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MONTGOMERY CLIFT is the nominal star of THE SEARCH but it's little Ivan Jandl that audiences were likely to remember after watching this spellbinding story of his plight as a victim of war amid separation from his mother. Clift is firmly in command of his role as a compassionate soldier who takes the boy under his wing and teaches him to communicate in English. Wendell Corey is excellent as a soldier friend of Clift and opera singer Jarmila Novotna is totally convincing as the boy's mother intent on being reunited with her son.

Another pivotal role is filled brilliantly by ALINE MacMAHON in a part that surely deserved an award nomination. At any rate, Clift deserved his nomination as Best Actor and Ivan Jandl fully deserved his special Oscar as the juvenile lead. His facial expression and eyes tell the whole story without a single bit of dialogue. The only other child actor I can compare him with (at that time) is Claude Jarman, Jr. who showed a natural skill for performing at a tender age.

The impact of the devastation of war on ruined buildings is caught by the camera vividly in on location footage shot in Germany under Fred Zinnemann's expert direction. But it's the impact of war on the very young children that is the focus of this film and to that end it succeeds brilliantly in capturing the grief and loneliness of all those victims of war in a way that is sure to stir your emotions.

Summing up: gritty post-war film, honest emotionally and powerful in its presentation. Highly recommended.

Aside from some dated music and ponderous narration, this is a nearly perfect film. It's surprising, then, that people rarely talk about this being among Montgoery Clift's best work. I, for one, prefer this over From Here to Eternity, Raintree County or even The Heiress. This is because I rarely have encountered a movie that has so pulled me in emotionally to the story. I'm a guy and I don't just start bawling at everything, but I defy ANY person to watch this film with a dry eye! It just doesn't seem possible.

The story is less about G.I. Clift than about a sad but adorable little boy he encounters wandering around in post-war Germany. At first, the boy is wild and doesn't trust anyone, as he and his family had been through the holocaust. Somehow in the concentration camp, he and his mother had become separated and at the end of the war, he had run away from the allied resettlement program because he had a natural fear of ALL soldiers. Despite these tragedies, the boy did not give up hope of one day finding his mother, though Clift plans on taking him back to the States because he knows it is hopeless to go on searching.

You've GOT to see this film! You've GOT to show it to your kids! Although the Diary of Ann Frank and Shindler's List have received a lot of attention, this little film is every bit as poignant and important for understanding the real impact of World War II.

THE SEARCH (Metro-Goldwyn-Mayer, 1948), directed by Fred Zinnemann, as mentioned after the opening credits, was produced in Switzerland and in the United States occupied zone of Germany through the permission of the United States Army and through the cooperation of the I.R.O. It was the first postwar movie to be filmed in an occupied zone. Looking at the background of destroyed buildings and broken streets, it's just a crucial reminder of the suffering amongst those European families and how horrible a war can be. Currently shown on Turner Classic Movies and once available on video, it's become one of the most requested from viewers, and rightfully so. Running at 105 minutes, there isn't a single frame wasted in the story, no scenes are unnecessary.

The plot in brief: Set in post World War II, a war orphan (Ivan Jandl, in his only movie role) is sheltered by an American G.I. (Montgomery Clift), while all that time, his mother (Jarmila Novotna), who has survived the hardship of the concentration camp, searches for him, knowing in her heart, that he is very much alive. And when the G.I. decides he wants to take the boy he calls "Jim" back with him to America, suspense builds for the viewers knowing that the mother is not that far away, and how they nearly miss each other in a couple of scenes. Aside from this being Clift's first movie to be released and his second film role, and that Ivan Jandl as Karel will steal one's heart, especially with his sad face, Aline MacMahon (1899-1991), as Deborah H. Murray, superintendent of the orphanage for war orphans, as well as the off screen narrator, gives possibly the best dramatic performance of her career, so sincere and natural, especially her devotion to those other children, one forgets that she's just an actress playing a role. Even her somewhat sad face adds to her personality and character. I only wished she had won, or at least been nominated, for an Academy Award for Best Supporting Actress for this performance. She deserved it. Clift, whose gun chewing soldier character comes about 45 minutes into the movie, also gives a sincere performance, and was nominated for Best Actor. Wendall Corey appears in support as Clift's Army buddy, Jerry Fisher.

I rank THE SEARCH one of director Zimmermann's most admired films, and one I never get tired of seeing whenever it's shown. Thank goodness TCM avoids showing the colorized version of THE SEARCH. Be sure to have your tissue box handy. (****)

After watching Roberto Rossellini's 1947 final part of his war trilogy "Germania anno zero", Fred Zinnemann's "The Search" is in direct contrast. While Rossellini approaches a similar subject with absorbing objectivity, "The Search" opts for sentimentality, although Zinnemann tried to add a documentary dimension to the story. It's the tale of a boy who is rescued by an American G.I. in Berlin, while the boy's mother is looking for him in refugee camps, after they were separated in Auschwitz during the war. Mother and child are pretty close but do not know it, so the story goes from scenes of the soldier educating the boy, to the mother's giving love to surrogate sons in a UN home for war orphans. Zinnemann's tact (or lack of passion, as some may say) nevertheless makes it work, as well as the performances by Montgomery Clift as the soldier and young Ivan Jandl as the kid, who won a special Oscar.

I got to this movie randomly in the night program and found it was rather undeservedly relegated to past 11pm duties on TV. For Germans, it may be hard to chew the past concentration camp experiences of Children survivors in English and American orphanages and the highlighted search of a mother for her young boy, from whom she has been separated during the war. Sentimental : Yes Heart Gripping : Yes Wonderful to watch to the (happy ???) ending ? Yes all over. Great performances by the young boy, Ivan Jandl, the mother and the orphanage manager and very convincing performances of Montgomery Clift and Wendell Corey as teachers and father stand ins. I do know the ending, but it grips me nevertheless, even on replay. And if you're not icy to the heart, it will do the same for you.