After a punch in the nose, Sach gains the ability to read minds, so Slip and the gang take on a detective agency to try cashing in on Sach's new power.After a punch in the nose, Sach gains the ability to read minds, so Slip and the gang take on a detective agency to try cashing in on Sach's new power.After a punch in the nose, Sach gains the ability to read minds, so Slip and the gang take on a detective agency to try cashing in on Sach's new power.
William 'Bill' Phillips
- Soapy
- (as William Phillips)
David Gorcey
- Chuck
- (as David Condon)
Benny Bartlett
- Butch
- (as Bennie Bartlett)
Michael Jeffers
- Parent
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Private Eyes (1953)
** (out of 4)
The Bowery Boys Club is doing just fine in back of Louie's parlor but after Sach (Huntz Hall) is punched in the nose he grows the ability to read people's minds. Sach (Leo Gorcey) gets the bright idea to buy a detective agency and sure enough a beautiful blonde comes in asking for help and the boys soon find themselves battling crooks. If you've hung around the series long enough to reach this thirty-second film then you're not going to see anything you haven't already but the film moves along well enough for the fans. I think the first twenty-minutes are the best as the stuff dealing with the boys club will certainly have you flashing back to the East Side Kids days and the stuff with Sach getting beat up was rather funny. The early stuff dealing with Sach reading everyones mind actually had some well-written lines but once the entire subplot dealing with the crooks kicks in we get one tired joke after another. It's a real shame that everything was pretty straight-forward because there's enough material that they could have done to make this much better. Very briefly does Sach do his Sherlock Holmes impersonation so why they didn't keep this going is beyond me. They set up all sort of noir elements but do nothing with them. Instead we get the same boring joke over and over and the final slapstick dash through the health resort just falls on its face as we get the same gag over and over with the main one being men falling into a hot tub. Both Hall and Gorcey seem to be up for the events as both deliver fine performances with energy. Bernard Gorcey doesn't get much to do this time, although he at least gets a pie in the face. The rest of the cast are just so-so. PRIVATE EYES isn't a good film by any stretch of the imagination but it's certainly better than you'd expect from the thirty-second film in a series.
** (out of 4)
The Bowery Boys Club is doing just fine in back of Louie's parlor but after Sach (Huntz Hall) is punched in the nose he grows the ability to read people's minds. Sach (Leo Gorcey) gets the bright idea to buy a detective agency and sure enough a beautiful blonde comes in asking for help and the boys soon find themselves battling crooks. If you've hung around the series long enough to reach this thirty-second film then you're not going to see anything you haven't already but the film moves along well enough for the fans. I think the first twenty-minutes are the best as the stuff dealing with the boys club will certainly have you flashing back to the East Side Kids days and the stuff with Sach getting beat up was rather funny. The early stuff dealing with Sach reading everyones mind actually had some well-written lines but once the entire subplot dealing with the crooks kicks in we get one tired joke after another. It's a real shame that everything was pretty straight-forward because there's enough material that they could have done to make this much better. Very briefly does Sach do his Sherlock Holmes impersonation so why they didn't keep this going is beyond me. They set up all sort of noir elements but do nothing with them. Instead we get the same boring joke over and over and the final slapstick dash through the health resort just falls on its face as we get the same gag over and over with the main one being men falling into a hot tub. Both Hall and Gorcey seem to be up for the events as both deliver fine performances with energy. Bernard Gorcey doesn't get much to do this time, although he at least gets a pie in the face. The rest of the cast are just so-so. PRIVATE EYES isn't a good film by any stretch of the imagination but it's certainly better than you'd expect from the thirty-second film in a series.
Kind of in the middle of all the bowery boy films, Private Eyes has the usual cast of Satch (Hall), Slip (Leo Gorcey), Gorcey's real dad, and Gorcey's real brother. When Satch gets whacked in the head, he gets mind reading powers, and once they realize this, the gang tries to figure out how they can capitalize on it. they set up as detectives, and when they get a cute, young, blonde customer, she leaves before they can even get her name. it was actress Joyce Holden, who didn't stick around hollywood too long; she only stuck around another couple years after making this one. The blonde is Myra Hagen, and she has been kidnapped by the mob. so now the gang is also caught up with the mob. and Huntz Hall in drag. even bob hope and bing crosby occasionally did drag. Directed by Ed Bernds, who would be nominated for ANOTHER bowery boys film High Society... (not to be confused with the high society that was a terrible remake of Philadelphia Story.) Bernds had made TONS of films with the Three Stooges and Bowery Boys, so he certainly was a pro at comedy and timing. At one point, Slip smacks all three of the other guys across the face at once, in PERFECT three stooges fashion! this is a perfectly good (silly) chapter in the bowery boys arc, so if you like em, you'll like this one.
Private Eyes is exactly the next line of business that Leo Gorcey and Huntz Hall find for themselves in their never ending search for careers. One of these days they'll find success.
Chick Chandler who has to leave town abruptly sells them his detective agency which is now available. Seems like a perfect fit because Huntz Hall after getting a whack on the noggin has the ability to read minds. It comes and goes though with each blow and the way he aggravates Gorcey, Leo has to keep his temper in check.
The usual clichés about private eye films is found in Private Eyes, but this one doesn't quite jell. A lot of Abbott&Costello material recycled and the climax which is in an insane asylum comes right out of the Bob Hope classic, My Favorite Brunette.
Chick Chandler who has to leave town abruptly sells them his detective agency which is now available. Seems like a perfect fit because Huntz Hall after getting a whack on the noggin has the ability to read minds. It comes and goes though with each blow and the way he aggravates Gorcey, Leo has to keep his temper in check.
The usual clichés about private eye films is found in Private Eyes, but this one doesn't quite jell. A lot of Abbott&Costello material recycled and the climax which is in an insane asylum comes right out of the Bob Hope classic, My Favorite Brunette.
Run by entrepreneurial unemployed Leo Gorcey (as "Slip" Mahoney), the back-room of "Louie's Ice Cream Parlor" hosts "The Bowery Boys Club" for young lads who need a place to learn, as Mr. Gorcey explains, "the manly art of self-defense." While sparring with little Rudy Lee (as Herbie), bent-nosed boxer Huntz Hall (as "Sach" Jones) acquires mind-reading powers, after a hit in the head. As he does in other Bowery boy adventures, Gorcey decides to use Mr. Hall's super-power for monetary gain. In this case, the old boys open the "Eagle Eye Detective Agency". Beautiful blonde Joyce Holden (as Myra Hagen) heats up the plot.
There is nothing new here, but it moves along. Hall's stunt double is obvious as he tries to blast open a safe. His mind-reading power doesn't fulfill plot potential. The recent emphasis on "Three Stooges"-type sound-effects slapstick is advanced; director Edward Bernds handled both "The Bowery Boys" and the Stooges. Fatherly Bernard Gorcey (as Louie Dumbrowsky) continues to muse, while second son David "Condon" Gorcey (as Chuck Anderson) and Benny Bartlett (as Butch Williams) are kept to a minimum. Best are the later bits with Gorcey as a bearded doctor, Hall as an old lady patient, and Edith Leslie as his anxious nurse.
**** Private Eyes (12/6/53) Edward Bernds ~ Leo Gorcey, Huntz Hall, Bernard Gorcey, Rudy Lee
There is nothing new here, but it moves along. Hall's stunt double is obvious as he tries to blast open a safe. His mind-reading power doesn't fulfill plot potential. The recent emphasis on "Three Stooges"-type sound-effects slapstick is advanced; director Edward Bernds handled both "The Bowery Boys" and the Stooges. Fatherly Bernard Gorcey (as Louie Dumbrowsky) continues to muse, while second son David "Condon" Gorcey (as Chuck Anderson) and Benny Bartlett (as Butch Williams) are kept to a minimum. Best are the later bits with Gorcey as a bearded doctor, Hall as an old lady patient, and Edith Leslie as his anxious nurse.
**** Private Eyes (12/6/53) Edward Bernds ~ Leo Gorcey, Huntz Hall, Bernard Gorcey, Rudy Lee
The Bowery Boys movies are a hit or miss kind of thing. On which side of the ledger would I place "Private Eyes"? I'm not sure. I guess I would have to place it on the "hit" side but it's a close call. The story isn't that good but the cast is fine. There aren't that many laughs but there aren't that many groaners either. "Private Eyes" was an okay way to kill an hour on a very cold Saturday morning. (IMDB has a six hundred character minimum so I have to ramble on for a while. I have seen a bunch of Bowery Boys movies over the last couple of years. I wouldn't say that I'm a fan but they're usually a pretty easy watch. Mostly because they're only a little over an hour.)
Did you know
- TriviaThe thirty-second of forty-eight Bowery Boys movies released from 1946 to 1958.
- GoofsAt 1:02:45, the Bowery Boys Club is misspelled as "Bowery Boy's Club." (To be fair, it could be deliberate. The guys aren't exactly Harvard graduates.)
- Quotes
Terrence Aloysius 'Slip' Mahoney: Louie, I depreciate the fact that you're so tolerable.
- ConnectionsFollowed by Paris Playboys (1954)
- SoundtracksThe Gangs All Here
(uncredited)
Melody by Arthur Sullivan
Details
- Runtime
- 1h 4m(64 min)
- Color
- Aspect ratio
- 1.85 : 1
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