N'embrassez pas les WACs

This comparatively little known film, with the extremely unlikely storyline is, nevertheless a joy to watch. It is pure escapism with more than a hint of nostalgia for those of us of a certain age. The script is good with some nice one-liners, but because the plot itself is obviously rather weak things become a little laboured. I doubt it would come over as successfully as it does, where it not for the one and only Rosalind Russell - ever able to combine excellent dramatic and comedic acting with the epitome of Hollywood glamour. And where oh where would it have been without that stalwart, always believable, and I think much underrated actor, Paul Douglas as Russell's long suffering ex husband.

If you feel like some light hearted 1950s entertainment you could do a lot worse.

Certainly can't blame the sparkling Russell if the last part of the comedic hijinks seems labored. The first part shines, especially the fancy ball where Jo (Russell) flits around like the proverbial social butterfly, while divorced husband (Andy) tries to rescue his dog without anybody noticing. Too bad Douglas is largely forgotten. He had about a ten-year period where he played the likable grouch to perfection.

It's interesting to compare this film with its male counterpart No Time for Sergeants (1958). Here Jo is a sheltered socialite who thinks joining the WACS will be a lark, plus put her closer to her colonel boyfriend (Ching). Needless to say, she's in for the proverbial rude awakening, though not too rude. In No Time…, Andy Griffith is Jo's opposite, a naïve hillbilly who gets drafted, has similarly rude adjustment problems, except his are from the other end of the social spectrum. Both movies get a load of laughs from sticking unmilitary types into training camp, strict military style.

But frankly, I thought the slapstick of putting Jo through the rigors of testing new equipment came across as labored and not very funny. It also amounts to an unfortunate stylistic break with the previous lighter mood. Nonetheless, rolling around the mud does symbolically rid Jo of her social pretensions, and make it so she and Andy can get back together on a more honest plain. So at least the testing works on a plot level.

Anyway, the film's an okay comedy, produced by Russell's husband and independently distributed, at a time when the studios were unfortunately breaking apart.

"Never Wave at a WAC" is worth seeing just for one thing -- Rosalind Russell's over-the-top performance as the ultimate socialite snob of snobs. Russell could play sophisticates and prim and proper upper crust, including in comedies. But she gives this role such snobbery that her completely spoiled and selfish persona quickly makes the audience want to see her get tanked. And, when she does, of sorts, she keeps the snobbery going beyond anyone's imagination. It's a superb performance and role.

This film was made during the Korean War. It came out in January of 1953, and a truce would bring the war to an end in July. The film is first and foremost a comedy, but also is a slight patriotic film with a pat on the back for the WACs. The Women's Army Corps was established in May 1942 during WW II and lasted until 1978 when it was disbanded and all units were integrated into the regular Army with males.

The plot is silly with some very funny scenes. Wealthy Jo McBain is the daughter of prominent U. S.. Senator Tom Reynolds. She lives and glories in the limelight of Washington, D. C. During the day, she is busy making public appearances for all sorts of civic things. In the evenings, she is the toast and host of Washington society. She throws elaborate parties at which all the big wigs, brass and famous people are invited and attend - including a menagerie of ambassadors and other foreign diplomats. In one very funny scene, Jo cuts a ribbon for a strange looking small sculpture that resembles a water fountain. It's across the south lawn of the White House and the next scene shows Jo smiling and waving at figures in two windows of the White House. Caricatures of the President and first lady are waving back.

Jo has been divorced from Andrew McBain, played by Paul Douglas. He's a scientist and researcher who is now designing and making protecting clothing and gear for GIs. Jo is now engaged to Air Force Lt. Col. Sky Fairchild, who's just been reassigned to Paris, France. She is jealous of another attractive socialite who has a commission in the WACs. First Lt. Phyllis Turnbull, is also going to Paris, and also has an eye for Sky Fairchild. The senator thinks his daughter needs to come down off her pedestal and get her feet on the ground. So, he cons Jo into joining the WACs. She thinks she's going to get a gold-plated commission handed to her.

But when she drives her convertible with her fine clothes all packed and ready for duty at Fort Lee, Virginia, she soon finds out that she will be Pvt. McBain, not General McBain. Still, she persists in her snobbish persona, with some hilarious scenes stepping out of ranks, lighting a cigarette in formation, etc. She is so wound up in her self-importance that she's clueless of her situation and where she is for a long time. All of that plays for more humor. And, even considering that this was 10 years after the WACs had been formed and served in WW II, the handling of McBain by the WAC staff seems awfully reserved.

Well, that's all for the better comedy when who else should be at Fort Lee but ex-husband, Andrew McBain. He is conducting equipment tests for the Army. McBain has declined the offer of a field-grade commission, choosing instead to work for and with the Army in his civilian capacity. When he needs half a dozen women for special duty with the tests, he picks Jo as one of them.

This isn't a comedy of witty dialog, or antics. It's strictly situational humor. Rosalind Russell plays a part that has some physical workouts and otherwise humiliating scenes. While she wasn't among the glamorous group in Hollywood, she was a very talented woman of beauty and character who could play superb comedy, drama, mystery and anything in between and beyond.

The supporting cast are all very good. The best of these are Marie Wilson as Clara Schneiderman (aka, Danger O'Dowd), William Ching as Jo's fiancé, Lt. Col. Sky Fairchild, and Leif Erickson who plays Master Sgt. Norbert Jackson. The production quality is lacking. The screenplay could have been better, and the camera work wasn't well planned and carried out.

But, one can and should put all that aside and watch this film just for the fun of the sterling performance by Rosalind Russell. There are no great hilarious lines or antics, but lots of scenes that are sure to bring chuckles.

Here are some favorite lines from this film.

Lily Mae Gorham, "Your father wanted to invite senators Cullen and Clark, but I said 'no,' they're investigating each other."

Sen. Holbrook, "So the senator had the floor three hours, eh. What was he speaking about?" Sen. Tom Reynolds, Jo McBain's father, "He didn't say."

Andrew McBain, "Doesn't it strike you as rather symbolic that the Japanese beetles are destroying our elm trees?" Jo McBain, "Yes, since our marriage fell apart at the same time."

Jo McBain, "Oh, now father, I'm not greedy - you know that. I don't mind starting as a major or captain and working my way up on my own merits". Sen. Tom Reynolds, "Why, there's no telling - you might be the first woman general... even president." Jo McBain, 'Oh, I'll let you be president first."

Sergeant interviewer (Norma Busse), "Do you speak any languages fluently?" Clara Schneiderman, "Yes, ma'am - English."

Sgt. Taylor, "And now, what would you like to do?" Jo McBain, "I'd like to murder my father."

Col. Colfax (Alan Frank, uncredited), "When are you gonna talk this guy back into uniform so I can order him around?"

Clara Schneiderman, "I'm being watched." Jo McBain, "Look, Schneiderman, you better ease into this spying business gradually - mustn't' overdo, you know."

This light comedy has some entertaining characters and a few good scenes that make up for a rather slim plot. The story itself is rather silly - Rosalind Russell stars as a divorced socialite who joins the Army solely in order to be closer to her officer boyfriend. She quickly finds out that the Army plans to do a little more with her than simply give her passes whenever she wants to see him. Meanwhile, her scientific ex-husband (Paul Douglas) is working for the Army, and requests her for his project so that he can disrupt her planned romantic meetings. Since there's not a whole lot to work with, it starts to run out of steam after a while, but remains mostly pleasant to watch. While it's nothing to take seriously, it's just meant as light-hearted entertainment, and as such most of it works pretty well.

Ex-soldier's civilian job (improving uniforms) requires him to continue co-ordinating with the military. His socialite ex-wife's boyfriend is a Colonel, ordered to Paris. To be near the officer, the spoiled gal (Rosalind Russell) joins the WACS, expecting her elbow-rubbing father to smoothen her ride, but dad sees service as a means of tightening the reigns on her, so, she "starts from the bottom." To make matters worse, ex-hubby crosses paths with - and makes life more difficult for - her, although he eventually mellows toward her. Companion plot follows showgirl-turned-WAC's romance with Sergeant. But viewers of this film will discover whether Roz seeks boyfriend's or former husband's next stop. Not terribly deep but not a waste, either.