Entre hier et demain

Original title: Zwischen gestern und morgen

1947
1h 47m

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Hildegard Knef in Entre hier et demain (1947)

A group of people gathers back in the post-war ruins of a luxurious Munich hotel they inhabited at one point or another years before; each trying to cope with the tragic consequences of the ... Read allA group of people gathers back in the post-war ruins of a luxurious Munich hotel they inhabited at one point or another years before; each trying to cope with the tragic consequences of the war and their own actions.A group of people gathers back in the post-war ruins of a luxurious Munich hotel they inhabited at one point or another years before; each trying to cope with the tragic consequences of the war and their own actions.

See production info at IMDbPro

IMDb RATING

7.3/10

215

YOUR RATING

See production info at IMDbPro

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Storyline

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Did you know

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Trivia
Sybille Schmitz, who was accused of consorting with the Nazis, ironically here portrays a Jewish woman victimized by the gestapo.

Goofs
When Nelly is escorted by the Gestapo from her hotel room, a boom microphone briefly appears from behind the doorway.

Connections
Edited into Tanz mit dem Tod: Der Ufa-Star Sybille Schmitz (2000)

Soundtracks
Sag's heute und sag's morgen
Music by Werner Eisbrenner
Lyrics by Bruno Balz

User reviews3

Featured review

Germany's first and last neo-realistic movie

When I picked it up from my TV program, I was betting only on Viktor De Kowa, one of the few German actors who managed to stay away from Hitler's iron fist and entertained us at the end of WWII with musicals like WIR MACHEN MUSIK. To my great surprise, I watched a pretty good picture, beginning first in the Rossellini style of neo-realism, but soon moving in different directions,always steering clear from cheap or bombastic allusions. De Kowa, Knef and Birgel were perfect in their parts. I fully support Shezan1's comments, drawn probably also from TV watching. The Germans great cinema is no more, but thanks to TV we are discovering every day that they still excel in making attracting series, such as INSPECTOR DERRICK. The French are more clever, they draw money from the crowds who go to see American movies, and beef up their own movie industry. harry carasso, Paris