Un condamné à mort s'est échappé ou Le vent souffle où il veut
- 1956
- Tous publics
- 1h 41m
IMDb RATING
8.2/10
28K
YOUR RATING
A captured French Resistance fighter during World War II engineers a daunting escape from a German prison in France.A captured French Resistance fighter during World War II engineers a daunting escape from a German prison in France.A captured French Resistance fighter during World War II engineers a daunting escape from a German prison in France.
- Nominated for 1 BAFTA Award
- 4 wins & 3 nominations total
César Gattegno
- Le prisonnier X
- (uncredited)
Max Schoendorff
- Un soldat allemand
- (uncredited)
Storyline
Did you know
- TriviaAfter seeing the film, Jean-Luc Godard said that Robert Bresson was "to French cinema what Wolfgang Amadeus Mozart is to German music and Fyodor Dostoevsky is to Russian literature".
- GoofsAt one point, Lieutenant Fontaine (François Leterrier) is moved from a ground floor prison cell to a top floor cell. However, while he was in the ground floor cell, he was lowering his bundle a significant distance to send and receive objects from a man named Terry (Roger Treherne) in the prison yard.
- Quotes
Le lieutenant Fontaine: I think my courage abandoned me for a moment and I cried.
- Alternate versionsAfter the "Fin" title card, there is a version that plays music to a black screen, while another version displays "Exit Music" in white letters against the black screen.
- ConnectionsFeatured in De weg naar Bresson (1984)
- SoundtracksGreat Mass in C Minor, No.16 (K.427) - Kyrie
Written by Wolfgang Amadeus Mozart
Featured review
This is one superior made movie. I don't know what it as about prison movies but they often work out as such great ones. This one manages to be original as well, due to its approach and just overall execution of it all.
It's perhaps that we really start to feel and identify for and with the main character, in a prison movie. We get to see the restrained and strict world he lives in through his eyes and we can hear what he is hearing and almost feel what he is feeling because we as the viewer are so close up to him. In this movie this is even more the case than ever. The story is being told completely from his perspective and also features his narration over the sequences. It makes the movie really an effective one. It of course also helps the movie and story that we can root for the main character, since he is a member of the French resistance that got caught and held in prison by the Nazi's, during WW II. We only see what he sees and only hear what he hears. And this movie uses takes great advantage of this approach. I especially liked the incredible use of sound throughout the movie.
But the movie does not only use a great approach, it also manages to build up its story extremely well. I just love how he plan his escape in tiny steps throughout the movie. He picks up up an item here, makes a tool there, sends and gets some information here, studies the guards movements there and takes just tiny steps every time to get closer to his breakout from jail. It's incredible how well and intriguing this works out all for the movie. Fore the movie and its story itself are actually being quite simplistic. This is not an high budget movie and uses limited resources to tell its story with.
It's also one of those movies that uses non-professional actors, to add to the movie its realism. This is a thing that was popular for a while with Italian and French film-makers. It did not always worked out too well for just every movie but in this case you can't really complain about it. The characters simply work out, so the acting was convincing and realistic.
This is such a great minimalistic movie. It does incredibly well with its simplistic story and concept and picks a wonderful, effective approach to it all.
9/10
http://bobafett1138.blogspot.com/
It's perhaps that we really start to feel and identify for and with the main character, in a prison movie. We get to see the restrained and strict world he lives in through his eyes and we can hear what he is hearing and almost feel what he is feeling because we as the viewer are so close up to him. In this movie this is even more the case than ever. The story is being told completely from his perspective and also features his narration over the sequences. It makes the movie really an effective one. It of course also helps the movie and story that we can root for the main character, since he is a member of the French resistance that got caught and held in prison by the Nazi's, during WW II. We only see what he sees and only hear what he hears. And this movie uses takes great advantage of this approach. I especially liked the incredible use of sound throughout the movie.
But the movie does not only use a great approach, it also manages to build up its story extremely well. I just love how he plan his escape in tiny steps throughout the movie. He picks up up an item here, makes a tool there, sends and gets some information here, studies the guards movements there and takes just tiny steps every time to get closer to his breakout from jail. It's incredible how well and intriguing this works out all for the movie. Fore the movie and its story itself are actually being quite simplistic. This is not an high budget movie and uses limited resources to tell its story with.
It's also one of those movies that uses non-professional actors, to add to the movie its realism. This is a thing that was popular for a while with Italian and French film-makers. It did not always worked out too well for just every movie but in this case you can't really complain about it. The characters simply work out, so the acting was convincing and realistic.
This is such a great minimalistic movie. It does incredibly well with its simplistic story and concept and picks a wonderful, effective approach to it all.
9/10
http://bobafett1138.blogspot.com/
- Boba_Fett1138
- Aug 13, 2010
- Permalink
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Details
- Runtime1 hour 41 minutes
- Color
- Aspect ratio
- 1.37 : 1
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What is the Japanese language plot outline for Un condamné à mort s'est échappé ou Le vent souffle où il veut (1956)?
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