought to Rhett Butler but Susan Hayward is hopelessly miscast as the young, flighty Southern belle. An excellent actress in the right circumstances, here she looks far too sensible for the role and resorts to a permanent wide-eyed stare to convey youth and innocence. She merely looks like a startled rabbit.

Elsewhere, what should have been the pivotal role of the valley's patriarch is simply not given enough screentime, thus reducing Ward Bond to the occasional ineffectual splutter and the climax to an empty, mechanical spectacle devoid of emotional resonance. Boris Karloff brings a touch of class to the role of the friendly native American retainer but Julie London is wasted in a thankless role.

Overall, it's the kind of picture that the studio must have presumed would make itself and this lack of commitment results in a significant lack of quality.

Nine years after losing the role of Scarlett in GWTW, Susan Hayward got her chance to play a Southern belle in 'Tap Roots'. While her emoting is more than sufficient, the weak script cannot live up to the expensive trappings and handsome production values of this minor technicolor epic from Universal.

Van Heflin, a fine actor, is a dashing newspaper publisher involved with the saucy heroine, as are her brother (Richard Long), an Indian who practices primitive cures (Boris Karloff), and her sister (Julie London). Against a Civil War background in Mississippi, the cliches are all there--and for good measure there's even a fire that destroys a plantation. If you're expecting another GWTW, forget it. It's simply an enjoyable Civil War romance photographed in lush technicolor and designed to showcase Susan Hayward's ability to play a vixenish Southern belle. For added interest, Ward Bond is featured in a strong supporting role--just as he was in GWTW.

Summing up: average entertainment but nothing spectacular.

1948's "Tap Roots" has been described as a poor man's "Gone with the Wind," and that pretty much sums up the simplistic plot, with Van Heflin and Susan Hayward supplying the love interest. As Hoab Dabney, patriarch of the Lebanon Valley in Mississippi, Ward Bond enjoys one of his most prominent movie roles, ably assisted by the scene stealing Boris Karloff, surprisingly cast as Choctaw Indian medicine man Tishomingo, equally adept at healing as he is wielding a mean whip. The slave-owning Dabneys decide to stay neutral as the Civil War gets underway, rousing the townsmen to defy the Confederates, regardless of the consequences (Jonathan Hale has one scene as General Joseph Johnston). By this time, Karloff made infrequent returns to the studio that made him a star (ending with 1953's "Abbott and Costello Meet Dr. Jekyll and Mr. Hyde"), and his casting was most definitely inspired by his recent portrayal of Guyasuta, Chief of the Senecas, in Cecil B. De Mille's "Unconquered." The darkly-complected actor had played a multitude of Native Americans, mostly villainous, during the silent era, but had only these two roles since the advent of talkies (his only sound Western was 1930's "The Utah Kid").

If you've read Gone with the Wind trivia, you know that hundreds of actresses vied for the role of Scarlett O'Hara. A twenty-year-old Susan Hayward was one of them, and to make up for her loss, Hollywood made Tap Roots ten years later. She stars as a feisty, flirty Southern belle on a large plantation just before the outbreak of the Civil War. There are two men in the picture: one she loves through thick and thin, even when he chooses another woman; and a strong, gruff one she bickers with who vows to make her love him. Sound familiar?

Well, sorry Suzy, but Tap Roots is no Gone with the Wind. The acting is ridiculously over the top, the characters are thinly written, and the only likable one in the film is Boris Karloff, a friend of the family who's Native American and completely accepted by everyone-which is not very realistic for that time period. I was rooting for Suzy and Boris to get together, since he was the only one in the movie who seemed to care about her, but since the film was trying to mirror the 1939 epic, that ending seemed unlikely.

Unless you absolutely love Susan Hayward, you're not going to want to watch this wannabe. Raintree County is a better pseudo-remake, and Scarlett is a thrilling sequel. Tap Roots is just stinky.