L'affaire du singe rouge

This very British film was a "B" picture given headlines because of the title song which was a massive hit in both the Uk and in the States.

Only read below if you want to know about The little red monkey.

The little red monkey was in fact a very very small/tiny adult russian spy who because of his size could enter small areas thought safe agains five foot plus size humans.

He was only called "The Midget" in the film and he was played by Leonard franks.

This was the basis of the movie.

If you ever get to watch this film, do not expect too much and you will not be disappionted.

The music is freely on line to download from various sites in the UK. Just type in "the little red monkey" into a search engine and up will pop lots of links.

Richard Conte is the visiting American actor for this decent enough British-made thriller. He, "Locklin", is charged with ensuring the safe transfer of a defecting Soviet nuclear scientist "Dushenko" (Arnold Marlé). Simultaneously, a spate of murders is occurring in London and Scotland Yard (Russell Napier) initially baffled, soon discovers that there is a connection and so he and "Locklin" have to work together to thwart the daring plot - starting with just a monkey's paw print for a clue! It's a bit formulaic this, there is a journalist (Colin Gordon) in on the search too; a kidnap and some good old fashioned thumb-screw techniques as the baddies try to elicit the location of their prey. At times it can look little better than a filmed radio play, but at just over the hour, it doesn't hang about. The writing and the acting do their jobs, and though we know pretty early on who is who, it's still quite an enjoyable cold war drama.

Around 60 years ago I remember the title number being played on the radio.Lyrics were added and it was sung by Jimmy Edwards.The film is rather less memorable being a fairly routine spy thriller starring an ageing Richard Conte as the parachuted in fading American star for the benefit of the American distributors.The DVD has some interesting trailers and an alternative beginning.This is far longer and much less puncture than the actual beginning.There is an intrepid reporter trying to ferret out a story,ignoring the fact that the government would quash any story with a D notice.Still this film was very topical at the time with the defection of Burgess and MacLean.

Superintendent Harrington (Russell Napier) is charged with investigating the deaths of British nuclear scientists.

A monkey creature is present when the killings took place. Maybe the Russians have trained primates to carry out the killings.

Bill Locklin (Richard Conte) is the State Department official who has flown into London to bring a Russian defector to America.

However the Russian spies are hot on his heels with the help of collaborators.

Locklin and Harrington need to keep them at bay while the press act as a nuisance.

Little Red Monkey is a passable B movie set during the 1950s cold war. Conte is the obligatory American star.

It moves along nicely as the audience work out just how a monkey could be an assassin. The presence of a little boy is a clue as to how the deaths may have been carried out.

Within minutes, one could be forgiven for thinking that the elusive monkey of the title is the director, making a Hitchcock style cameo appearance and for questioning Hollywood stalwart Richard Conte's integrity for signing up to this clunker. Throw in a low budget, lo-fi, occasionally laughable score, which sounds like it was performed by the same outfit responsible for Ed Wood's 'Jailbait' and it quickly appears that this bargain basement yarn about the bumping off of eminent scientists is headed straight for the buffers. A total train wreck of a movie!

When the brainbox behind guided missiles has a stop over in London en route to the U. S. A., despite embarrassing lapses in security and a dismissal of the monkey's existence, the authorities remain calm and bullishly stiff upper lipped. Most people would have gone ape! Visiting State Department agent Conte is given assurances regarding safety, but soon our hero has a harsh reality check. Exasperated by inert British police, hampered and harangued, by probing, all mouth and trousers reporter, Colin Gordon, kidnapped and beaten to a pulp by Russian agents, he still finds time for several stiff drinks and a spot of romance with Rona Anderson, clearly not put off by his extensive bruising and black eye.

Continued viewing spurs a combination of mirth and macabre fascination, until......wait a minute, the momentum picks up, tension mounts and against all expectations a passably noirish thriller emerges, leading to a finale in which the monkey and a midget martian contrive to (almost) steal the show, endorsing the adage; 'Never work with animals or children'.