Go West, Young Lady

This is not a comment- rather, I would like to point out a goof: When Penny Singleton and Ann Miller are having their cat fight towards the end of the movie (incidentally, one of the all-time great cat fights) it really looks like those girls are belting each other), Ann Miller's blouse buttons and unbuttons during the scrimmaging.

But, as long as I am here... This was a truly enjoyable western. Glen Ford is actually funny in this movie, and the relationship between him and Penny Singleton is very well developed and quite touching, in an amusingly innocent sort of way (inotherwords, exactly the opposite of most movies today). The rise of the townswomen to thwart the evildoers plans is also very well done.

This is a rare western comedy that actually delivers some jocular moments. I've seen it three times, and enjoyed it all three times. And, if it comes on the Westerns Channel again when my boy is home from school or doesn't have practice or a game, We'll watch it together.

It's just a fun movie. period.

Delightful slice of western slapstick from Columbia Studios. The humor is pretty broad, the musical numbers frequent, and the cast especially appealing. It's a really young Glenn Ford showing why a big, versatile career lay ahead; a tomboyish Penny Singleton showing why she was more than just Blondie; and bad girl Ann Miller (!) still tap dancing her way into our hearts. And mustn't overlook an outstanding supporting cast, e.g. Ruggles, Jenkins, Waffles. I especially like that Miller-Jenkins tap dancing number with her in cowboy boots and him tripping the light fantastic.

Oh yeah, the plot's something about a masked bad guy terrorizing the town. Turns out it's a town bigwig, just like in a kid's western. But who cares since that's just a way of stringing together the other, better elements. I'm not sure who the intended audience was since the result is neither a kid's matinée nor an A-production (the guys ride around greater LA). I doubt that the audience was ever found since the release date was right before Pearl Harbor! Anyway, for me the 70-minutes came as a pleasant surprise, though that opening stagecoach chase seems an unnecessary body-count. Nonetheless, the music's delightful and the acting appealing, so there's a lot to like in this unheralded Columbia production.

Columbia's western comedy Go West Young Lady owes the fact that it was made to Harry Cohn seeing how successful Destry Rides Again was over at Universal for Carl Laemmle. The resemblance of Glenn Ford's character to lean and lanky Jimmy Stewart is unmistakable.

Ford and Penny Singleton arrive on the same stage to this frontier town where Penny is visiting her uncle Charlie Ruggles who owns the saloon and Ford has been appointed the new sheriff. Like the town of Bottleneck in Destry Rides Again the job of sheriff gives the owner a limited life expectancy.

Specifically Ford is sent there to get a Mexican bandit, Killer Pete, who's been terrorizing the territory and he's got an alliance with the local Indians, a deadly combination if ever I saw one in a western. This bandit is one clever dude, he seems to just disappear with no trail after every job.

Singleton is a western girl who can shoot like Annie Oakley, but she has a horrible sense of timing and hurts more than she helps poor Ford. Still it looks like love.

Providing the saloon entertainment is Ann Miller, The Foursome, and Bob Wills Texas Playboys Band. There are quite a few musical numbers in this more than in Destry and Go West Young Lady is a shorter running time. There's a really cute one with Ann Miller and Allen Jenkins where Jenkins laments he doesn't have the voice to be a singing cowboy.

And there's the obligatory chick fight between Singleton and Miller, not as good as the one involving Marlene Dietrich and Una Merkel, but it certainly can hold its own.

Taking time off from the Blondie series for Penny Singleton definitely proved worthwhile. The film is a pleasant diversion and gave Glenn Ford the first opportunity on screen to show his comic talents. He takes a pie in the face as good as any Keystone Cop.

Western town under the thumb of a masked bandit sends for a new sheriff, who arrives by coach along with the saloon owner's niece from back East--a young lady of proper breeding who is also quite handy with a pistol. Fresh, rather laid-back comedy-western with music interludes has perhaps too much story exposition at the beginning, yet director Frank R. Strayer keeps a spirited pace and covers nicely with help from a colorful cast. The original songs by Saul Chaplin and Sammy Cahn are terrific, as are the musical performances by The Foursome and Bob Wills and his Texas Playboys. Ann Miller (playing a shady chanteuse named Lola) sings too, and taps up a storm; her catfight scene with Penny Singleton is a definite highlight. The character actors here (including Allen Jenkins, who also gets to warble and dance to a ditty) are so strong that young Glenn Ford almost gets lost in the crowd. Very modest, but very pleasant tale that ambles along agreeably without lapsing into silliness. **1/2 from ****

During the 1940s, Columbia Pictures made a ton of westerns...most of them B-movies lasting about an hour and featuring a variety of mostly small-time actors. However, occasionally they made a western that was just a bit better...and "Go West, Young Lady" is one of these. While it's about the length of many Bs, it has a better cast than usual. While Glenn Ford was not yet a top-tier actor, having him and many familiar faces in the film (Penny Singleton, Ann Miller, Charlie Ruggles and Allen Jenkins) give it a more sophisticated look than a B....making this sort of like a B+ picture!

The star of the picture is Penny Singleton. She was a veteran of Bs...and in the middle of her Blondie and Dagwood series when she made this western. But she's certainly no typical western woman (at least the movie versions), as when bad guys strike, she's quick to shoot back and isn't the least bit a cowering lady! Glenn Ford is the male lead...but with such a dynamic lady starring in this one he's easily overshadowed!

As for the plot, apart from Singleton's wild (and sometimes ditsy) character, it's pretty standard stuff. Some masked gunman named Killer Pete is terrorizing a town...killing sheriff after sheriff. His ultimate goal isn't robbery but to force folks to want to leave town...so he can then buy them out and become the big boss man...a very familiar western cliche.

Watchable and a bit better than usual for the genre.