La Terre des pharaons

This Colossal is the story of a barbarous love that left Egypt's Great Pyramid as its landmark. The movie centers upon Khufu or Keops (Jack Hawkins) and the scheming Nellifer (Joan Collins) who holds dark schemes to inherit Egypt empire. She and her lover (Sydney Chaplin) design one plot to kill him . Their treachery stained every stone of the Pyramid. Before he will have to face amount dangers and risks until obtain his objective.

Regarding the historic deeds, the film talks about Khufu(alias Keops). Keops was the second pharaoh of four dynasty from old empire Egyptian, and he made the great pyramid of Gyze that hold his name. He is succeeded by Kefren who made the sphinx Gyze and the pyramid. After goes on pharaoh Micerinos. Three pharaohs have pyramids on Gyze: Keops,Kefren and Micerinos.

Warner Bros took pride in presenting one of the mightiest motion picture-making in entertainment history. The film blends drama, treason and hokey historical events. Intelligent screenplay by the Nobel Prize William Faulkner. Set design and Egyptian time production design by Alexandre Trauner are very spectacular. This huge epic film gets lots of crowd scenarios,fabulous gowns, dramatic scenes and is realized on a giant scale and full of spectacular sequences such as the building the Great Pyramid. The film was a colossal with big financial success, besides spectacularly and colorfully photographed by Lee Garmes and Russell Harlan . Filmed in Egypt with a cast of thousands of the largest cast ever set abroad from Hollywood . Fine score by Dimitri Tiomkin based on ancient music. The cast is frankly perfect, Joan Collins is wonderful in an overwhelming hammy acting as nasty queen, Alexis Minotis as high priest is excellent and James Robertson Justice as pyramid architect is fabulous. Epic scale direction by Howard Hawks is breathtaking and groundbreaking. Rating : Better than average. Worthwhile watching for Colossal aficionados.

It's hard to know how to rate movies like this because the genre is so inherently cheesy. In the grand scheme of all cinema, it probably should only get a 6 out of 10, but within the "swords and sandals" genre, it surely rates a 10! There are many classic themes here: an aging man's wish to be remembered through a great monument, a slave's desire to win freedom for his people, an ambitious woman's lust for power at any cost. Of course, everything is overacted and obvious as hell, but the plot stays focused, unrolling inexorably to it's horror-movie ending. This is Saturday afternoon escapism at its best.

Land of the Pharaohs is directed by Howard Hawks and collectively written by Harold Jack Bloom, William Faulkner and Harry Kurnitz. It stars Jack Hawkins, Joan Collins, James Robertson Justice, Dewey Martin and Alex Minotis. Music is by Dimitri Tiomkin and cinematography by Lee Garmes and Russell Harlan.

It falls into the filmic splinter of historical epics that thrived greatly in the 50s and 60s, where a cast of thousands are costumed up to the nines, the sets sparkle and location photography smooths the eyes. Land of the Pharaohs has all these things, what it does lack is a high end action quotient, the makers choosing to craft a picture about intrigue in Pharaoh Khufu's (Hawkins) court as the great pyramid is constructed. This is not to say it's a dull picture, it maintains interest throughout, with shifty shenanigans afoot, femme fatale connivings and plenty of slaves standing proud for their cause. While the big finale is devilishly potent.

However, one has to really close off the ears at times to avoid the dreadfully wooden dialogue, and some scenes are painfully misplaced, such as the sight of a miscast 45 year old Hawkins wrestling with a bull, I kid you not. Also miscast is Collins, undeniably sexy, but never once does she convince as an Egyptian princess, and her make-up is awful. There are stars in the film, but it does in fact lack star power. The real stars are Tiomkin, Garmes and Harlan, who each bring the spectacle of the production to vivid life. It was a minor flop at the box office and Hawks pretty much disowned it, but it's not without intelligence and in spite of its flaws it's a good watch for historical epic loving adults. 6.5/10

Because it belongs to a genre that has grown unhip ,Howard Hawks's magnificent epic ,his only movie in cinemascope ,gets incredibly low ratings."Rio Bravo" 's screenplay is not much better than "pharaohs" ,but it's fashionable to put a western on your best movies list.A sword and sandal cannot be serious (with the exceptions of "Ben Hur" and "Ten commandments" )and that's why "the Egyptian" and "land of the pharaohs " are despised and dismissed as cheesy.

Hawks's movie has one of the best ,most impressive and terrifying ending I know.These last pictures are a riveting tour de force with an editing to rival the best of Lang or Welles.The story spreads over fifteen years ,which is long for a relatively short work.Hawks was obviously more interested in his villains (Hawkins and Collins) than the heroes(the architect slave (Justice),his son and his people:both are fascinating.The pharaoh's dream of eternity is selfishness itself disguised as religion.To be buried with his riches to be able to enjoy them in his second life paradoxically seems a pagan attitude;the architect ,in direct contrast to him,is a slave who 's got nothing and he did not believe in life after life:it might make think of a Jew but neither him nor his people seem to have a religion,which is a very original move for a peplum (in Curtiz's "the Egyptian" ,the precedent year,the same went for the hero Sinouhe:these are the only examples in an epic).Hawks might have been influenced by Lang's wife's screenplay "das Indische Grabmal" ,which Lang finally took to the screen in the late fifties but which was filmed by others before him.Do not let the Faulkner reference fool you.He reportedly wrote half a page of script which can be summed up as follows:"Pharaoh pays a visit to the pyramid while the workers are sweating blood to get it done and he asks "how 's the work coming on?".

Nellifer is Joan Collins at her bitchiest: a greedy woman,who had already problems with dynasties.Unlike pharaoh,she wants to have her cake and eat it.Her acting is pure camp ,which fits the character like a glove.Her fate will make your hair stand on end.

Hawks makes a wonderful use of the cinemascope , when he displays a cast of thousands and when he directs his characters in the confined atmosphere of the pyramid.He succeeds in creating a sublime contrast between the dark subterranean of the grave and the luminous blue sky of the desert,particularly in the last sequences ,I say it again,among the very best of the fifties cinema.

After years of war victories and accumulated wealth circa 2600 BC, Pharaoh Khufu (Jack Hawkins) becomes obsessed with building an impenetrable tomb for his body & riches, etc. Khufu turns to the brilliant architect and newly acquired slave, Vashtar (James Robertson Justice), to build the Great Pyramid, aka the Pyramid of Cheops or Giza. Joan Collins in on hand as Nellifer, Dewey Martin plays Vashtar's son and Alexis Minotis the high priest of Egypt.

"Land of the Pharaohs" (1955) is a sword & sandal epic that doesn't overstay its welcome at well under 2 hours. It was director Howard Hawk's first box office failure and so he took four years off from filmmaking to tour Europe before returning with the hit Western "Rio Bravo" (1959). It has since become a cult film and Martin Scorsese admitted that it is one of his favorites.

The subject is fascinating. The Pyramid of Khufu is the oldest of the Seven Wonders of the Ancient World and the only one to remain relatively intact. It is estimated to have taken almost three decades to build. There are several theories of its planning & construction and the movie brings this to life for the viewer. The Egyptian government supplied 3000-10,000 extras for the 50-plus day shoot, half of them soldiers. While Jack Hawkins and the actor who plays Vashtar look decidedly European as opposed to anyone from the ancient Egypt region, producers wisely darkened Joan's skin and her potential lover looks serviceably Egyptian.

Although critics decry the subplot in the second half concerning an assassination conspiracy, there's plenty to enjoy in this lush spectacle: cowards thrown to crocodiles, the curious beliefs behind building such a unique colossal structure, the obsession & perseverance it took to see it through, thousands of extras, real vessels in the river, authentic locations, recreations of hauling the 2.5 ton stones, the Pharaoh taking on a bull, death traps, athletic dancing, Joan's youthful beauty, a quality sword fight to the death, the tragic close and Dimitri Tiomkin's great score.

Lastly, the flick inspires one to look up the actual pyramid, its history and videos of its exterior and innards. It might even inspire you to see it firsthand.

The film runs 1 hour, 46 minutes, and was shot in Egypt with studio stuff done in Rome.

GRADE: B.