Les aventures de Don Juan

Like his swashbuckling predecessor Douglas Fairbanks, Errol Flynn tackled the part of Don Juan in his late years, he was 39 when he made this film for Warner Brothers. Like Fairbanks, Flynn plays an older and wiser famous lover who's getting a bit bored by it all. Not unlike the real life Errol Flynn.

The Adventures Of Don Juan finds Tirso De Molina's famous lover sent home after a couple of escapades in the newly formed Kingdom of Great Britain. King Philip III and Queen Margaret give our hero a chance to redeem himself by teaching at the royal fencing academy.

He's up to his neck in trouble soon enough, but not the kind of trouble Flynn's usually in. The first minister Robert Douglas is planning a move against the Queen who he sees as his main obstacle for total power in the kingdom. And the great lover starts behaving more like Sir Lancelot and less like Don Juan where Queen Margaret as played by Viveca Lindfors is concerned.

Although Philip III was not the great ruler his father Philip II was, by no means was he as big a fool as Romney Brent plays him. The real Queen Margaret who was his Hapsburg cousin did in fact have considerable influence over domestic and foreign policy in Spain.

The Adventures of Don Juan was given a sumptuous production and won an Oscar for Costume Design and was nominated for Art&Set Design. I think the film's best asset besides Errol Flynn is Max Steiner's music. As Flynn films usually are well scored, this one even stands out among that group.

The Adventures of Don Juan marked the thirteenth and last film that Alan Hale made with Errol Flynn. If Alan Hale or Frank McHugh did not appear in Warner Brothers production it didn't seem quite right. Jack Warner kept those two guys busiest of all at his studio.

Although Errol was getting older and his hedonistic living was starting to show, the part calling for an older and wiser Don Juan was well suited for him. One wishes he'd done the role back in the middle Thirties as a young man however.

They truly don't make 'em like this anymore (more's the pity). Errol Flynn plays the role he spent his whole life "training" for -- Don Juan -- in this spectacular Warner Brothers adventure film. There is so much to recommend this film; it's a shame American audiences didn't respond to it the way European audiences did at its initial release. Flynn does his best work in years as Don Juan, ably supported by perennial sidekick Alan Hale and Robert Douglas as the evil Duke De Lorca. The costumes are amazing, the sets splendid, the Technicolor never looked better -- but to top it all off, the swordplay, choreographed by the legendary maestro Fred Cavens (Adventures of Robin Hood, The Mark of Zorro) is second to none. From the brief duels with jealous husbands to the scenes in the fencing academy to the final rapier and dagger brawl (capped by a spectacular leap performed by stuntman Jock Mahoney) the sword work here is awesome. (btw, historical fencing fans should note the use of Thibaults' Mysterious Circle on the wall of the fencing school, completely appropriate since this is the Spanish school of rapier play). Future Perry Mason Raymond Burr has a memorable role as one of the villains in this court intrigue adventure, and Viveca Lindfors is excellent as the Queen, but it is Flynn, with his wit, panache and blade skill, who dominates, just as it should be. For terrific entertainment in the classic Hollywood tradition, take a look at The Adventures of Don Juan! UPDATE 2/9/07 This film will soon be available on a new DVD in the second Errol Flynn collection box set, along with another good Flynn film, The Dawn Patrol.

THE ADVENTURES OF DON JUAN was intended as something of a 'comeback' film for Warner Bros. resident 'bad boy', combining the heroic elements of 'ROBIN HOOD' and 'THE SEA HAWK' with Errol Flynn's well-established (by 1948) reputation as a hell-raising womanizer. Unfortunately, the color production, Flynn's first swashbuckler in nearly a decade, was not a box office hit, but the comic adventure is today embraced by his many fans as one of his best roles!

It was not an easy film to make, as Flynn's carousing and disappearances (officially called 'sicknesses') stretched the filming, and forced frequent reshooting. Director Vincent Sherman, cinematographer Elwood Bredell, and editor Alan Crosland often had to 'cut-and-paste' snippets of many takes to achieve a decent performance from the star, and careful lighting had to be used to play down the increasingly obvious effects of the star's hedonistic lifestyle. (The closing scene, featuring then wife Nora Eddington, was shot nearly a year before the remainder of the film, and the change in the Flynn's physical appearance is clearly evident.) At 38, the star, who always hated being called a 'pretty boy' (to the extent that his home had few mirrors) was aging rapidly.

All this being said, Flynn tried to give the film the best he could. It had been a landmark film for his friend/mentor John Barrymore, in the first Warners' film with sound, employed for music and special effects only, in 1926 (THE JAZZ SINGER would introduce 'talkies' a year later). It reunited him with friend and frequent costar Alan Hale, who, at 56, was still a popular character actor, and whose son, Alan Jr., was starting to make his mark around town (he would eventually be best known as the Skipper in 'Gilligan's Island'). The script for DON JUAN, in development since 1939, passed through many hands, including uncredited help by William Faulkner and Robert Florey, with the end result being marvelously tongue-in-cheek. The score, by the legendary Max Steiner, became an instant classic, and would be reused, years later, in George Hamilton's ZORRO, THE GAY BLADE. This was a film which, despite Errol Flynn's self-destructive lifestyle, had enough talent involved to still stand up as one of the better films of the 1940s.

The plot involves roué Don Juan, tossed out of England after breaking up a 'diplomatic' wedding (a VERY funny scene), returning home to Spain to find evil Duke de Lorca (the sublimely nasty Robert Douglas) controlling weak King Phillip, and taxing the population to near starvation, with only the beautiful Queen Margaret standing in his way. Flynn quickly dispatches a de Lorca press gang, earning the Count's hatred, and the Queen's attention...and Don Juan finds himself truly falling in love, for the first time, with the youthful monarch (played by the radiant Viveca Lindfors). Assigned as a fencing master at the Academy, the legendary lover draws the ire of the Queen by stating his feelings for her, then is manipulated into another disastrous diplomatic blunder, involving, of course, another woman. On the run, he discovers de Lorca's ultimate scheme (manipulating the Crown into war), and with the help of the students of the Academy, he must save the King and Queen.

Featuring a great early appearance by Raymond Burr (as a de Lorca henchman), and a stirring final duel between Flynn and Douglas (expanded from the 1926 version, and featuring an astonishing climactic stairway jump, performed by stuntman and future 'Tarzan' Jock Mahoney), THE ADVENTURES OF DON JUAN is a gloriously adventuresome romp. Sadly, it didn't save Flynn's flagging career, but it certainly has earned a place among his classic films!

I expected to see Flynn looking out of shape, trying to relive his past glories in this 1948 film. Instead it turns out that in The Adventures of Don Juan, not only is our hero still swashbuckling up a storm and almost as handsome as ever -- let's not forget, ten years and many events have now elapsed since Robin Hood -- but he is also man enough to laugh at himself along with the audience. The role of Don Juan could not be carried off by many actors, and casting Flynn in this role could easily end up being farcical. Instead, he pulls off the role with humour and grace.

And he still looks excellent in tights! More than good enough for me.

I've always been a huge fan of Flynn's movies. When he was into the role, he was as good an actor as anybody. Of his swashbucklers, the "BIG THREE" were always Captain Blood, The Adventures of Robin Hood and The Sea Hawk. But two movies often omitted from a list of his best are The Adventures of Don Juan and The Master of Ballantrae. Don Juan is a movie in the vein of Burt Lancaster's Crimson Pirate or The Flame and The Arrow, being a tongue-in-cheek swashbuckler that scores on several points. Flynn was clearly comfortable with light comedy; it featured some great "bad guy" work by Robert Douglas; and, despite production problems caused BY Flynn's excesses, the editing in of sequences from Robin Hood and Elizabeth and Essex worked very well. The fencing scenes were thoroughly enjoyable! All in all, I would recommend this film to anybody who is a fan of the genre.