Viva Zapata !

Although in fact Emiliano Zapata never became president of Mexico, for the most part this is a pretty good account of the illiterate peasant who became a romantic revolutionary. For this portrayal in his third film Marlon Brando got a second Academy Award nomination for Best Actor, but lost to Gary Cooper for High Noon.

And as a film concerning the turmoil in Mexico during the teen and twenty years of the last century Viva Zapata! is far better than MGM's Viva Villa that starred Wallace Beery. Then again Marlon Brando is a much better actor.

One critical thing that was left out of the story is how much land the Roman Catholic Church held in Mexico. It was not just the rich Estancias that kept the masses in Mexico in peonage, the Church had a really big share of the real estate there. If the story were written today the Church's involvement would be shown. My guess is in the years of the Cold War and the height of Joe McCarthy, no one in Hollywood wanted to make a film that criticized the church in any way. But even a few years earlier the overreaction against the church was done in the John Ford film, The Fugitive which takes place within 10 to 20 years after Zapata died.

Zapata as played by Brando may be illiterate, but he is possessed of a simple eloquence and a charisma that made him a revolutionary figure, in the same manner Che Guevara became forty years later. He tries hard to hold to the ideals of the revolution, but finds as most do that tearing down a government is relatively easy, building one from scratch is a task that has defeated many.

Anthony Quinn plays Emiliano's swaggering brother Eufemio who's not quite as idealistic as Brando. Quinn received first Academy Award for Best Supporting Actor for the part. Quinn fills the screen with his bluster when he's on, it provides a perfect counterpoint to Brando's more idealistic role.

The guy who never gets praise for his performance is Joseph Wiseman. Wiseman, a product of the Actor's Studio in New York like Marlon Brando. This is a man whose type I've come across in numerous endeavors in my life, a professional stirrer of resentments. He's not happy unless there's some kind of battle going on. A type mind you that is ultimately dangerous for any movement. He intrigues for the sake of intrigue, but never accomplishes anything. It's a very good job by Wiseman, not often talked about for some reason.

Besides Quinn's Oscar and Brando's nomination, Viva Zapata! got Oscar nominations for Best Art&Set Direction for black and white film, Best music, and Best Screenplay. The last would have been a great honor for John Steinbeck, I'm not sure how many if any writers won a Pulitzer Prize, a Nobel Prize and an Oscar. That's three horse parlay that can't be beat.

For some reason Elia Kazan was overlooked for Best Director, possibly because he had won the year before for A Streetcar Named Desire.

Still Viva Zapata! is a work that stands up very well even with the historical inaccuracies.

Mexico, 1909. The people in the state of Morelos rise up against the tyrannical regime of President Porfirio Diaz. They are lead by a simple, illiterate peasant-farmer, Emilio Zapata. All he wants is justice and fairness for his people but as things progress he is drawn deeper into a civil war where allies and enemies are often difficult to tell apart.

Written by John Steinbeck, directed by Elia Kazan, starring Marlon Brando and Anthony Quinn, and based on a true story, on paper this has all the makings of a classic. The end result, however, is far from satisfactory.

The intention was good: show the life of a man of integrity and honour and the lengths he is willing to go to for the rights of his people, throw in a theme of how power corrupts, plus another theme of how a name can sustain a revolution.

Can't fault the performances either. Brando, in his third movie, puts in a strong performance as Zapata. The movie provided him with his second Oscar nomination, after only three movies (his first was in A Streetcar Named Desire, his second movie). Anthony Quinn won the Best Supporting Actor Oscar in 1953 for his portrayal of Eufemio, Zapata's brother.

No, it is in the execution, especially direction and editing, that things fall a bit short of their potential. The story is clumsily told by Elia Kazan. Scenes don't link well, some scenes seem entirely unnecessary and it is difficult to follow the history behind the sequence of events. No explanation is given for the seeming lack of continuity, eg Zapata is President, all seems well, then next we know it is back to civil war with Zapata a revolutionary. No detail for the change provided.

This sudden change of direction, without the events that changed the direction, is incredibly jarring and disconcerting.

So, in the end, you have a historic story with many of the historic details left out. Not ideal.

Overall, okay, but not great. While Elia Kazan was a great director, I can't help but think this movie would have been a masterpiece if someone like John Huston, or maybe John Ford, had directed it.

I saw Viva Zapata 50 years ago, when I was 15. And all those years I hoped to see it again sometime. But in the Netherlands it's not available on VHS or DVD. I remember the great performance of Marlon Brando as Zapata. And how I hated Wiseman who played the ultimate traitor. In a magazine I read that Brando, before they shot the picture, spent several weeks in a remote Mexican village to learn the habits of the Mexicans, and he WAS a Mexican in the film! What a performer! I do hope to see once again some day! 9 out of 10.

Hans Dullaart Delft Netherlands.

Emiliano Zapata (Marlon Brando) was a principled, charismatic revolutionary who led peasants from Mexico in the early part of the 20th century against the dictator, Porfirio Diaz who might had proclaimed himself the father of the nation but was stealing land from the poor farmers.

What Viva Zapata shows that the cycle of betrayal is endless, one dictator goes and another one emerges. When Zapata is President his brother Eufemio (Anthony Quinn) regards it is his right to take land and property by force.

With at times a literate and clever script written by John Steinbeck, direction by the then leftist Elia Kazan the film is too uneven. There are at times some great black and white photography but the film lacks action, the plot is messy and it does not always makes sense.

Brando gives a sombre and moody performance but does look odd as a Mexican. A more natural rough-hewn performance is given by Quinn.

The story of Mexican revolutionary Emiliano Zapata (Marlon Brando), who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Diaz (Fay Roope) in the early 20th century.

Sadly, I do not know the story of Zapata well enough to criticize this film for its accuracy or lack thereof. I understand it is somewhat fictional, and of course needs to be to some extent since no one was there writing down every spoken word or action.

But I loved the story, the endless cycle of violence... this is all too true. While revolutions can work (America did alright), they do tend to lead to more revolutions. And while Mexico is stable now (or at least mostly so), it did have a rough history... which made legends out of Zapata and Pancho Villa.