User reviews

A madman (voiced by James Mason) tells his tale of murder, and how a strange beating sound haunted him afterward.

The animation of this short is pretty decent and fits the material well without being too grisly. But, of course, the real joy is in the narration. When it comes to telling a story so well-known and often repeated, it pays to get just the right voice. And James Mason is the one for that (though Vincent Price would also work).

I remember this story being longer. Now, that might be my memory or it might be that they abridged it. But I have fond memories of the first time I ever heard the story in an elementary class. (I don't believe I actually read Poe's work until later.) The tape I heard was not Mason, but I wish it had been.

"The Tell-Tale Heart" is probably the most popular and famous of all of Edgar Allan Poe's tales. It's a very simple, quick, and easy to read tale that has a great plot, wonderful style, and a memorable ending. It is the perfect Poe tale!

This film is a brief adaptation of this beloved classic, and it captures its mood and suspense gloriously. The narration by the great James Mason is pitch perfect, and the animation style is creepy and superb! The film is genuinely intense, too. The atmosphere is heavy, and it makes for a great experience. My heart was practically pounding as I watched it-which is interesting to note due to the title and subject of the story.

Whew. It's as spooky as ever, and James Mason's reading brings to it an hysterical drama that is absent from his movies.

Sometimes the stark images illustrate the events and sometimes they're surrealistic images of moons, branches, upright things draped in cloth.

I don't know how Poe could bring these stories off. Here, for instance, he begins with the otherwise nice old man whose filmy white eyeball the narrator simply can't stand and which eventually drives him to murder.

If I had written it, I'd have to have had to explain what the living arrangement was. Did they come to share a flat? How did they handle the rent? Who did the cooking and who washed the dishes? And how the hell did the unnamed narrator ever wind up in a situation like this? Poe dispenses with all this irrelevant details, a device in accord with his theory that everything could, and should, be thrown out the window in favor of effect.

Some effect!

An English teacher whose taste I generally respected despised this film. As a word person, she was no doubt bothered by the compression and elimination of so much of Poe's carefully wrought language.

But she overlooked one thing, in my estimation. Poe said everything in a short story should be toward one effect, and certainly, there has been no better attempt on film to achieve the kind of formal and emotional control Poe suggested was the story teller's goal than this animated short. She should have appreciated that.

The control of tone, light and color palette here is complete; the actors are hand-crafted; the voices and music are expertly orchestrated as in great radio drama; best of all, nothing extraneous or distracting seeps through at any point. (We clearly see only one face during this short. We never see the narrator, but see all that happens through a subjective camera.) While there is a ton of ham bone melodrama and story padding in Corman's Poe films, this film achieves just the right pitch, delicate and disturbing, maintains it, and then finishes simply. In today's context, UPA's Tell-Tale seems slightly dry, if not downright academic; Corman's films evoke not only Hollywood, with all that means, but low budget film making and drive-in culture as well.

I believe Poe would have appreciated UPA's effort and encouraged them to try others, like Cask of Amontillado and Masque. Given the chance, I think he'd have liked to tell Corman to just quit it.

10 stars. One of the great cartoons, ever.

This short, nominated for an Oscar, is very atmospheric and quite spooky. It's actually a perfect choice for the limited animation style that UPA frequently used and the choice of James Mason as the narrator was absolutely inspired! It captures the mood, tone and feel of Poe's story perfectly and is an incredible piece of work. Most highly recommended. It was released on one of the Columbia Classics series of videos. It's worth hunting down.

United Productions of America, one of the most original and ground-breaking animation studios of the U.S., achieved the peak of their "limited animation" style (an abstract style that champions symbolism over realism) with this short film based on Edgar Allan Poe's famous short story of the same name. With their minimalistic approach to animation and their total dedication to the art, this small company changed American animation forever and the magnitude of its influential was felt many decades after its creation.

"The Tell-Tale Heart" is the story of a man (voiced by James Mason) consumed by a bizarre and sick obsession with his old landlord's "strange" eye. An obsession that will take the man to murder the old man and hide the body, but the horrors are not finished with that. It's a story of madness and obsession told from the point of view of the madman who calmly retells his story and how he reached that state of insanity.

In barely 8 minutes the short film captures the haunting atmosphere of the Gothic novel and Poe's tale of madness becomes vivid with fluid animation and frightening images of chaos reflecting the madman's mind. The limited animation technique used by UPA never found itself more at home that here, where its artistic conception can (and is) explored to its max creating the image of a real painting in movement. "The Tell-Tale Heart" is so beautifully conceived and so perfectly crafted that it feels as if one was truly watching the dark dreams of a psycho.

Now, James Mason's voice-work is what truly takes this film from high class art to masterpiece proportions, as basically the film revolves around his first person narrative. Every line is delivered with a deep emotion that conveys the narrator's frightful experience with amazing believability. Writers Bill Scott & Fred Grable, as well as director Ted Parmelee and the rest of UPA's team crafted one of animation's finest films when they did "The Tell-Tale Heart", a very different animated experience.

Maybe nowadays UPA's achievements have been overshadowed by the many other studios that had more commercial success, but their influence is not forgotten. This terrific short film is without a doubt a classic of animation and a masterpiece of the horror genre, a film that must be seen at least once. 10/10

I saw this short back in 1953 when I was just a kid. Had nightmares about it for a long time after. I haven't seen it since and have always wondered why. Was there some reason it was taken out of circulation? The mood and atmosphere with the juxtaposition of UPA animation (cartoons in those days-mostly associated with Mr.Magoo and Gerald McBoing Boing.) and thriller-style mood piece was groundbreaking. Since then I've been a fan of Poe's and especially that story. If anyone knows where it is or how I might see it again I'd love to know where I could get a copy. Anyone? Pleeeez? Is there other thriller-type animation out there? (No I'm not talking about Scooby Doo!)

I loved this. It's a dark and eerily menacing story of a man, an eye, a murder and some great vocal characterisation from James Mason. Like many mad men, this one believed himself perfectly sane as he began to have issues with one is his elderly neighbours. This old fellow never troubled him, nor was probably even aware of his existence but gradually this obsession assumed dominating proportions. As this anxiety accumulated, his mind turned to more drastic action - but is there any way at all he can remove this psychological stain from his mind? It's the kind of detailed and threatening animation that might have inspired a Roger Corman or Tim Burton film, and with the Kremenliev score adding loads to the increasingly frenzied atmosphere here it's very far removed from any mainstream cartoon you're ever likely to have seen before. Poe knew how to set a scene allowing our own imagination to take charge, and with the effective use of colour - especially the harlequin shaping towards the end, has created something that must have been quite shocking in 1953.

I don't know how this one does not rate a 10. Outside of the Exorcist it is the only movie/film that really scared me. James Mason is masterful in this animated re-telling of the Poe classic. The still animated style and use of shadow and eery music is too good. I have to own this and show it to my kids when i get some. In the dark, there is nothing scarier than Poe.

A boarder becomes increasingly horrified by the nasty eye of his landlord, and plans to kill him. However, he hasn't taken the power of a guilty conscience into consideration. One is faced with a challenge when adapting something that is already impeccable in its original form. To make one's work worth producing and, for others, to take in, one must truly do justice to what made it so. Poe's short story has chilled countless people for more than a century, with its downright disgusting descriptions, how direct he is in the rendition of pure terror, and of the immersion into madness. Many of his words are used here, with a pristine performance by James Mason bringing them to life. The sound FX and eerie music further enhance this retelling, and completing the trifecta is the vivid, at times surreal animation. Never a tale of people but one of states of mind, of emotion and mood, this barely shows faces, it is not a clear, chronological narrative, no, rather, you feel what our narrator felt, and while you undoubtedly want to distance yourself from his actions, you can't look upon the situation from the outside, with judgment and clarity, you are pulled in, and drown in the insanity. The dark, dingy colors, the sparse detail, indeed, at one point, even... sheer black. Silence. This is how you adapt this magnificent author, R.I.P. There is disturbing content in this. I recommend this to any fan of Gothic horror. 8/10

Just tonight I saw this short in a presentation of animated films as part of the Milwaukee International Film Festival. I found myself literally watching this with my mouth hanging open in awe. The animation is not groundbreaking in the various techniques used, but the ways they are used, and the ways they are merged to create brilliant, original techniques in their own light, are astounding. The use of numerous versions of a full paintings to animate things like the changing of a light source is shocking in it's simple, yet immense effectiveness. The music is very minimalistic, but very appropriate for the film. James Mason is haunting in his narration. This film is one of the most beautiful, unconventional, and effective uses of the animation art form in American film history. It is a shame that it is not available on video, though it may be that the only way to really experience it fully is in a theater. In that case it is a shame that it isn't played very often.

UPDATE...

The film is now available as an extra on the DVD for the original theatrical version of the film Hellboy. The only reason I can see for this is that Hell Boy director Guillermo del Toro must be a fan of it. The film Hellboy isn't bad, but the DVD is worth it for this short alone. And it can be had quite readily in used shops for a very good price (I've seen them as low as $9.99).

Part of the appeal of watching classic animated shorts is discovering gems that are not like the typical comedic cartoon variety. UPA's adaptation of The Tell-Tale Heart by Edgar Allan Poe is one of them, so much so that the film was actually given an X rating by the British Board of Film Censors. As of now, it is at #24 in the 50 Greatest Cartoon book and has been deemed culturally significant by the NFR. As for what I think, it still remains one of the creepiest shorts I've ever seen.

As the film tells the famous story in a brief manner, it manages to capture the raw mood and chilling atmosphere from Poe and translate it very well for the screen. What makes the film stand out is the visual style itself, since it focuses more on gothic backgrounds and stylized designs rather than character acting. However, it fits within the point of view of the main character (voiced superbly by James Mason), since the short is meant to provoke anxiety through the eyes of a madman.

The surrealistic visuals emulate the fear factor to recreate the perspective of the main character and let the audience imagine that they're in his shoes. Whenever the main character does something wrong or horrific, we feel the paranoia in him, the tone is that claustrophobically frightening. Even the music works well on its own, going from quiet and menacing to loud and bombastic depending on the scene. Overall, if you haven't seen this short, definitely give it a watch. It may make you feel nervous watching it, but why would you say it will make you mad?

Yes, it really has a story. It also has something else - stylish colors, stylish animation and haunting voice of James Mason. If animated shorts are classics, truly this is one of the first. ...and I've said nothing about challenge this short encounters - making something worth to be mentioned alongside its original source.

Here is another creepy cartoon for the Halloween season. A surreal but still horrific combination of UPA's animation and narration by actor James Mason (Disney's 20,000 Leagues Under the Sea). I had never seen this cartoon before until I found it on YouTube. After that, I thought it was another awesome UPA cartoon, as well as a favorite.

Also, I'd like to point out that I didn't know that UPA, which is known for the famous "Mr. Magoo" cartoons, had done something so... dark and mature, if those are the right words to sum up this short. The short was even nominated for an Academy Award for Best Short Subject. So anyway, all I have to say is that this short is definitely worth seeing on Halloween and is another UPA favorite.

The pacing of this story, with its wonderful rises and falls, similar to a heartbeat, makes this a masterwork. Jame's Mason narrates and leads us on a terrifying tale of murder and obsession. A man, a boarder, becomes fixated on the eye of an old man with whose he lives. It becomes so dominant in his life, he resolves to kill the old man to rid himself of the eye. There are incredibly eerie clips leading from one event to the other. Music and Mason's voice carry us through this familiar tale. It is really a series of still shots that make this really work well. This is a masterpiece of concision. It is not like most of the short features of its day.

In the past, I have been very, very critical of the cartoons made by UPA/Columbia Pictures during the 1950s and 60s. In every case, the artwork of the cartoon was very poor compared to comparable films from MGM, Warner Brothers and Disney. Sadly, because the UPA films were so cheaply made and they unbelievably received more than their share of Oscars, this style became the norm. Well drawn backgrounds and high frame rates were to become a thing of the past and the cheap look of UPA dominated with cartoons such as Gerald McBoing-Boing and Mr. Magoo.

Fortunately, while the same bare-bones look of UPA is present in this cartoon, here it actually works to good effect due to the colors used and the grim plot. In many ways, the art is highly reminiscent of the old silent classic, THE CABINET OF DR. CALIGARI--with its German expressionistic style. Here, for once, the UPA look actually works and works well.

As for the story, it's a retelling of the classic Poe tale as read by actor James Mason--a man whose voice alone is reason to see this film.

So, despite not winning the Oscar in 1954, it was justifiably nominated and the beauty and creepiness of this film haven't diminished over the years.

Tell-Tale Heart, The (1953)

*** 1/2 (out of 4)

Oscar nominated animated film has James Mason narrating the action set to Edgar Allan Poe's classic story. I had heard great things about this film so I was very happy when I came across a copy and was even more thrilled when the film turned out to be so good. The movie does a brilliant job in its animation and I must say the look of the film seems so far ahead of its time that it looks more like a Pixar movie. Another terrific thing is the editing, which really seems ahead of its time and this also adds some nice tension to the film. Mason's vocal performance is where the heart is as he really gives it all and delivers a dynamite role. His breakdown towards the end has to be heard to believed as he is so incredibly good.