Le seigneur de l'aventure

This one should have been a lot better, considering the pedigree of its cast and the professionals behind the camera, including the always reliable Franz Waxman, contributing a score that must have sounded wonderful when those theaters equipped with stereophonic sound systems played this costumer during its first release.

But director Henry Koster's touch is particularly pedestrian in this one. (Note how he stages the legendary scene when Sir Walter Raleigh spreads his cape across a muddy patch for Queen Elizabeth to glide over it without soiling her royal hem. Tossed off as if it weren't worth showing!) And the script seems to be regurgitating all those well-worn cliches about a love and sex-starved Queen Elizabeth I surrounded by male courtiers who have only their various personal ambitions to keep them apparently interested in her feminine needs.

Bette does her best (and even supposedly consented to shaving herself bald for the role!) and Richard Todd and a young and lovely Joan Collins convince as a couple willing to risk the frustrated Queen's wrath to consummate their love. And it's always a pleasure to see actors like Dan O'Herlihy and Herbert Marshall in support, despite how woefully little is made of their talents.

Beware the VHS version, a "formatted" desecration of the original 2.55:1 CinemaScope ratio. For no other reason this handsomely mounted production deserves to be given the widescreen DVD treatment.

Basically a soap opera of it's day with Queen Liz and Elexis Carrington fighting over the handsome, young cad, Sir Walter Raleigh who among other things introduced cigarettes to the world. The movie won an academy award for its costumes which unlike the events depicted in the film are spot on in their historical detail.

Bettie Davies is brilliant as The Queen (the template for Miranda Richardson's version in Blackadder II) and Richard Todd looks the part as the dashing Sir Walter Raleigh. The DVD cut of this film, issued as part of the Studio Classics series, is pristine with the digital format bringing out the sheer spectacle of colour in the scenes in the royal court.

A great old fashioned drama.

I cannot help but be disappointed by the reviews this movie has thusfar received in IMDb, but not surprised.

With respect to Glenda Jackson and Cate Blanchett, neither of those ladies can hold a patch on the brilliant Bette Davis, perhaps the greatest actress ever, as the immortal Queen Elizabeth I, perhaps the greatest monarch that England ever knew.

Whether or not the movie is weak history, the movie shines as a vehicle for La Davis. Richard Todd gives a decent performance, although I submit he has neither the acting chops nor the charisma of Errol Flynn. But he serves well in the role.

The costumes, cinematography and screenplay are bright and arresting. And like it or not, Bette Davis' brilliant, mannered, and astoundingly powerful depiction of Queen Elizabeth I has informed every ensuing depiction of the Virgin Queen

Elizabeth I is nearly always portrayed as stern and unemotional which is probably attributable to the early performances by Dame Flora Robson who set the Elizabeth blueprint. This performance by Bette Davis retains the blueprint but introduces a dark wit to the character. An example is when a scheming ambassador compliments her on her beautiful palace. She replies it was her fathers and that "I will tell him when I see him".

An ambitious adventurer named Walter Raleigh arrives at her court. He only wants three ships to sail and discover gold and the other treasures of the Americas. She takes an instant liking to the handsome Raleigh and the film revolves around her plotting to keep him at her side. She famously refused to marry because she believed in putting country first and here she manipulates Raleigh towards a private relationship that would not diminish her power as Queen in a man's world.

The colorful costumes look a bit party rental but there is plenty of historical accuracy apart from the myth of the "coat over the puddle". The performance from Richard Todd is good but there is little chemistry between him and his wife played by Joan Collins. She delivers her lines so hastily in a modern London accent as if she is about to get on a bus.

The Bette Davis interpretation of Elizabeth and the political machinations at her court are the focus points of the film. There are no dodgy Spanish Armadas or swashbuckling Errol Flynn types detracting from the storytelling or the excellent portrayal of Elizabeth.

Bette Davis gives an amazing performance of England's Queen Elizabeth the 1st. Still a virgin as an older woman (in this version), the determined & dedicated Queen falls in love with Walter Raleigh. But, in a secret ceremony on a night that the Queen's own hand maiden (a very young looking Joan Collins) seduces Raleigh, just when he doubts himself. Believing he failed to impress the Queen enough for her to grant him 3 ships, he marries Collins & impregnates her.

To the surprise of Walter Raleigh, Queen Elizabeth is most impressed by him & summons him to her bedroom where she knights him, Sir Walter Raleigh. Then, gives him one ship. Now he's in a fix between two women enamored with him.

There's much more to the story. Watching Davis & Collins together is quite the contrast in acting styles. Although the "Dynasty" Collins is much more like Davis as the Queen: temperamental, shrewd, demanding, and impeccable with the delivery of an excellent script, juxtaposed as the two actors are in this film, it's quite obvious how Davis & Collins take a great deal of care with their difference delivery styles of speech.

This film made me prefer Davis' Queen Elizabeth the 1st over other characterizations. I can't imagine a living actress who could become this particular staged Queen, as well as does Davis. (And I have watched Cate Blanchett). After all it's a tall order to go into role better than Bette Davis.