Day the World Ended

This science fiction tale of doom and gloom was one of the earliest from Roger Corman, who produced and directed. While at times being a bit slow and predictable, the film features some fine talent. It stars Richard Denning as the heroic scientist hero--a role he was certainly no stranger to performing, the lovely Lori Nelson as one of the atomic blast survivors-Louise Maddison who is as far as the two leading men(Rick & Tony-played by Mike 'Touch' Connors)in the cast and even the mutant monster in the film are concerned the most desirable woman alive as far as they know. The Mutant Monster is another Paul Blaisdell brought to life on screen by Blaisdell himself. Despite looking a bit rubbery, it does have a real menace about it. Mike Connors is decidedly unsympathetic and uncaring as the two-bit hood Tony(who only wants to take and is concerned only for satisfying his own twisted desires). Paul Birch and Adele Jergens are also quite good as Maddisson(the concerned father who tries to maintain the safety of the group and fend off Tony) and Ruby(Tony's loyal kind-hearted girlfriend with a shady past). For a low budget film effort, this one is really quite good.

Seeing this film many years ago and now owning the NA-VHS release I recall an additional scene where the Navy vet father tells the Geologist that there is a LUGER with a snail drum in the house and to rescue his daughter with it. He loads up and wounds the mutant and rescues her. My VHS does not have this scene, does anyone remember it also??? Otherwise the film is intact and my comments are that this is still effective for its time but not as good as Panic in Year Zero, which is still the best of the nuclear nightmare flicks and its effect on people and the breakdown of society. Overall 7 rating,noted for atmospheric effects and the moll is great!

Director Roger Corman's first sci-fi film effort in 1956, "The Day The World Ended", is a low-budget, marginal film. The story involves an older man(Paul Birch) and his lovely, grown daughter,(Lori Nelson) who are holed up in their house after a nuclear holocaust has decimated most of the worlds population; their home has been protected from radioactive fallout by the surrounding mountains. The setting is limited to the house and its immediate surrounding area; Corman makes some attempt at post-holocaustic atmosphere by using smoke-generators in the surrounding foothills. At the start of the film, Birch and Nelson are suddenly besieged by five survivors, including a burrow - who all inexplicably arrive within a short time of

one another. One of the survivors has been affected by radiation and is horribly disfigured on one side of his face. It struck me as unusual that some of them appeared remarkably clean and well groomed for this sort of situation. The characters are varied and much of the conflict results from the contrasting personalities, especially in regard to the limited supplies and to geologist(Richard Denning's) and tough guy(Mike "Touch" Conner's, later TV's Mannix) heated competition over the young Nelson. Denning and Conners give the best performances in this film, Adele Jergens(Connor's girlfriend) also delivers an entertaining bit when reenacting her striptease dancing act. However, the interactive scenes within the house drag on and

on for most of the movie without a glimmer of the "mutant monster" (Paul Blaisdell); the monster finally appears after some foreshadowing, but is remarkably inept in its attack on Denning and Nelson and quickly dies from exposure to the "pure rain" that comes just in time. Anti-climatic; with Denning delivering the cliche', "Man created him, God destroyed him". Not much comic relief except for the ridiculous looking monster, who wouldn't frighten anyone but the very young (I saw it at a local drive-in when aged 12 or 13, and although it appeared interesting at the time to my youthful eyes, it was certainly not scary), and a laughable scene where Conners sticks his exposed hand out a window to collect rainwater in a container to see if it's contaminated by radiation. Some of the dialogue is atrocious, for example, one of the

characters suggests that human skin exposed to radiation could be called "atomic skin" - I rolled at that one. A one-time viewing of "The Day The World Ended" should be more than enough for most, except for perhaps the most ardent Corman fan.

The Day The World Ended was released by American Releasing Corporation, which soon would be known as American International Pictures. AIP became one of the most interesting film-making and releasing companies of all time, and The Day The World Ended is one of AIP's best horror/sci-fi efforts from the 1950's. The movie was also director Roger Corman's first effort in science fiction. This movie horrified me as a child with its nuclear doom, and its three-eyed monster with horns and pointed ears. As an adult I find I am still very fond of this movie. Upon my recent screening I have realized what an exceptional acting job Lori Nelson does as she plays Louise. Her facial expressions are perfect as she plays the different emotions her character goes through. Paul Birch plays her father, Jim Maddison. He's a man who is most gloomy over the aftermath of the (offscreen) nuclear war, and under the pressure of running his household with the uninvited survivors who show up. Richard Denning plays Rick, one of the survivors of the atomic bombings who shows up carrying a man named Radek (Paul Dubov.) Rick soon becomes involved with Louise, while Radek, contaminated with nuclear poisoning is not only beginning to lose his mind but his body is becoming mutated as well. Mike Connors (billed here as Touch Connors) and Adele Jergens also show up at the house in the valley which escaped the nuclear doom. They play Tony and Ruby; a couple who certainly have their problems. Tony is a bickering thug, and Ruby is a striptease dancer who's too good to be bad and too bad to be good. The problems increase for the couple when Tony seems to have Louise on his mind constantly. Also retreating to the house is an old timer named Pete (well played by Raymond Hatton) with his burro. The movie then shows the interactions, problems and emotions of the characters as they try to survive in the limited space of their post-atomic world. There is also discovered a mutation from the radioactive war lurking closer and closer to the house as time goes by. The Day The World Ended is a low-budget movie, and uses that low-budget to accomplish some good results. The only indoor setting is the house, which seems claustrophobic with the survivors. The limited, radioactive-free area of the outside world is atmospheric; especially the pond where Louise gets spooked while swimming with Ruby, and the night woods. The hills surrounding the house are covered with a radioactive haze, which adds nicely to the atmosphere and feeling of claustrophobia. The sci-fi music is creepy, and the beginning credits roll in a fashion that adds a nice touch. Ruby seems to have her own theme with the grind-instrumental record she plays while passing time in the house. There's a hint of ESP in the movie as the three-eyed mutant (possibly Louise's fiance', who was believed to have been killed when the atomic bombs exploded) seems to be making contact with Louise. Louise claims the mutant talks to her at times. The mutant (created and played by monster-maker Paul Blaisdell) often disappoints viewers. I still find the mutant to be sheer ugliness although I no longer cover my eyes as I did when I was a child (LOL.) The Day The World Ended is a fine and interesting low-budget movie with a serious, but somewhat unrealistic approach to nuclear horrors. I still find this to be a gem of a movie.

The Day the World Ended deals with The End of the World...not the one prophesied in the Book of Revelation, but the one popular with Hollywood. After all, if Christ returns for His own, how can you make a movie on the Millennial Kingdom?

"Day" is one of Roger Corman's first forays into low-tech, low-budget science fiction movies. His first effort is commendable; if only he had remembered his lessons when he made some of his more notable bombs. A Navy vet and his daughter are living in a home protected by a plot contrivance - it's basically sheltered from radiation from the surrounding mountains. Hills, mind you, that deadly radiation cannot get over, but are easily traveled by an old man and his burro.

Beyond that, it is an intriguing story of what happens when a little pocket of humanity survives mankind's worst nightmare. Mike "Touch" Connors does an interesting turn as a bad guy with a moll whose old enough to be his mother. Connors has the hots for the Navy vet's daughter, and would like to repopulate earth with her. Other stowaways include an archeologist and a man suffering from radiation poisoning. In this movie, radiation poisoning either kills you, turns you into a monster, or makes you look like Moe Howard.

Even with the end of the world, God is not left out. Notice that the Navy vet asks his daughter to marry the archeologist before they seek to restart humanity, as well as his later statement that, "I prayed and then I stopped worrying."

Sterno says "Day" is a great movie for a rainy Saturday afternoon.