Deux nigauds en Alaska

Abbott & Costello play Tom Watson & George Bell, two volunteer firemen in 1890's San Francisco who rescue a suicidal gold prospector('Nugget' Joe McDermott, played by Tom Ewell) from drowning. Unfortunately, they are then mistakenly believed to have been his murderers, so accompany him back to Alaska in search of his gold, and his girl. Upon arrival, they are dismayed to learn that everyone wants Joe dead, and so end up in the tundra, where they try to survive assassins and the elements... Another weak comedy from the team has a few good comedic bits scattered about, but otherwise is not that funny, with awful songs and indifferent handling. Nothing golden here.

Known pretty much everywhere outside the US as ABBOTT AND COSTELLO LOST IN ALASKA this just never gels. Sub-standard, both from a comedic viewpoint and in production values. The boys never look comfortable.

Flimsy tale of a couple of New York firemen in the late 1890's who inadvertently "rescue" a suicidal prospector and through circumstance, find themselves heading back to Alaska with him, when they have a more pressing need to get back to San Francisco, to allay suspicions that they have actually murdered him.

For the most part, it just AIN'T funny. No more so than the strained and diabolically stupid ending. Really, for non-thinking A & C diehards!

The creative juices at Universal were grinding to a halt when Abbott and Costello made Lost In Alaska. The film is obviously taken from the classic Road To Utopia that Bing and Bob did at Paramount a few years back.

The Dottie Lamour role in this film went to Mitzi Green, but the boys aren't fighting over here. She's the squeeze of Tom Ewell a poor sad sack sourdough who wants to kill himself because she gave him in the air. Bud and Lou begin the film as volunteer firemen in San Francisco who save Ewell from drowning himself though Costello nearly goes down in the effort. Then they accompany Ewell to Alaska to maybe get a share of his gold if they can straighten his love life out.

Ewell's a popular guy in Skagway, everyone wants to see him dead because of his strike. Keeping him alive is a full time job for Bud and Lou.

The best routine in the film is Bud putting one over on Lou when they agree to take one hour shifts keeping tabs on Ewell. Bud sleeps for an hour then Lou wakes him, but Bud just puts the clock ahead an hour and then wakes Lou after about a few seconds. Poor Costello can't figure out why he's so drowsy. I wish the rest of the film were as good.

Universal no longer was being kept alive by Abbott&Costello, their box office was assured by a crop of new leading men like Rock Hudson, Tony Curtis, and Jeff Chandler. The quality of their films declined in the Fifties and Lost In Alaska is an example of same.

Abbott: "Miss McGillicuddy, you look charming today. Did you do something to your hair?"

Costello: "Yeah, she put it on her head"!

"Lost in Alaska" does have some inspired moments, and most of them are in the first half, like the "sleeping in 2-hour shifts" routine, or Costello's response to a sign that says "Use the axe only in case of fire" ("Got a match?"). But when A&C actually do get Lost in Alaska, the comedy gets largely reduced to elementary, childish slapstick (Costello falling down on the snow a lot, etc). I did laugh a couple of times, but overall the film is pretty tiresome, despite its short running time. (**)

I saw that one reviewer felt like the studio and Abbott and Costello just didn't care when they made this film and I am inclined to agree. The problem is that the film was painfully unfunny--and had one of the limpest endings I've ever seen. Maybe I was expecting too much, but a comedy should make you laugh and be entertaining.

In the only funny moments in the film, Bud and Lou rescue a man who is bent on killing himself (Tom Ewell). It seems that his lady love has rejected him and so he has no reason to live. In addition, when Bud and Lou take this guy back to Alaska, everyone seems to be trying to kill their new friend to get his gold. This humor was pretty dark and I liked it, but it really didn't go far enough and probably wouldn't appeal to most people. Sadly, however, this is about as funny as it got. Once the plot was established, too much time was spent running about an obvious fake set in obviously fake snow doing things that, frankly, make no sense and weren't funny. Fake looking crabs, a guy in a polar bear suit and the like made this a film where it was obvious that no one particularly cared if any of this mess makes sense. To make things worse, the ending is just horrible--unfunny, illogical and unsatisfying.

While this is not the worst Abbott and Costello film, it is close. You can do better.