[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro
Jane Russell in Bungalow pour femmes (1956)

Trivia

Bungalow pour femmes

Edit
The synopsis of "The Revolt Of Mamie Stover," which appears in the 20th Century Fox studio press book, suggests that some last minute changes and edits were made to tone down the true nature of the Mamie Stover character. The following scenes were described in the synopsis: (1) The film opens with a scene on a street corner in San Francisco in which Mamie (Jane Russell) is picked up by a middle-aged man (portrayed by Stubby Kaye), and then detained by police who suggest she get out of town. (2) A scene occurs between Mamie and Annalee (Joan Leslie), in which Annalee tells Mamie to stay away from Jimmy (Richard Egan). (3) Mamie buys her own house on the hill and decorates it in anticipation of Jimmy's return from the war. (4) While Jimmy is away at war, he receives letters from both Annalee and Mamie. Annalee's are more poetic and caring, while Mamie's tell of her increasing fortune from her real-estate properties. (5) The film ends with a scene in a room at the Bungalow Club in which Jimmy rejects Mamie and leaves. Mamie walks down the hall, wipes her tears away, composes herself and enters another room, greeting her latest customer with her tag line, "You waitin' for Mamie, honey?" This suggests that her life will continue in same fashion as it always had: motivated by money at any cost despite a less-than-respectable lifestyle. The final version of the film as released redeems Mamie by cutting out before she greets her next customer and adding a scene in which she returns to San Francisco only to tell the police, who meet her at the dock, that she gave up her fortune and is now returning to her hometown of Leesburg, Mississippi.
The author of the novel, The Revolt of Mamie Stover, William Bradford Huie, also wrote the novel The Americanization of Emily. In the foreword to the second novel, he wrote: "The Americanization of Emily, like The Revolt of Mamie Stover, is from the war memoirs of Lieutenant Commander James Monroe Madison, USNR. All characters are fictitious." The protagonist of both novels, Jimmie Madison, is called Jim Blair in this movie and is played by Richard Egan. He is called Charlie Madison in Les Jeux de l'amour et de la guerre (1964) and is played by James Garner.
20th Century-Fox production head Buddy Adler wanted Marilyn Monroe for the role of Mamie, but she refused. Fox went with Jane Russell instead.
Jane Russell dyed her hair and eyebrows red for this film instead of wearing a wig.
Fox publicity materials claim that Jane Russell's hula number, "Keep Your Eyes on the Hands", was not originally in the film. Crew members reputedly heard it sung at a Honolulu nightclub while there to film exteriors and found it so perfect for Russell that it was incorporated into the film.

Contribute to this page

Suggest an edit or add missing content
  • Learn more about contributing
Edit page

More from this title

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.