Le démon des eaux troubles

Hell and High Water is a great Fifties film with Richard Widmark and his handpicked crew of WWII veterans trying to foil a dastardly Communist plot to start WWIII.

Widmark is a former submarine commander who's been hired to check out a secret base that the Communist Chinese seem to be building in the islands north of Japan. The group that's hired him is some kind of consortium of western scientists who seem to be operating as a secret society. Like Captain Midnight or heaven forfend, the Tri-Lateral Commission.

Parts of the plot and definitely some of the footage is taken from another submarine picture that 20th Century Fox did, Crash Dive. It's so obvious, especially when you have Richard Widmark's voice with no closeups, over the footage from the previous film. That also concerned a secret Nazi base in the Atlantic and the submarine crew that went to clean them out.

Along for the ride in the submarine are scientists Victor Francen and his assistant Bella Darvi who was Darryl Zanuck's main squeeze at the time. Ms. Darvi had a short and tragic life and her story would make a real interesting picture.

Far more interesting than this, though I will say the submarine special effects are outstanding.

This unusual Cold War adventure features a star whose life off-screen was far more fascinating than her roles on-screen.

Ex-submarine commander, Adam Jones (Richard Widmark), is hired by an international consortium of scientists, statesmen and concerned citizens to command an old WW2 Japanese sub to track down a group of nuclear scientists who have disappeared in a remote area north of Japan.

Like Cagney before him, Widmark always seemed to be shaping up to the world, and so it is with his Commander Jones who assembles a crew straight out of the Hollywood Submariner Stereotypes Manual. He also takes along a professor and his assistant, Denise Gerard (Bella Darvi).

The action doesn't stray too far from the Twentieth Century Fox sound stages, but does have a couple of exciting sequences with pretty good special effects - even if the atomic explosion at the end doesn't look like it had the scale to disrupt peak hour traffic.

Over the 60 years since it was made, I have learnt more about the stars and the filmmakers, and a reason for revisiting the film was to see Bella Darvi in another movie other than "The Egyptian".

She was Darryl Zanuck's mistress back in the day and he was besotted with her. Much of this is detailed in Leonard Moseley's "Zanuck: The Rise and Fall of Hollywood's Last Tycoon", but there is plenty of information on the Internet.

Zanuck put her in three movies but the public did not take to her. The critics shredded her performance as Nefer in "The Egyptian" claiming that her acting was wooden. I didn't mind it at all, although she was fairly unanimated. "Nefer was" was the bitchy comment from one co-star - being topped-off with a red fright-wig also didn't help.

But in "Hell and High Water", made before "The Egyptian", she is completely different. Warm and radiant, she displays a range of emotions as well as a sexy French accent; it is here that you can see the charm of the women who caused such turbulence in Darryl Zanuck's life. No doubt, the difference in the performances had a lot to do with the directors, Sam Fuller in this case.

Like other tragic stars, it is sad knowing that aged 42 she turned on the gas in her Paris apartment and exited a life that had probably always been on a downward spiral.

"Hell and High Water" is a competent piece of filmmaking from the Silver Age, but knowing a little about the stars and how it was made makes it far more compelling.

I thought the movie was good for it's era. Much better than some of the other fiction movies of it's time. The submarine scenes were very good. Especially the detail of water trickling down the periscope cylinder when they were submerged.

I too wondered where they were disposing of the buckets of water when they were supposed to be running silent. Again the scene was out of sequence.

Also the scene where Richard yells periscope up to look for the enemy sub, and they are surfacing. I thought it looked funny seeing the sub on top of the water and Richard is looking out the periscope.

Again good movie for it's time.

While I was earnestly waiting for some of the moments of hilarity one of the reviewers wrote about (which I never found), I thought it would be worthwhile to point out some of the sillier criticism also made.

First of all the bucket scene happened before the ramming scene - not after. Plus, submarines have buckets on them. Isn't that strange. It seems the makers of submarines sort of figured stuff like that out - sometimes subs take on water and it must be moved. And yes, they would have lots and lots of buckets. More than one sub in WWII was saved because of them. The reviewer may also not have seen the part where the buckets are being returned.

He also comments on if the sub was already underwater, where were they taking the water. Again, submariners got that one figured out too. They were taking it to a place where there was a working pump to pump the water off the sub.

Overall it was a decent diversion. But then I'm a fan or Richard Widmark so I may be biased.

This exciting film contains cold war heroics , non stop excitement , and full of tension and intrigue . Pure entertainment from Fuller , it is set during the Cold War , a privately-financed scientist Prof. Montel (Victor Francen , though Charles Boyer was originally cast for this role) , his assistant (Bella Darvi) and colleagues hire an ex-Navy officer (Richard Widmark) to conduct an Alaskan submarine (Sub used was WW2 ex Japanese sub) expedition (including familiar faces , as sailors appear the followings : Cameron Mitchell , David Wayne and Gene Evans who helped Bella Darvi with her dialogue) in order to prevent a Red Chinese anti-American battle , as well as a deviously plotted plan that could trigger WW3 . As they fit a Japanese submarine to lead them to Arctic Circle . Along the way , they are pursued by a Chinese submarine , stalking each other , and intent on ramming the other .

The intriguing premise gets to satisfy completely , as it has breathtaking moments , including an explosive climax and as when two submarines stalk each other through the depths . It mixes a twisted tale with intrigue and schoolboy science-fiction about a scheme that may lead to World War III . This sometimes little objective film lacks a sense of definitive character undermining its important message . This picture is more a submarine movie than a Warlike or Cold war film . The scene from the attack on the first island was taken from the movie ¨Crash Dive¨ (1943) , particularly the ammo exploding in the depot and the burning fuel cascading over the short cliff into the sea . Nice acting by Richard Widmark as an ex-Navy officer assigned to a dangerous mission : to find a secret Chinese atomic island base . Victor Francen plays well the obstinate scientific who designs the risked operation to prevent a Communist plot . And the gorgeous Bella Darvi , this marked the feature film debut of Darryl F. Zanuck's muse Bella Darvi, whose stage surname was a combination of the first names of Zanuck and his wife Virginia . Darvi became a 50s symbol for one of the many movie "Cinderellas" playing ¨Sinuhe the Egyptian¨ , ¨The racers¨ and whose bright and beautiful Hollywood fairy tale would come crashing down, ending in bitterness and tragedy . Bella finally committed suicide in 1971 after turning on the gas stove in her apartment, she was only 42.

The movie displays a colorful cinematography in CinemaScope by Joseph MacDonald . This was Twentieth Century-Fox's fifth CinemaScope production . Thrilling and stirring musical score by the prolific Alfred Newman . In this picture Samuel Fuller proved his talent of vision and intelligence . Fuller being especially known as filmmaker of such exploitation films as ¨Shock corridor¨ and ¨The naked kiss¨ . Fuller made various Western as ¨I shot Jesse James(49)¨, ¨The baron of Arizona (50)¨, ¨Run of the arrow¨ (56) , ¨Forty guns(58)¨, and ¨The meanest men in the West (76)¨ , but his most fluid and strongest work lies in his war films as ¨Steel helmet(51)¨ , ¨Fixed bayonets(52)¨, ¨Hell and high water (55)¨, ¨China gate (57)¨ , ¨Merrill's Marauders (62)¨ and ¨The Big Red One (80)¨. Being his best films : ¨Pick up on South Street¨(53) , ¨Underworld Usa¨(60) and ¨White Dog¨(82) . Rating : Better than average . Worthwhile watching .