La flèche noire

This fine film is a dramatic, tense and action-packed story set at the close of the War of the Roses when a young man returns home to find that his father has been murdered and his estate confiscated. Louis Hayward is the dashing hero of the proceedings and Janet Blair supplies the romance in this film of treachery and palace intrigue. Hayward's search for the truth about his father's death places him and Blair in grave danger as sinister forces remain in the shadows, watching and waiting for the right time to move on him. George Macready is excellent in his role as the suave but evil landowner who also covets Blair for his marriage bed. Edgar Buchanan supports the headliners as an aide-de-camp of the outlaw band that hides out in the forest, reminiscent of the familiar Robin Hood legend. The movie has a classic good vs. evil theme and is accompanied by a fine score by Paul Sawtell.

The Black Arrow is directed by Gordon Douglas and adapted to screenplay by Richard Schayer, David P. Sheppard and Thomas Sellar from the novel written by Robert Louis Stevenson. It stars Louis Hayward, George Macready and Janet Blair. Music is by Paul Sawtell and cinematography by Charles Lawton Jr.

A little known swashbuckler, the Black Arrow has all the requisite touches for fans of such dashing fare. Story is set just after The War of the Roses has ended and pitches the returning Sir Richard Shelton (Hayward) into a hunt for the truth behind his father's murder. Political intrigue, fights, brutal jousting and romance does follow. It doesn't give the Flynn or Power swashbucklers a run for their money, but it's good honest family entertainment with medieval literacy at the core and red-blooded machismo bulging at the seams. 6/10

THE BLACK ARROW, based on a historical novel by Robert Louis Stevenson, is an American-made swashbuckler that's set in England and tells a tale that's very reminiscent of the Robin Hood story. Set in the aftermath of the Wars of the Roses, it sees a soldier return home to find his father murdered, apparently by a rival, although he soon discovers that the murderers lay close at hand and that foul play was involved.

This is a light and breezy affair, with a fast pacing and plenty of action to recommend it. The swordfights are conducted in the classic manner with the opponents adopting fencing stances and a general old-fashioned feel to them. Louis Hayward, the erstwhile hero, is a guy I didn't find particularly charismatic, but the supporting cast of dastardlies and outlaw heroes is a well-chosen one.

Of course, never for a second does this film convince you that it's set in England, and the American accents of some of the cast members don't help much. Nonetheless it's an entertaining piece, with all of the jailbreaks, skullduggery, rescues and escapes you could hope for in an adventure movie. The ferocious jousting climax is a real highlight and surprisingly barbaric for its time.

Lois Hayward is capable of much better than this. It was slow and awkward...some of the cast was good but over all I did not feel the casting was a great asset...certainly the script and direction were not...the cast deserved better to work with. Still if you are an afficianado of sword and swash be prepared to sit around for awhile and wonder why you bothered to wade thru this...definitely "not" a keeper...but watch it only if you love Louis Hayward movies.

This 1948 swashbuckler set in the aftermath of the War of the Roses has three things that makes this mildly enjoyable programmer: the underrated Gordon Douglas directing, the menacing scene stealer George Macready, and the dashing Louis Hayward isn't Errol Flynn, which is a good thing, as Hayward has got his own unique style; he looks the part, acts really well as the son who returns to find his father murdered, and his sword fights are executed with cat-like agility.

The story - A young British nobleman comes back from fighting in the War of the Roses to discover that his father has been murdered by an old family friend who is now an outlaw. However, he becomes suspicious about the exact circumstances of his father's death and determines to find out exactly what happened.

As the storyline suggests, there's a little intrigue, especially with the black arrows left for Hayward's character to read. It implies that his uncle, Macready, is the real culprit. The first half moves slightly ponderously, but it's still captures your attention. There are sword fights, secret passages, rebellious bandits on the side of good, and an exciting jousting sequence. Enjoyable swashbuckler, though I wish it was in technicolour. Check out the brilliant Disney 1985 version of this Robert Louis Stevenson penned adaptation.