In 1849, an Indiana farmer develops a life-long gold fever and an obsession with finding the 'mother lode' in the Californian hills.In 1849, an Indiana farmer develops a life-long gold fever and an obsession with finding the 'mother lode' in the Californian hills.In 1849, an Indiana farmer develops a life-long gold fever and an obsession with finding the 'mother lode' in the Californian hills.
- Baxter
- (as Lewis Russell)
- Billy as a Boy
- (as Chris Olsen)
- Prospector
- (uncredited)
- Prospector
- (uncredited)
- Prospector
- (uncredited)
- Prospector
- (uncredited)
- Man in Hotel Lobby
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Wayne plays a young man seduced by the lure of easy riches when gold is struck in the wild and woolly west. He heads there with his best friend, but they soon go their separate ways when, blinded by his desire for wealth, Wayne falls in with bad guy Keenan Wynn. Together they steal a claim from a couple of Mexicans and work it for themselves, only for Wynn to double-cross him when it comes to payday.
Wayne finds himself a good woman and tries to settle down to a life of domesticity, but the call of the gold in them thar hills proves too much for him and it's not long before he's abandoning wife and young son for another attempt with his new best friend Jimmo (a great performance from James Barton). For a while it looks like he has struck lucky, but things soon take a turn for the worse
The film's main theme – the overriding and destructive desire for wealth portrayed as an addiction – is fairly timeless, I suppose, and it's doubtful that, human nature being what it is, we will ever learn much from cautionary tales such as this. To hammer home the destructive qualities of Wayne's obsession his greed for gold is paralleled with his appetite for booze. To be fair to Wayne he makes a pretty good drunk: he allows his eyes to cross ever so slightly and adopts a vaguely quizzical expression. And while the theme is a righteous one, it's diluted by the fact that the film skips over the early scenes so that we know nothing about Wayne's character before gold fever grips him.
Considering the film is quite clearly made on the cheap, it's entertaining enough, but you won't remember much about it after a week or two.
1800s California and Tracy Powell (Wayne) is gripped by gold fever and deserts his friends and family to search the hills for the precious metal.
Very routine gold fever Oater that plays like a poor man's Treasure of the Sierra Madre. It spans decades as Powell lets the search for gold take over his life, while the background threads involving his partners, both romantically and gold seeking, make up the drama as he heads towards his day of destiny. An opportunity is wasted to really produce a psychologically strong film about an obsessive man who keeps failing, but Shaftel constantly resorts to formula fodder to tell his story and it hurts the piece. Cast are fine, especially Wayne, who gets a chance to be the lead man and delivers a performance of note in spite of the insipid screenplay. 4/10
The lack of really big box office names in The Naked Hills makes it all the more real. David Wayne stars in this film as a man seized with the gold fever who is demon possessed with the idea of making that big strike, so much so that he abandons his wife Marcia Henderson and infant son who grows up to be Chris Olsen and later Steve Terrell.
There was a great line in The Oklahoma Kid where James Cagney opines that the strong take it away from the weak and the smart take it away from the strong. The strong here is Keenan Wynn, a claim jumper of no particular redeeming features and the smart is a crafty Jim Backus. You can almost see him as Thurston Howell the first. Could be that what we see here is how the Howell fortune was obtained and the bloodline kind of thinned over several generations until he and the Mrs. got caught up in that three hour tour.
Next to Wayne, Backus is who you will remember best from this film and this might be his best dramatic performance. For those of you who remember Mr. Magoo, Judge Bradley Stevens, and Thurston Howell and some other goofy comic parts this is the most serious film role Backus ever essayed. Even better than his part as James Dean's father in Rebel Without A Cause.
Narrating this story of Wayne's useless life is Denver Pyle who comes west with Wayne, makes a small stake and then starts a dry goods business. He is carrying a torch the Statue Of Liberty couldn't hold for Marcia Henderson. In many ways he's the most touching character in the film. And James Barton who originated the part of a hard rock miner starring in Paint Your Wagon on Broadway essentially takes that character over to The Naked Hills. Watch in the end how Wayne's character has morphed into Barton.
Most moving scene in the film is Wayne trying to nurse his dying mule back to health. He's so cut himself off from the world that the only living thing he has any relationship with is that pack animal. It's some of the best acting David Wayne did in his whole career.
Probably a large budget would not necessarily have helped The Naked Hills. But a solid cast and a wonderful story put this memorable film over. It will linger with you long after you've seen it.
Did you know
- TriviaDavid Wayne (Tracy Powell) and Keenan Wynn (Sam Wilkins) both later played Willard "Digger" Barnes, the father of Pamela Barnes Ewing and Cliff Barnes, in Dallas (1978): Wayne during its first two seasons and Wynn during its third.
- Quotes
Tracy Powell: I need a stake, Haver. It's a rich claim, I know it. Ain't expecting you to stake me without getting something in return. I'll pay.
Willis Haver: Tracy, you don't understand, you see... I'm running a bank now. It makes a little difference. It's not just me. There are others in San Francisco I have to account to. I can't invest the depositor's money in a claim without knowing what's in it first.
Tracy Powell: How can I know what I got unless I get the equipment to find out?
Willis Haver: Heh heh... Just a vicious circle, ain't it? Can't get the money unless you know what you have. Can't tell what you have unless you have the money to find out. Heh heh. Ah, it's like I said: it's a business now. A man don't stand a chance by himself. Unless he's, uh, willing to go along.
Details
- Release date
- Country of origin
- Languages
- Also known as
- The Naked Hills
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 12 minutes
- Aspect ratio
- 1.37 : 1