La lune était bleue

The Moon is Blue broke the Moral Code of the Hays Office and started its liquidation, not by its content, but by its use of words that were not accepted by the code, such as virgin and seduction. For that reason, it was important and controversial in 1953. But at that time, the original play by F.Hugh Herbert was a Broadway hit like many other F.Hugh Herbert and Norman Krasna plays. A run-of-the-mill comedy with practically no story but plenty of funny situations. The movie version, whose risqué dialogue, both writer Herbert and director Otto Preminger refused to alter, is still funny and still amusing, because it is clever and merry. The movie is a fine example of photographed theater, but the camera movements and the direction make the movie move. In fact, The Moon is Blue is the best work of actual direction that Preminger achieved in his career, not only for the movement of camera but for the movement of actors and the perfect performances he extracted from William Holden, David Niven and the lovely newcomer Maggie McNamara (whose tragic story would make a good TV film). After so many years, The Moon is Blue is a delight to watch from every angle except that of content and significance.

THE MOON IS BLUE is a comedy based on a stage play about the kooky happenings one evening when a playboy bachelor brings an innocent young woman back to his apartment for dinner.

This racy comedy never earned a Production Code certification. It was very controversial in the 1950s for its frankness about sex and its use of taboo words like "virgin", "mistress", and "pregnant". It's nothing outrageous by modern-day standards, but it is noticeably up-front for '50s Hollywood.

The hijinks involves four characters: an architect bachelor (William Holden), a frank young woman (Maggie McNamara), the witty upstairs neighbor (David Niven), and his daughter, the architect's jilted ex (Dawn Addams). Both men find themselves strangely attracted to the girl, who bewilders them with her bluntness and honesty. The night is filled with misunderstandings and screwy surprises. It's a fun film, though stagey.

William Holden and David Niven bring A-list talent to the production, and neither disappoints. It's actually pretty cool to see their different styles on display in the same scene. The ever-smooth Holden, with his rain coat and masculine virility, and the delightfully witty Niven, with his proper grammar and trimmed mustache.

David Niven is by far my favorite thing about this movie. He is hilarious in his role as the ineffectual father of Holden's quasi-psychotic ex-girlfriend. He comes downstairs to Holden's apartment because his daughter has told him that Holden had "done her wrong". Holden defends himself, explaining that she'd spent the night in his bedroom while he slept on the couch. Niven ponders the situation and decides that maybe that *was* how Holden had "wronged" her. ("A very humiliating experience. I probably should beat you up anyway.") His comedic reactions throughout the film are great. Never far from a cocktail and never at a loss for an eloquent witticism, Niven's at the top of his game here.

I saw this rare film on TCM and the print was pretty poor. Aside from the dirty image quality, there were several abrupt cuts (missing frames/footage?) and even inconsistent audio levels. I guess this film wasn't taken very good care of over the decades. Still, the print is certainly watchable and the movie is an interesting piece of Hollywood history. And there are some real laughs, too.

I was a kid when I first saw it, and despite difficulty in following the plot, I knew this was a very likable movie. When I saw it decades later, all my early perceptions were amply confirmed. Of course, the writer deserves most of the plaudit. It's my favorite Maggie McNamara movie. Her death has not even registered on Hollywood's tragedy-recycling radars. Nor have many others. (Kevin Coughlin, Brandon de Wilde, Bobby Driscoll, Scotty Beckett). With disbelief I read that in her last years Maggie had to type for a living. She was a true, dedicated thespian without any vanity, a lady.

Long before Meg Ryan and Tom Hanks discovered they loved each other atop the Empire State Building, William Holden and Maggie McNamara met on the observation tower of the venerable skyscraper in the film version of the hit Broadway play, "The Moon is Blue." One of the best and most sprightly comedies of the early fifties, Otto Preminger had a fight on his hands when the film went before an aghast Production Code board.

The movie makes rather light of a young woman's commitment to chastity, suggests that seduction is an amusing and acceptable pastime for a single male and uses words like "pregnant" and "virgin" offhandedly. The lovely, talkative, self-assured Patty even demands to know the meaning of the charge, by her new boyfriend's barely ex-girlfriend, that she's a "professional virgin." Shocking stuff and approval was denied. Perhaps equally stunning to the Hollywood censors was Preminger's decision to release the film without approval, something he had the clout to do.

As it turned out, audiences were able to deal with this explosive material. :) And almost fifty years later, when virtually nothing remains to be said or done on the silver screen, this film retains its charm, humor and attractiveness because a superb trio of actors - William Holden, Maggie McNamara and an irrepressible David Niven, who steals some of the scenes - gives a timeless quality to their sterling performances.

The script hews pretty much to the original play with minimal set changes. The dialogue is witty and fast. Preminger knew he had created a gem of a romantic comedy and it's good entertainment today in a world where the values expressed by the characters seem as remote as the social customs of the Neandertals. I hadn't seen the film in decades - I rented it and I'm going to buy a copy. This is a true and timeless classic.

By the way, don't skip the trailer that precedes the film. It's very funny.

Clicking through an endless guide that contained the typical TV offerings I was drawn to this by the description for such an older movie. I was interested to see what would be the content of such an older film with it's steamy description. To my surprised it was extremely entertaining and lighthearted... or am I just hardened by the times that we live in. Anyway... I enjoyed the situational comedy which in some ways reminded me of an Elvis Presley movie called "Live a Little, Love a Little" in the way that it changes pace but keeps the main characters interesting as they carry out the story. I also enjoyed seeing the way that a playboys life in the early 50's was perceived and I also enjoyed going back in time and seeing the behavior of the characters as they related to the story and it's topics. Had the industry not been so hard with its rating for this film... I think it could have been turned into a wonderful sit-com for TV in the 1950's... but that's just my opinion. Overall it was an enjoyable, light hearted comedy about sex (or lack of) that made me happy that I found it so late at night with all the other offerings that could have detoured my attention. This was only a few years before my days began but I could easily see these kinds of characters living out the story in real life as it was back in those days. The writers did a fantastic job with their use of language especially because had this been remade today most young people probably would be at a tremendous lost for words to make this type of film work as well as it did. There is much to learn about using language properly to tell a story... one that would have worked just as well if it were only on radio. Todays film values are all too visual and sorely lacks verbal entertainment which this film provides in great quantity and quality. I am glad to have found this gem in the rough.