IMDb RATING
6.8/10
2.4K
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Selfish Chris Teller pressures his older brother, a retired climber, to accompany him on a treacherous Alpine climb to loot the bodies of plane crash victims.Selfish Chris Teller pressures his older brother, a retired climber, to accompany him on a treacherous Alpine climb to loot the bodies of plane crash victims.Selfish Chris Teller pressures his older brother, a retired climber, to accompany him on a treacherous Alpine climb to loot the bodies of plane crash victims.
- Director
- Writers
- Stars
- Nominated for 1 BAFTA Award
- 1 nomination total
Mary Adams
- Mayor's Wife
- (uncredited)
Richard H. Cutting
- Doctor
- (uncredited)
René Havard
- Radio Operator in Van
- (uncredited)
Jim Hayward
- Mayor
- (uncredited)
Sherwood Keith
- Townsman
- (uncredited)
François Valorbe
- Hotel Manager
- (uncredited)
- Director
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Featured reviews
This movie is often described as simple and unidimensional. But in the context of spirituality and high moral character, this movie rates high.
Spencer's character is described as dull, and his acting effort minor. But how else is a man reverent of nature and God supposed to be portrayed. The subtleties of this character are often overlooked in our glamorized, sensationalized society. Quiet reverence, devotion to God and family are the central messages of this movie. Observe how Tracy's character tolerates and endures the unruly "modern-ess" of his much younger brother, portrayed well by Wagner.
This movie may be "sappy" to some, but I found it's moral message to be most uplifting and a pleasant departure from machine guns, gangster and starlets, sex and violence. Although, in a very minor respect, those elements are visible in this movie. This is a good family movie.
Spencer's character is described as dull, and his acting effort minor. But how else is a man reverent of nature and God supposed to be portrayed. The subtleties of this character are often overlooked in our glamorized, sensationalized society. Quiet reverence, devotion to God and family are the central messages of this movie. Observe how Tracy's character tolerates and endures the unruly "modern-ess" of his much younger brother, portrayed well by Wagner.
This movie may be "sappy" to some, but I found it's moral message to be most uplifting and a pleasant departure from machine guns, gangster and starlets, sex and violence. Although, in a very minor respect, those elements are visible in this movie. This is a good family movie.
The Mountain (1956)
A brightly colored movie with old school Spencer Tracy and new style Robert Wagner in a drama about getting something that doesn't belong to you. The scenery is stunning, clear, high altitude stuff, shot on location in the French Alps. Edward Dmytryk is a Hollywood steady with a good sense of drama, and the movie has good bones.
Loosely based on a true story (a 1950 crash of an Indian airplane), the catchy facts are dwarfed by the stereotypes of the two main characters, and by the general drama and landscapes. The plane wreck is high up in the mountains and a rescue party is waiting to go up in the morning. But then these two brothers (far enough apart in years to be father and son) go up first, the evening before. The acting is first rate all around, which keeps even the slow acts held together decently.
Overall, though, this is a plodding plot. Roughly a third of the time (yes) is pure mountain climbing, which can be fun for a minute but it follows the two men up and then down the mountain in great detail. All well done, yes, but what you really want is some intensity, a greater clash of two moralities, each representing a different generation.
The crash site is really quite believable (if a little concentrated in one spot--I think these high speed crashes get pretty scattered in truth). And the general idea works pretty well, not only the difference in motives of the two brothers but the ability of one brother to look the other way for the other. There is a surprise turn of events at the top, and then another on the way down, when the drama builds at last. And then there is a final little confessional speech that Tracy gives (like he does in many of his roles). He is meant to be the great self-sacrificing, humble man as "good example." It really is, as others write, overly sentimental and frankly unbelievable. And unnecessary, too. Even an unwillingness to talk about the events would have had the same moral effect without the townspeople basically winking in the final scenes.
Alas. Not a classic. If you like technical mountain climbing (with ropes) you might enjoy a lot of it. And some great scenery.
A brightly colored movie with old school Spencer Tracy and new style Robert Wagner in a drama about getting something that doesn't belong to you. The scenery is stunning, clear, high altitude stuff, shot on location in the French Alps. Edward Dmytryk is a Hollywood steady with a good sense of drama, and the movie has good bones.
Loosely based on a true story (a 1950 crash of an Indian airplane), the catchy facts are dwarfed by the stereotypes of the two main characters, and by the general drama and landscapes. The plane wreck is high up in the mountains and a rescue party is waiting to go up in the morning. But then these two brothers (far enough apart in years to be father and son) go up first, the evening before. The acting is first rate all around, which keeps even the slow acts held together decently.
Overall, though, this is a plodding plot. Roughly a third of the time (yes) is pure mountain climbing, which can be fun for a minute but it follows the two men up and then down the mountain in great detail. All well done, yes, but what you really want is some intensity, a greater clash of two moralities, each representing a different generation.
The crash site is really quite believable (if a little concentrated in one spot--I think these high speed crashes get pretty scattered in truth). And the general idea works pretty well, not only the difference in motives of the two brothers but the ability of one brother to look the other way for the other. There is a surprise turn of events at the top, and then another on the way down, when the drama builds at last. And then there is a final little confessional speech that Tracy gives (like he does in many of his roles). He is meant to be the great self-sacrificing, humble man as "good example." It really is, as others write, overly sentimental and frankly unbelievable. And unnecessary, too. Even an unwillingness to talk about the events would have had the same moral effect without the townspeople basically winking in the final scenes.
Alas. Not a classic. If you like technical mountain climbing (with ropes) you might enjoy a lot of it. And some great scenery.
In a small village at the base of the Alpine mountains, a greedy young man--tired of living poorly with his elderly brother on a sheep farm--talks his sibling into climbing one of the highest peaks to raid a doomed Indian aircraft of its gold. Engrossing story from Henri Troyat's novel is genuinely beautiful to behold in color-saturated VistaVision. Critics at the time complained about the interspersing of on-location footage with studio shots, as well as the age difference between brothers Spencer Tracy and Robert Wagner. Poor Tracy (already well into his golden years) seems pressed to the breaking point in this physical role, while scowling mercenary Wagner is one-note obstinate throughout. Still, Tracy's work is so fluid, so compassionate and believable, one gets caught up in this saga despite the picture's weaker attributes. Expository early scenes and other minor characters are practically irrelevant, and cinematographer Franz F. Planer captures it all with astute grace. **1/2 from ****
This film has two fine performances from the great Spencer Tracy and the young Robert Wagner. The story is taut, suspenseful, and the climbing scenes are fantastic. If you haven't seen this film, check it out (it's shown regularly on American Movie Classics here in the USA and is also available on video). If you truly have an appreciation for good films and solid acting, you won't be disappointed.
This is just one of those movies that never gets old. I love the movie Spencer Tracy is one of the best actors of all time. They just don't make them like him anymore. The action and the drama is top of the line. Go out and Rent this or watch it when it shows up on AMC or TCM or on your local TV station at 2 am when ever you get the chance. You will not be disappointed. This is one of those movies that could never be remade in todays Market. Just who could replace Spencer Tracy or even Rober Wagner. I don't know what else to say about a movie in which climbing a Mountain could keep you interested for 90 minutes. Just the bond between the Brothers is such a great story Enjoy the movie.
Did you know
- TriviaAlthough playing brothers, Spencer Tracy was thirty years older than Robert Wagner in real life. Tracy played Wagner's father in La lance brisée (1954).
- GoofsWhen Zachary exits the artificial climb section (the one where he uses pitons), in the shot where we see him frontally, the mountain far in the background is the same "Bald Mountain" he is supposed to be climbing.
- Quotes
Father Belacchi: They're getting up a rescue party to climb the mountain.
Zachary Teller: Why, if everybody's dead?
- ConnectionsFeatured in Jerry souffre-douleur (1964)
- How long is The Mountain?Powered by Alexa
Details
Box office
- Budget
- $2,119,000 (estimated)
- Runtime1 hour 45 minutes
- Aspect ratio
- 1.85 : 1
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