Alerte à Singapour

World for Ransom (1954)

This movie is a Robert Aldrich strain. It's not quite raw enough or exotic enough to rise above its low budget, but it's not for lack of trying. One problem is several so-so actors. But the great asset is the one actor who's pushing his limits, not as a film noir lead, but as a guy lost in the shuffle around him and a little at a loss. Dan Duryea. If you don't know him, this isn't the best place to get a sense of his unique, slightly languid, nice boy, sarcastic style. He's wonderful in his own way. And he's the core of the movie.

We are in Singapore. There is an impossibly convoluted plot about hydrogen bomb secrets and a group of thugs out to steal either the secrets or the bomb itself. The chief bad guy is a little improbable, the great character actor Gene Lockhart (the judge in the classic "Miracle on 34th Street"). He's just not bad enough, or interesting enough. One of the good guys is another character actor, the peculiar and wonderful Nigel Bruce (who you might remember in Hitchcock's "Suspicion" with Cary Grant).. The lead female (Marian Carr) isn't quite a femme fatale or a steamy love interest. She's blonde, of course, and good, overall, but she isn't given much to do.

It doesn't mean much to us to know this but this is basically an extension of a television series along the same lines (same sets, same characters) starring Duryea. It has better production values, I hear (probably due to Aldrich) but it's still hampered by its formulaic television roots, for sure.

Oddly for Aldrich the camera-work is often very stable. Everything looks good, great sets and light, but it's static. And the plot keeps barreling along, adding new minor characters from the administration toward the end (just when we've had enough minor characters). There is drama, and the whole affair is slightly raw and slightly exotic. And there are steamy smokey nights and impersonations and cheesy nightclub acts and of course, the bomb, looming every so subtly.

So it's not half bad, Duryea making the most of his role. Could have been great, but a lot of little pieces are not falling into place.

Dan Duryea is surprisingly good in this film as something of a stranded wreck of the war making his own way as a kind of combined adventurer and private eye. His best friend is Patrick Knowles, whom he is used to bring out of troubles. Patrick is married to a night club singer, who used to be Dan Duryea's girl before he got lost in Shanghai, and she had to make a living on her own and met the even more risky adventurer Patrick Knowles. Here now he has got mixed up with some international high level crooks who have kidnapped one of the world's leading atomic physicists with the secret of the hydrogen bomb, whom they want to sell to the highest bidder, either the west or the communists. Patrick Knowles finds himself caught up in a cut-de-sac with them with no way out, but Dan Duryea still tries to bring him out. He could have succeeded.

It's an early Robert Aldrich film and definitely a promising prelude to."Kiss Me Deadly", also dealing with smuggling atomic secrets bringing no good to anyone involved, while the lasting credit of this film is the very atmospheric settings in Singapore. It's a noir indeed, but the.perennial thing about all these dark noirs is that they were all made in style. There may be any atrocities and cruelties and terrible crimes going on and being carried through, but there was a dominating style about them all that raised them above any rude and tacky baseness. You must object against the murder of an innocent here, it will sure upset you, and there are other casualties as well, but the style is already Aldrich and subtle enough, pointed out by some very poignant shots.

Unknown early work from Robert Aldrich, who took borrowed from so many Noir genre the private detective for a change, the plot is quite insane, a weird kidnapping of a famous nuclear scientist specialized on H-bomb, then Duryea starts searching for some clues, his former partner who have some ghost to hide, a connection with a powerful business man self-titled as investor should be a hint, the army were in charge to find out the hideout of the gang, but Dan Duryea comes first, the valuable casting as Gene Lockhart, Patrick Knowles, Nigel Bruce, Marian Carr and Douglas Drumbrille weren't able to bring the picture on high path, due so weak storyline, nevertheless has their moments, Duryea endorses that he hadn't any propensity to be a hero, more suitable for a crook's role, that was underlined many years before on those classy Noir!!!

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First watch: 2019 / How many: 1 / Source: DVD / Rating: 7

"World for Ransom" is set in Singapore. A gang of crooks have just kidnapped a top nuclear scientist and have done so to auction him off to the highest bidder. Because one of the crooks is a good friend with Mike (Dan Duryea), authorities think he, too, might be involved. But Mike is a standup guy and it takes most of the film to prove he's no communist.

This film is a nice example of Dan Duryea's work as a non-supporting actor or villain...both things he was mostly known for doing. Here he's tough and well cast and the film is never dull. Believable? Perhaps not so much...but it is well worth seeing and is a nice example of Cold War cinema.

Soldier of fortune Dan Duryea finds himself helping out Singapore governor Douglas Dumbrille in tracking down nuclear scientist Arthur Shields -- apparently he knows how to build a working H-bomb and always carries the pieces with him, perhaps as a party trick -- while trying to persuade chanteuse Mariann Carr to leave husband Patric Knowles.

Director Robert Aldrich apparently shot this noirish programmer in 11 days as either a film version of Duryea's "China Smith" TV show, or perhaps an attempt to change his movie image. Duryea had been around for more than a decade, a highly capable actor who seemed most notable playing weak-kneed psychopaths. Perhaps it was his resemblance to Richard Widmark, who made his movie debut playing that sort of character, and who surmounted the typecasting, that held Duryea back. Who needed another Widmark, except as a threat to keep Widmark's price down? There's little doubt that Duryea was a capable performer; sity movies and hundreds of TV apperances demonstrated that. He died in 1968, aged 61.