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6.7/10
101
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A film intended for Bud Abbott and Lou Costello that ended up starring Hugh O'Brian and Buddy Hackett. Most of the footage was given over to Spike Jones and His City Slickers, about the all ... Read allA film intended for Bud Abbott and Lou Costello that ended up starring Hugh O'Brian and Buddy Hackett. Most of the footage was given over to Spike Jones and His City Slickers, about the all hands members of a 1910 fire company about to be mechanized.A film intended for Bud Abbott and Lou Costello that ended up starring Hugh O'Brian and Buddy Hackett. Most of the footage was given over to Spike Jones and His City Slickers, about the all hands members of a 1910 fire company about to be mechanized.
Spike Jones and His City Slickers
- Firemen
- (as Spike Jones' City Slickers)
Bud Abbott
- Man in Long Shots
- (uncredited)
Bobby Barber
- Newsstand Proprietor
- (uncredited)
Billy Barty
- Clarinetist inside Tuba
- (uncredited)
Earl Bennett
- Fireman
- (uncredited)
Lou Costello
- Man in Long Shots
- (uncredited)
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Originally, "Fireman Save My Child" was intended as an Abbott & Costello film. However, Lou Costello was apparently too ill to do the movie and instead Universal rewrote the film to star Buddy Hackett and Hugh O'Brian....as well as Spike Jones and his band.
The story is set around 1910 and is set at a firehouse featuring a VERY odd group of firemen. While their jobs are supposed to be all about putting out fires, they seem to spend most of their time playing goofy music. Into this bizarro firehouse come Smitty and Smokey (O'Brian and Hackett). Smokey wants to be a fireman to test out his latest fire prevention invention but he's so darn dumb and clumsy, the invention seems to have been forgotten for most of the movie. Can Smitty keep Smokey out of trouble and make a real fire fighter out of him?
Compared to other Abbott & Costello films, this one far more slapsticky...with more pratfalls, goofy action scenes and the like. I personally think a few LESS would have helped the story as they were pretty cheap laughs and we often used instead of plot. The same could be said of Spike Jones and his City Slickers. While their songs were weird fun, they also seemed to take the place of plot. As an adult, I sure noticed this. If I'd seen it as a kid...well, I probably would have loved it! As an adult, I really found it tough to enjoy...though occasionally a real laugh snuck into the film.
By the way, if you watch the movie, pay attention in some of the shots. A few were actually filmed with Lou Costello and a few times it actually is him in distant shots instead of Hackett.
The story is set around 1910 and is set at a firehouse featuring a VERY odd group of firemen. While their jobs are supposed to be all about putting out fires, they seem to spend most of their time playing goofy music. Into this bizarro firehouse come Smitty and Smokey (O'Brian and Hackett). Smokey wants to be a fireman to test out his latest fire prevention invention but he's so darn dumb and clumsy, the invention seems to have been forgotten for most of the movie. Can Smitty keep Smokey out of trouble and make a real fire fighter out of him?
Compared to other Abbott & Costello films, this one far more slapsticky...with more pratfalls, goofy action scenes and the like. I personally think a few LESS would have helped the story as they were pretty cheap laughs and we often used instead of plot. The same could be said of Spike Jones and his City Slickers. While their songs were weird fun, they also seemed to take the place of plot. As an adult, I sure noticed this. If I'd seen it as a kid...well, I probably would have loved it! As an adult, I really found it tough to enjoy...though occasionally a real laugh snuck into the film.
By the way, if you watch the movie, pay attention in some of the shots. A few were actually filmed with Lou Costello and a few times it actually is him in distant shots instead of Hackett.
I have to start saying it has been a long time since I have seen it, but have seen it 5 or more times; a wonderful little romp that was clearly inspired by the musical/comedy pairings of new or fading stars with musical groups of prominence. Kay Kyser's mysteries would be a good example.
Having Spike Jones unleashed is the best part of the show, as he and his band play many tunes and are a part of the action, doing a fine job of support. Hugh O'Brien plays the face, Buddy Hackett the part rumor has it that was offered to Lou Costello and thus, Abbott and Costello replacing the leads. Don't know if that was true.
all in all, a pleasant movie, but important to have that much Spike Jones and his band on film for history. Wish that it was released, as I haven't seen or heard of it now in two decades. Hope it is not lost
Having Spike Jones unleashed is the best part of the show, as he and his band play many tunes and are a part of the action, doing a fine job of support. Hugh O'Brien plays the face, Buddy Hackett the part rumor has it that was offered to Lou Costello and thus, Abbott and Costello replacing the leads. Don't know if that was true.
all in all, a pleasant movie, but important to have that much Spike Jones and his band on film for history. Wish that it was released, as I haven't seen or heard of it now in two decades. Hope it is not lost
Here's another of those 'lost' films that somehow fell through the cracks and don't even show up on Turner Classic Movies at three in the morning, when they tend to play obscure so-so pictures for a cult audience that either sets the tape machine or sits up all night long, staring at the tube. Wish they would revive it, though, for it this is anything but subtle, it does contain several well mounted slapstick situations of the type that flourished in the early days of film, before sound came in. Originally, the film was to have starred Bud Abott and Lou Costello. When they dropped out, the studio inserted Hugh O'Brian, who shortly would incarnate the ultra-serous marshal Wyatt Earp on TV, and Buddy Hackett, just then emerging as a world-class funnyman. The decisive move was to rethink this as a (the?) vehicle for Spike Jones and His City Slickers, a madman band that offered more comedy than music. And, as earlier said about this film itself, they weren't subtle but they sure were funny. Another forgotten film waiting to be found.
I've spent years looking for a copy of this film(16mm,dvd,vhs), so I could show it to my kids. The movie is funny, and Spike and the members of his band show why they were the best musicians in the business. They had to be that good to play that demented. I like it and recommend it for movie lovers of all ages.
The movie is about a turn of the century firehouse, with a crew of misfits that are firemen and the department band (when not fighting the fires). There's the usual running gags, plus the mayhem of Spike Jones and his Orchestra. Also, comedy relief provided by comedian Buddy Hackett and straight-man Hugh O'Brien.
The movie is about a turn of the century firehouse, with a crew of misfits that are firemen and the department band (when not fighting the fires). There's the usual running gags, plus the mayhem of Spike Jones and his Orchestra. Also, comedy relief provided by comedian Buddy Hackett and straight-man Hugh O'Brien.
I hope someone will make a video of this wonderful old Spike Jones comedy. It was good family fun! I remember when my father watched it he laughed so hard tears were rolling down his cheeks. He said he laughed so hard his stomach hurt! I would love to see it again and hope my daughter can someday see it.
Did you know
- TriviaOriginally slated to star Bud Abbott and Lou Costello (who shot some scenes and who can be distinguished in a few long shots), Costello's ill health forced the withdrawal of the duo from the picture. Universal-International replaced them with Buddy Hackett and Hugh O'Brian.
- Alternate versionsCastle Films edited two home movie versions in both silent and sound, 2- and 7-minute, 16mm, regular- and super-8, under the titles "Fireman, Save My Child" and "No Fires, Please." Only chases and other comedy scenes were used (no musical production numbers).
- ConnectionsReferenced in Leave It to Beaver: In the Soup (1961)
- SoundtracksPass the Biscuits, Mirandy
(uncredited)
Written by Del Porter and Carl Hoefle
Performed by Spike Jones and His City Slickers (featuring Freddy Morgan)
Details
- Release date
- Country of origin
- Language
- Also known as
- Fireman Save My Child
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 19 minutes
- Color
- Aspect ratio
- 2.00 : 1
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