Nettoyage par le vide

It's worth every minute of the long wait in order to experience one of film noir's most indelible moments. A single, unforgettable set piece - stark, surreal, sensual and sadistic in equal measure. Opening with a crane shot, Anthony Quinn and Peggie Castle, battered and bruised by brutal bad boys (Gene Evans and Bruno DeSota), with no means of escape, seem about to bid a torturous farewell to the game of life. Castle, in particular, is stunning as the used and abused moll, bloodied and beleaguered, but demonstrating unquenchable defiance...... and it's not even the climax, which, when it arrives delivers an ironic twist, prior to the movie's playful romantic joker in the final scene.

Quinn is the ultimate three time loser. Following a horrific road accident, he temporarily loses the use of his hands, loses his memory and discovering that he is a murder suspect, stands to lose his life.

Fortunately, he hasn't lost his marbles. Moreover, having a head that's emptier than a hermit's address book, strangely works in Quinn's favour, quickening his thoughts, sharpening his awareness and heightening his survival instinct. His grim, relentless determination to clear his name, break the web of corruption which is strangling the town and find the killer, leads to close involvement with beautiful women of varied repute and to the bank where he was previously employed as a teller.

A sadly neglected and under appreciated picture, of genuine weight and substance, my one minor misgiving is that so momentous a movie be marred by so mundane a moniker. Still, at least it's better than: The BIG Wait.... Just!