Au sixième jour

A film which springs immediately to mind after watching D-Day the Sixth of June is Abbott and Costello go to Mars. In that cerebral little opus A&C never actually get to Mars - they go to Venus instead, and even then it is only after some considerable preliminaries. Unlike that picture, D-Day the Sixth of June does actually get to the events referred to, but it is only as an aside for ten minutes or so at the end; like Abbott and Costello go to Mars, the title is a complete misrepresentation.

For most of its running time this film is actually a boring and clichéd melodrama in which Robert Taylor, Richard Todd and Dana Wynter play three two-dimensional characters involved in a love triangle against a backdrop of wartime England (Hollywood's conception of wartime England, anyway). The three roles may just as well have been played by cardboard cut-outs, but for what it's worth Richard Todd probably comes off best, being the only one of the major cast members who even hints at creating a real-life character. Robert Taylor is at his most wooden, and also possibly a little too old for his role. His love scenes with Dana Wynter generate less passion than an undertaker's convention. But then again, Dana Wynter always did seem to me to be a particularly passionless actress.

It can only be regretted that the film's makers did not spend more time on the subsidiary characters, who seem to me to be far more interesting. Brigadier Russell is well played by John Williams, and his resentment of the American interlopers is a theme which could have been developed far more fully. Likewise the flaky nature of Edmond O'Briens Colonel Timmer is never really explored or explained in any sense at all.

All in all, I enjoyed Abbott and Costello Go to Mars a lot more.

For many years, I avoided watching "D-Day the Sixth of June" because I assumed it was a film about the D-Day invasion. I was shocked to learn that it really was NOT about D-Day...and was much more a romance than a war film. What a surprise.

The film begins on a transport ship taking some commandos on a raid just before the main D-Day attack. A British officer (Richard Todd) and an American one (Robert Taylor) meet each other for the first time and they both realize they have something in common...they are in love with the same woman. The film then does a brief flashback about the relationship between Todd and Dana Wynter and a much longer flashback about the relationship between Taylor and Wynter. The latter is complicated because Taylor's character happens to be married.

This film plays more like a soap opera in many ways than a war film. In this sense, it's a bit similar to "From Here to Eternity"....though a bit less grand in scope. After all, the battle sequences consists of a few dozen men at a time and lacks the scope of the attack on Pearl Harbor in "From Here to Eternity". However, they both are very good films...soap and all.

Overall, this is a very good film despite the ubiquitous use of the song "You Never Know"...a song you come to hate after a while. Still, very well made and worth seeing.

This WWII tear-jerker romance centered around the Normandy invasion in 1944 is one of my all time favorites of this genre. Most notably, the pairing of Robert Taylor and Dana Wynter seemed perfect casting. They are very natural together, real old pros. They exemplified the difficult relationships couples shared in wartime, grabbing a piece of life in the few moments available between battles.

Despite the imposing title D-Day the Sixth of June which might lead one to believe it is an account of the Normandy invasion. It is in fact and old fashioned war romance. For Robert Taylor this was a throwback picture, back to the kind of romantic stuff he did in his early days of being MGM's number one pin-up boy.

Dana Wynter has Richard Todd as her steady beau who's gone to war just as America's gotten into it via Pearl Harbor. Todd goes missing in action and Wynter in her best British stiff upper lip style goes to help in the war effort herself as the Nazis loom perilously close to the island kingdom.

Robert Taylor gets to be one of the first American officers assigned over in Europe and Wynter and he meet via an altercation her father, John Williams, has with some bumptious GIs. Wynter diplomatically smooths things out and she and Taylor develop a relationship. It can't really go anywhere because Taylor's married. But they're both in need of each other at the moment.

Curiously enough this does parallel the situation of the Supreme Commander Dwight D. Eisenhower who carried on an affair with his British driver Kay Summersby. Ike of course was married and Kay was a war widow.

Todd does make it back and that does complicate matters. All this in the shadow of the impending cross-channel invasion.

Richard Todd had a promising career during the 1950s. He became well known to American audiences via his appearance in some Disney films and other American productions. Strangely enough it seemed to halt in the following decade and the international stardom that beckoned never came to fruition. He was a fine player capable of a wide variety of roles, even being a villain in a Hitchcock film. But I personally like him best as a hero.

And a genuine hero he was. He was actually at D-Day as a British Commando and won a whole slew of medals. Bob Taylor also was in the Armed Forces in World War II, he did three years in Uncle Sam's Navy in the Pacific.

Dana Wynter I've always thought of as a British version of Ava Gardner. And she had the talent to match. She also should have had a bigger career. I would say her beauty is regal and lo and behold she actually made that statement true when she portrayed Queen Elizabeth II in a film about Charles and Diana.

For war picture fans there's still enough action to satisfy. The only other role of real significance was Edmond O'Brien as Taylor's boss at the Supreme Headquarters Allied Expeditionary Force. Another reviewer said his role was not developed well. I wish it had been myself. But it probably would have taken away from the romance.

Another big-budget WWII adventure, filmed in color and widescreen by Fox in the '50s - and a misleadingly titled one, as it barely concerns the crucial 1944 Normandy invasion it references (not surprisingly Fox returned to this subject, and tackled it much more comprehensively, in THE LONGEST DAY [1962])! As a matter of fact, the film's one genuine battle sequence, while quite well done, occurs only after having gone through some 80 minutes of incessant talk; the bulk of this footage is devoted to a romantic triangle, told in lengthy flashbacks, which comprises American Robert Taylor and Brits Richard Todd and Dana Wynter, plus a rather irrelevant subplot involving maverick Colonel Edmond O'Brien! That said, the film is glossily proficient and remains highly watchable as the kind of unassuming entertainment turned out on a general basis by Hollywood in its heyday...