Trois heures pour tuer

A superior B-picture dealing with a gunfighter accused of murdering his fiancee's brother . Jim Guthrie (Dana Andrews) is a fugitive who has been run out of town after being nearly lynched for the murder of a man he did not kill. As Guthrie is the Man With The Rope Scar on his neck . All but pulled to pieces by a small town lynch mob including many of his so-called friends . Framed for murder, he escaped for three years but returns to find the real killer. But Jim is back , and he feels himself betrayed . As Jim arrives in town and he meets his old flame Laurie Mastin (Donna Reed) who is married to another ex-friend .Then the would-be-lynchers , fearing that Guthrie will exact some kind of vendetta for their anti-social treatment to him , set out to get him before he gets them.

An interesting and moving Western with a suspenseful premise , as an accused gunslinger back in town and he wants to track down the real murderer , then to find him out ; who is the true killer ? .The picture neatly slots together the dual time frames , containing emotion , thrills , shootouts , fights and an intriguing whodunit . Enjoyable and thrilling screen play from Roy Huggins , Maxwell Shane, Richard Alan and based upon a story by Alex Gottlieb. Main and support cast are frankly good . Dana Andrews gives an acceptable and sober acting as Jim Guthrie who barely escapes lynching by the town mob, becoming a wanted fugitive , bearing the physical and mental scars of his experience, and subsequently determined to clear his name. This one results to be the best character , generating a strong sense of bitterness and pain at the speed with Dana Andrews feels himself double-crossed . Other players are pretty well , such as Donna Reed playing the pregnant girl he left behind who marries another man, and Diane Foster as the girl Andrews takes with him after the real killer has been identified and harshly dealt with . Adding other notorious secondaries as Carolyn Jones , Whit Bissell , Stephen Elliott , Richard Coogan , Francis McDonald , James Westerfield , Richard Webb , Charlotte Fletcher , among others .

It displays an atmospheric and evocative cinematography by Charles Lawton Jr who photographed several Westerns . As well as evocative and adequate musical score by Paul Sawtell . The motion picture was well directed by Alfred L. Welker . This film was made from his last years , as Alfred L. Welker was working from the 30 in the business . He realized a catalogue of routine assignments broken by highlights including : The Adventures of Sherlock Holmes 1935 and He walked by night 1949 the prototype serial-killer film noir , and a string of Western oaters . As Alfred Werker directed all kinds of genres : Drama , Film Noir , Adventures , sagebrush Westerns , such as : The Last Posse , Devil's canyon , Repeat Performance , Pirates of Monterrey , Whispering Ghosts , The Mad Martindales , Moon Over Her Shoulder , My Pal Wolf , Rebel in city , At Gunpoint , The Young Don't Cry , Canyon Crossroads and Sealed Cargo , a WWII Thriller that also starred Dana Andrews . Rating . 6.5/10 . Better than average Western . Worthwhile seeing .

Three Hours To Kill casts Dana Andrews as a man on the run for the murder of Richard Webb which he did not do, but for which he was nearly lynched. Andrews has the rope burn scar to prove it.

Four old friends of his who also knew the victim were the ones yelling loudest for the lynching. Andrews zeroes in on them for the answers. There's also saloon girl Dianne Foster who has a thing for Dana and the sister of Richard Webb who was violently opposed to her marrying Andrews who is played by Donna Reed fresh from her Oscar win for From Here To Eternity.

This western plays like a noir mystery even though it's set in the wide open spaces. Andrews is one grim western hero and hardly the role model for a cowboy hero. Still in the end he solves the mystery and he does it when all four of those he seeks are brought into the saloon and compare notes. All could not have been more neatly revealed by Hercule Poirot himself.

One of Dana's best films.

A taut little Columbia western produced by Jimmy Cagney's brother William reminiscent of 'Fury', 'High Noon' and Dana Andrews' own 'Ox-Bow Incident'. A strong female contingent includes a brunette Donna Reed, a red-haired Diane Foster and a blonde Carolyn Jones; while two of the dramatic highlights feature Whit Bissell at his most cowardly, first in his barber shop, and later when Andrews sneaks up on him and his co.conspirators (observed only by the audience) while discussing him in the local saloon.

Three Hours to Kill is directed by Alfred Werker and written by Richard Alan Simmons, Roy Huggins and Maxwell Shane. It stars Dana Andrews, Donna Reed, Stephen Elliott, Richard Coogan and Dianne Foster. Music is by Paul Sawtell and cinematography by Charles Lawton Jr.

As solid as a boulder in Death Valley, Three Hours to Kill is a most satisfying Oater for genre fans not expecting boundary pushing. Plot has Andrews as Jim Guthrie, who is wrongly accused by the town folk of murder and promptly condemned to death by lynch mob. Escaping the rope by the skin of his neck, Guthrie bides his time for three years before heading back to the town to clear his name and nail the real murderer. His friend, the Sheriff, gives him three hours to complete his task before the law intervenes.

What unfolds is a whodunit led by Andrews as he interrogates and puts the squeeze on a number of the town's denizens. There's a deliberately downbeat tone that serves the story well, with lost loves, unfulfilled lives and haunted memories of past doings permeating the narrative. The psychological undertones and risque aspects of the story are tantalisingly -frustratingly so - left to just simmer, but mood befits question marks in the plotting to keep one engaged.

Action scenes are in the main no more than competently handled, but a couple are quite striking to raise the pulses. When the pic moves out of the confines of the town, the locales (Lake Sherwood, Sherwood Forest, Hidden Valley in Calif) are most striking and leave you hankering for a more airy picture as a whole. Cast are fine, Andrews toughs up for good perf, but as lovely as Reed and Foster are (in fact Foster is socko gorgeous), they are undone by standard writing and Reed comes off as looking bored.

The ending carries a nice surprise, two fold in fact, to close the deal on what is an above average Oater to be enjoyed as easy sampling by genre fans. 6.5/10

Durable leading man Dana Andrews stars in this B-side western about a fight between Andrews and Richard Webb that ends in Webb being murdered - but despite appearing to be caught red-handed, is Andrews actually the culprit? After a near-summary execution by some over-zealous locals, Andrews narrowly escapes returning several years later to clear his name.

Familiar plot has surprising depth in the female casting for a film of this ilk, alongside Donna Reed as Andrews' former beau is Dianne Foster as the versatile and open-minded admirer Chris, while Carolyn Jones and Charlotte Fletcher play a pair of damsels who've both fallen for card shark Laurence Hugo, one of many on Andrews' hit list.

Good also to see Stephen Elliott who later garnered fame in films like "Arthur" and "Beverly Hills Cop", in his film debut in the key supporting role of Ben, the town's new sheriff who's friendship with Andrews affords him three hours grace to catch the killer or be tried for murder (hence the title).

There's a simmering tension that prevails the full eighty-odd minutes, with a particularly taut scene in which veteran Whit Bissell (playing the town's ubiquitous barber) takes a razor to Andrews' throat, as he nervously fends off accusations that he is the real killer. Pretty decent whodunit western that no doubt some armchair sleuths will solve before the climax, nevertheless, it's a bittersweet ending that rejects the typical clichés making this overall, a better-than-average yarn.