African Treasure

Andy Barnes (Leonard Mudie) gets word by short wave that two of the three geologists who passed through his district some weeks before were known diamond smugglers, and that nothing since has been heard of the trio. And he also learns that a hunter, Pat Gilroy (Lyle Talbot), who has just arrived at the compound is really an escaped convict named Roy DeHaven.

Obviously, time to call in Bomba the Jungle Boy (Johnny Sheffield). He is summoned via the jungle drum wireless-telegraph, and Barnes asks Bomba to go to the cheesy back lot set and try to locate Gatesby, the geologist who was with Greg (Arthur Space) and Hardy (Lane Bradford.)Bomba finds the body of Gatesby but...lucky him and the viewer---he also finds Lita Sebastian (Laurette Luez), who is out in the jungle looking for her father, Pedro (Martin Garralaga),a Portuguese guide, and the cheesy jungle set now looks better than it did.

Through the help of jungle drums and his animal friends, all stock footage except Kimbbo the Chimp, Bomba leads Lita to where her father, and a large number of natives, are being held as slaves by Greg and Hardy, who have found diamonds in the crater of an extinct volcano, known locally as The Mountain of Diamonds. Lita is captured by Greg, but Bomba has summoned help and Gerg and Hardy flee but not without first staring a landslide on the enslaved workers.

Bomba has a lot of work to do before he can restore order to this jungle.

Roy Rockwood's creation, Bomba, the Jungle Boy, returns for his seventh cinematic adventure--amusingly, this one as cheap and padded with stock footage as were the previous six! As the mythical "white devil" who swings from the vines and talks to the animals, Johnny Sheffield seems to know much more English this time, and he's allowed to have affectionate feelings for the requisite native girl involved in the proceedings. Still, the premise here (diamond poachers in an abandoned crater using kidnapped natives to sort out the stones from clay and help smuggle them out) doesn't allow for much animal action or boy-girl romance. Instead, we get the greedy, murderous white men ordering the natives around mercilessly, while Bomba sends urgent messages back to the village via drum calls (when Bomba takes out two sticks and starts pounding away on hollowed branches, this entry almost becomes a "Bomba" parody). The murky underwater photography, as well as a fight between Bomba and a lion, are both bottom of the barrel, however Sheffield still manages to hold the screen with his youthful appeal. *1/2 from ****

Another Bomba the Jungle Boy movie starring Johnny Sheffield. Here our junior Tarzan is battling diamond smugglers who are forcing natives to work as slaves. Laurette Luez plays the daughter of one of them. She's certainly a looker. Not that Bomba would notice. Lyle Talbot plays the leader of the diamond smugglers, who first enters the picture posing as a hunter and fooling stupid Andy (Leonard Mudie). At this point Mudie has become a series regular. Woody Strode has a bit part as a jungle mailman (!). The jungle telegraph stuff is the highlight of the picture and that's saying something since most people will probably find it pretty ridiculous. There's the expected rear projection and stock footage, used to cheap effect. Bomba's fight with a lion is probably the weakest in the series up to this point. At its best the Bomba series was nothing special and only of interest as middling adventure stories. This is not the series at its best. Actually, this is one of the worst. Even at just 70 minutes the movie drags and feels like it takes forever. Of some minor interest for series fans but nothing here for casual viewers.

African Treasure (1952)

* 1/2 (out of 4)

The seventh film in Monogram's series finds Bomba (Johnny Sheffield) trying to stop some diamond smugglers (one played by Lyle Talbot) who are trying to get rich while abusing some local natives. African TREASURE is as cheap as the previous six films but there's very little entertainment to be found here. At just 70-minutes the film seems way too long and even worse is the fact that very little happens throughout the movie. The biggest problem is the actual screenplay that doesn't give the characters anything to do. For the most part we have three or four groups who are constantly wondering around and talking about what they're going to do when they run into one of the other groups. We hear the natives call Bomba the "White Devil" and we get such politically incorrect lines as a jungle girl telling them they don't have to fear him because he's white. Yes, there's a jungle girl here played by Laurette Luez and she tries to bring a love story but even this here falls flat. The only good thing that can be said about the film are a couple fine performances. Sheffield is obviously very comfortable in the role and he has no problem as he at least appears to be giving it his all. Talbot, a classic bad guy, also makes for some fun but one wishes he had more to do. You can look quickly for a young Woody Strode. Outside of these things there's pretty much nothing else going on. We see Bomba fight a fake lion and of course he has to rescue people.

"African Treasure" is the 7th of 12 Bomba the Jungle Boy films, which were made by Monogram films in the late 40s and into the 50s. It's better than most I've seen and holds up a bit better over time.

A group of ruthless diamond smugglers have kidnapped folks and are using them to mine for diamonds in the jungle. Bomba comes to the rescue and saves the day.

While the plot is very simple and the conclusion foregone, the movie works a bit better than usual because unlike most jungle films of the era, this one is NOT filled with ill-suited stock footage of animals. Too often, when they are used in movies of the 1930s-50s, the animals often aren't even African ones and the footage is quite grainy. For some reason, the filmmakers decided not to use such footage and it makes for a better movie. Now I am NOT saying "African Treasure" is any sort of classic but it does play reasonably well and is enjoyable.