Gaité parisienne

This is probably the most hilarious ballet film ever made, you can watch it over and over again any number of times, and you will find it equally delightful every time and constantly discover new details and never tire of it. It's only 20 minutes, but in these 20 minutes there is so much compressed, it's a constant whirlwind of action with also any number of intrigues, and even a grand fight in the middle involving the entire ensemble with jealousy and tremendous drama, but although everything seems to be in a muddle of confusion from begining to end, it all sticks together, it's a marvel of choreography, and the choreography is all by Leonid Massine, who plays the lead - a Peruvian tourist in Paris for the first time and getting mixed up in the very heart of all the pleasures of Paris concentrated in one spot. It's not just a marvel of choreography but also a miracle of direction, the director being Jean Negulesco, a Romanian, who was to make any number of prominent films in all kinds of genres - like Billy Wilder, he never repeated himself. The centrepiece of this ballet though is Leonid Massine, leading the dances with sparkling humour all the way, like a juggler and acrobat, and he is the one who makes it all an unsupassed ballet comedy. In brief, I saw this film already as a child, it was my first ballet film, I could never forget it, I saw it several times already then, and now I found it again and will at last be able to enjoy it regularly for the rest of my life.

I can't even imagine the commitment and effort it takes to perfect each and every step, every turn, twist and leap. It must've been painstakingly difficult, it certainly looked impressive, and they looked like they were enjoying themselves. However, I just didn't get it.

Yes I know. I'm an uncultured swine. I'll get back to watching Die Hard 8 now.

I must say I enjoyed the short introduction at the start, I thought it was great. Almost like looking into rooms of a dollhouse. Great way to introduce the cast.

Massine was instantly recognizable but I was unfamiliar with the other principal dancers. A very nice short from Warner Brothers on TMC.

In filming Massine's Gaite Parisienne with the Ballet Russe de Monte Carlo,director Jean Negulesco chose the shots and edited the film beautifully. Dance is very hard to film effectively. Also, Massine adapted his famous dance wonderfully for film and what a treat to see him dance The Peruvian, his own creation! The famous dancers of the early 1940's makes a breathtaking cast list: Frederic Franklin, Krassovska,Eglevsky--everyone dancing and looking marvelous. They just threw off the choreography with no effort whatsoever. Thanks to Turner Classic Films for bringing these Negulesco shorts to light. All of them well acted, nicely designed and written. The costumes perfect. Not that garish mess of costuming a few years ago for American Ballet Theater. What a thrill to know Gaite Parisienne has been caught forever on film and so well. The addition of the sound of Massine's footsteps in his allegro pas and other slight sound additions an important element of making the ballet seem alive and not just a silent dance filmed to recorded music. And what about those musicians coming in while playing the beginning of the Barcarolle? Shela Xoregos

It's the Café Parisian. On a sound stage, the members of the Ballet Russe de Monte Carlo perform. A Peruvian falls for lovely glove seller girl who has already caught the eyes of a baron. It's in Technicolor and nominated for short subject Academy Award.

I am far from a ballet expert or even a fan. This seems fine to me. It is a lot of costumed dancers in a static setting. It is only twenty minutes and It ends before I get too bored. The Peruvian is crazy. I would think that he's the villain instead if only he had a twirling moustache. On the other hand, the baron is pure white bread and rather dull. Honestly, I don't know who she should go with. It depends on whether she likes dull or crazy.