La route de la mort

This is being advertised as part of a film noir collection. Its is definitely not noir. It is a cheap B&W second run British post-war espionage mystery. It has some very good London exteriors showing WWII bombed out building, streets, and vintage cars but that's about it. George Raft is his usual upright, erect, suave self and the story is hokey, naturally there is a female romantic interest thrown in as usual formula but it is not objectionable or at all a waste of time, it's a good display of a has-been American actor on the cheap to a a thrifty British production and that's all. It is watchable, you don't want to turn it off, so see it for what it is without any high expectations.

Have been watching quite a few of the films presented by TCM in the latest retrospective of George Raft's films. and am amused by many of the reviews critical of the quality of the films. Yes, they are dated, corny, not well-plotted in some cases and Raft is not a very good actor -- in fact he is quite stiff and only seems to move with any grace when he is dancing. But he is fun to watch and in this film, as in many others in this latest series on TCM, you see what audiences found appealing about Raft -- he is always very cool and virtually expressionless regardless of the circumstances and his backstory including his friendship with mobsters is right out of The Godfather.

Another quota quickie British film of the fifties. This is one of literally hundreds of films that had an American actor in the leading role purely as a way of getting a release in the USA.

George Raft stars as an FBI agent sent over to Britain to find out how, why and where leading scientists are being abducted and taken East.

Raft, obviously at the twilight of his career, looks a little bored with the whole thing. Judging by his square shoulders, he seems to have left his coat hanger in his overcoat and his arms seem to be glued to his sides. His leading lady, quite a bit younger than him, also seems uneasy of smooching an older man!

Using schoolboy spy techniques they uncover the spy ring and Raft gets the girl. An undemanding film that passes the short running time.

I've seen Raft in many movies, and just don't get why people liked him so much. His acting is wooden, not just here, but in many roles. He's not particularly handsome nor charismatic. But whatever.

I like this movie because it's what we yanks consider a hollywood genre, but set and shot in the UK. It's refreshing to see a procedural done in another country. Similar, but different. And plenty of on location and street shots, not just endless soundstages. The camerawork even has a few imaginative moments.

But it's not special in any other way. I'm pretty good with british acting names and faces, and I don't recognize one here. It's rare that I recognize only one performer in a movie, in this case, Raft. I didn't previously know Sally Gray. I found it hard not to watch her. To me she looks much more american than british for that time period.

This could be a good movie for an update, a remake. It's got good bones.

This is no noir, and at least on my disc, the sound was not good.

Many actors post-war went to England and did a lot of these B movies, which are done with next to no budget. Among the actors who participated: Dennis O'Keefe, Robert Preston, Dane Clark, and Cesar Romero. I have to say they're fun and sometimes atmospheric.

This one, with George Raft, has some good atmosphere - bombed-out London and some nice interiors.

In the story, nuclear scientists are kidnapped and taken behind the Iron Curtain. An undercover FBI agent (Raft) and a British agent (Frederick Piper) are assigned to capture the kidnappers. Raft sneaks into the country, escaping immigration, in order to draw attention to himself so he would be seen as wanted and nonthreatening.

What winds up happening is that the British agent's assistant, played by Sally Gray, ends up with Raft as they track the kidnappers.

This is pretty ordinary stuff. I like both Gray and Raft. Raft had a real warmth about him when he was at Warners, but I think he's one actor who needed a good director. Here he's elegant but monotoned.

Just okay. Unfortunately, this was Sally Gray's last film. She was invited to go to Hollywood but instead married a Lord who was in the House of Lords, stayed married to him for 52 years, and never worked again. He was 100 when he died; she was 91.

The story goes that her stepson was a friend of John Lennon's and is the subject of "A Day in the Life of a Fool."