Ozu's handful take on working class issues is more about adjustments than ethics and encouragement.
Soshun / Early Spring (1956) :
Brief Review -
Ozu's handful take on working class issues is more about adjustments than ethics and encouragement. Soshun is another fine film from Yasujiro Ozu who is master in handling such stories based on small parts life but it definitely lacks the walling and hardness. A young man and his wife struggle within the confines of their passionless relationship while he has an extramarital romance. The film is about three things, one is passionless married life, two is corporate office issues faced by working class post World War and third is unethical Extramarital affair. Usually, we see Ozu handling one story at a time and giving full justice to it but here he gets three stories and that's why couldn't give full justice to any of them. In numerical analysis i would say he gives 70% justice to each story and those remaining 30% is what we didn't expect from him. The bigger problem is, it doesn't have any inspiring and encouraging ending which might have given hope to be better in life, rather it is about getting yourself adjusted with the wrongs. I don't see how a wife can really manage to live with the husband after knowing his affair or could it be really possible even in imagination? The better side of the film is it's non-narrative nature just like other Ozu films. You can't blame him much because he doesn't choose narratives, instead he chooses just a small part from a life and brings it to the silver screen. One can't deny Ozu's master storytelling here and for that he deserves Full Marks. Enough about Ozu, actually Soshun is a much better film because of its actors. I mean watching every actor performing seamless even after weakened storyline is such a great thing, no? The cinematography in Ozu films never disappoints and Soshun is no difference. Yet another triumph for the artist behind the camera. In simple words, it's Very Good and that's the best i can say.
RATING - 7/10*
By - #samthebestest
Ozu's handful take on working class issues is more about adjustments than ethics and encouragement. Soshun is another fine film from Yasujiro Ozu who is master in handling such stories based on small parts life but it definitely lacks the walling and hardness. A young man and his wife struggle within the confines of their passionless relationship while he has an extramarital romance. The film is about three things, one is passionless married life, two is corporate office issues faced by working class post World War and third is unethical Extramarital affair. Usually, we see Ozu handling one story at a time and giving full justice to it but here he gets three stories and that's why couldn't give full justice to any of them. In numerical analysis i would say he gives 70% justice to each story and those remaining 30% is what we didn't expect from him. The bigger problem is, it doesn't have any inspiring and encouraging ending which might have given hope to be better in life, rather it is about getting yourself adjusted with the wrongs. I don't see how a wife can really manage to live with the husband after knowing his affair or could it be really possible even in imagination? The better side of the film is it's non-narrative nature just like other Ozu films. You can't blame him much because he doesn't choose narratives, instead he chooses just a small part from a life and brings it to the silver screen. One can't deny Ozu's master storytelling here and for that he deserves Full Marks. Enough about Ozu, actually Soshun is a much better film because of its actors. I mean watching every actor performing seamless even after weakened storyline is such a great thing, no? The cinematography in Ozu films never disappoints and Soshun is no difference. Yet another triumph for the artist behind the camera. In simple words, it's Very Good and that's the best i can say.
RATING - 7/10*
By - #samthebestest
- SAMTHEBESTEST
- Feb 13, 2021