Blackie is accused of murdering a man at an art auction, which leads to the uncovering of an art racket.Blackie is accused of murdering a man at an art auction, which leads to the uncovering of an art racket.Blackie is accused of murdering a man at an art auction, which leads to the uncovering of an art racket.
Harriet Nelson
- Diane Parrish
- (as Harriet Hilliard)
William 'Billy' Benedict
- Ice Cream Man
- (as Billy Benedict)
Jessie Arnold
- Third Nurse
- (uncredited)
Harry A. Bailey
- Bidder
- (uncredited)
Ralph Brooks
- Party Guest
- (uncredited)
Stanley Brown
- Second Intern
- (uncredited)
Bill Cartledge
- Elevator Operator
- (uncredited)
Jack Rube Clifford
- Motorcycle Policeman
- (uncredited)
Herbert Clifton
- Albert - Manleder's Butler
- (uncredited)
Featured reviews
Boston Blackie attends an art auction; the curator is shot dead; Inspector Farraday spots Blackie with his gun out and jumps to the obvious conclusion; the real killer sneaks the dead body into the hollow body of the life sized statue being auctioned. Oh, and the owner selling off her valuable statue is attractive Harriet Hilliard. Mystery and adventure ensue.
Fun bits: Lloyd Corrigan as Blackie's rich friend Arthur has amusing difficulties with a pair of handcuffs. Joan Woodbury has a juicy minor role as a woman from Blackie's past (an episode whose details are delightfully vague) who has a ball trashing Blackie's living room while George Stone as the Runt watches helplessly. And poor Billy Benedict is hilarious as an ice cream man whose costume is "borrowed"—twice!—by Blackie in need of a disguise.
Also, watching the statue movers transport that large statue from place to place—always keeping it in a standing up position—I couldn't help but think what short work Abbott and Costello would have made of such a job.
It's a fun hour with no lulls.
Fun bits: Lloyd Corrigan as Blackie's rich friend Arthur has amusing difficulties with a pair of handcuffs. Joan Woodbury has a juicy minor role as a woman from Blackie's past (an episode whose details are delightfully vague) who has a ball trashing Blackie's living room while George Stone as the Runt watches helplessly. And poor Billy Benedict is hilarious as an ice cream man whose costume is "borrowed"—twice!—by Blackie in need of a disguise.
Also, watching the statue movers transport that large statue from place to place—always keeping it in a standing up position—I couldn't help but think what short work Abbott and Costello would have made of such a job.
It's a fun hour with no lulls.
Boston Blackie is in top form in "Confessions of Boston Blackie," a 1941 entry into the popular series that stars Chester Morris, George E. Stone, Richard Lane, Charles Winninger and Harriet Hilliard (aka Harriet Nelson).
Nelson plays Diane Parrish, who has given the wrong people an enormous statue to auction, not knowing that they copy the piece and auction the fake instead. At the auction, she realizes it's not the original statue, and chaos reigns, during which a man is killed - and of course Blackie (Morris) who had pulled his gun, is accused.
The statue has a piece that comes off in the back, and it's used to hide the dead body. Of course Blackie's wealthy friend Lloyd Corrigan (Winninger) buys the fake one for $200.
This film is grand fun, with Faraday (Lane) as bumbling as ever, Blackie getting away from him in no time. George E. Stone is funny as the runt, Blackie's sidekick. Playing Blackie himself, Chester Morris is handsome, demonstrating the character's good humor and relaxed manner with his great line deliveries.
There's a subplot here of an old flame of Blackie's showing up and trying to blackmail him. But we all know that Blackie gets around.
"Confessions of Boston Blackie," directed by Edward Dmytryk, is zany and keeps you hopping.
Nelson plays Diane Parrish, who has given the wrong people an enormous statue to auction, not knowing that they copy the piece and auction the fake instead. At the auction, she realizes it's not the original statue, and chaos reigns, during which a man is killed - and of course Blackie (Morris) who had pulled his gun, is accused.
The statue has a piece that comes off in the back, and it's used to hide the dead body. Of course Blackie's wealthy friend Lloyd Corrigan (Winninger) buys the fake one for $200.
This film is grand fun, with Faraday (Lane) as bumbling as ever, Blackie getting away from him in no time. George E. Stone is funny as the runt, Blackie's sidekick. Playing Blackie himself, Chester Morris is handsome, demonstrating the character's good humor and relaxed manner with his great line deliveries.
There's a subplot here of an old flame of Blackie's showing up and trying to blackmail him. But we all know that Blackie gets around.
"Confessions of Boston Blackie," directed by Edward Dmytryk, is zany and keeps you hopping.
This is my second look at a Boston Blackie adventure-mystery and it reminds me of the old Superman TV series in that most things that happen in here are totally implausible. There are more holes than in the proverbial slice of swiss cheese. The humor is very dated and corny, too - yet - it's still fun to watch in many parts. Credit for that goes to the filmmakers who made this short (a little over an hour) and fast-moving.
I also enjoyed seeing Harriet Hilliard who went on to big fame in the United States as the "Harriet" Nelson in the "Ozzie and Harriet" TV show. As "Diane Parrish," she's a cutie and a sweet thing, as she played in other roles such as "Follow The Fleet" with Fred Astaire.
Storywise, it's the similar Blackie story (I assume) in which "Inspector Faraday" (Richard Lane) collars our smug hero for a murder he didn't commit, and then stupidly loses him several times. We also have Blackie's dim-witted helper "Runt" (George E. Stone) and we have a millionaire in here who is unrealistically portrayed as dumb like Runt. He was played by a familiar actor to TV watchers in the '50s and '60s: Lloyd Corrigan. The name might not mean anything but when you see his face and hear is voice, he's very familiar.
This is fast-action "B" movie action and comedy that is fun but beware: it's so dated it can look really stupid. Frankly, I thought the first movie was better.
I also enjoyed seeing Harriet Hilliard who went on to big fame in the United States as the "Harriet" Nelson in the "Ozzie and Harriet" TV show. As "Diane Parrish," she's a cutie and a sweet thing, as she played in other roles such as "Follow The Fleet" with Fred Astaire.
Storywise, it's the similar Blackie story (I assume) in which "Inspector Faraday" (Richard Lane) collars our smug hero for a murder he didn't commit, and then stupidly loses him several times. We also have Blackie's dim-witted helper "Runt" (George E. Stone) and we have a millionaire in here who is unrealistically portrayed as dumb like Runt. He was played by a familiar actor to TV watchers in the '50s and '60s: Lloyd Corrigan. The name might not mean anything but when you see his face and hear is voice, he's very familiar.
This is fast-action "B" movie action and comedy that is fun but beware: it's so dated it can look really stupid. Frankly, I thought the first movie was better.
10rarekey
The only way currently to see an old Boston Blackie movie is to buy a copy that has been copied off television somewhere, sometime. I think they are priceless. I bought this one off eBay. You can't use them to study law or police procedures and usually they have a spot or two that defies chemistry or physics or even common sense. But they are always fun. Just fun. No reality. I think this one was great. I especially like the scene where the radio was reporting on Boston Blackie's escape. And the newspaper headlines. I really wish the studios would release these on tape or DVD.
No wonder Chester Morris as Blackie is smiling so slyly through this film - he's the smartest guy in the room!. A group of art thieves are taking legitimate works of art to auction, making replicas, and then selling the replica and keeping the original. This time, though, the owner of the work up for auction gets suspicious in the middle of the auction, stands up, and declares there is something wrong. One of the bad guys thinks the simple thing to do - knowing there are cops in the audience - is shoot the owner! Blackie,also in the audience, is conveniently armed and shoots at the shooter. His shot causes the original bad guy to miss and shoot his own partner through the heart.
Of course the cops don't look any further than Blackie, but he easily gets away. The bottom line of this fast paced Boston Blackie entry is the police apparently can't count shots or do geometry or they would have known Blackie could not have fired all of those shots at those angles from where he was, don't even notice the body of the auctioneer for a good while, and never stop and ask themselves WHY would Blackie shoot at all of these people.
Now let's turn our attention to the IQ of the art thieves. They make hollowed out statue replicas that anyone that knows art could spot in 10 seconds, install secret panels in their statues which is a big tipoff that this is not an original, and insist on having their art studio in what is obviously an underground death trap under the right circumstances - it wouldn't take OSHA to spot the hazard here. And if their goal is to ultimately steal the original, why not just do that in the first place rather than stage this elaborate ruse with poorly made replicas?
So why watch this theatre of the absurd? Mainly because of the wit and wisdom of Chester Morris as Boston Blackie plus it's just plain fun. On the lighter side we get to see Blackies's sidekick, the runt, attempt to evict an amazon who claims to be Blackie's wife from Blackie's apartment. Recommended for the fun of it all.
Of course the cops don't look any further than Blackie, but he easily gets away. The bottom line of this fast paced Boston Blackie entry is the police apparently can't count shots or do geometry or they would have known Blackie could not have fired all of those shots at those angles from where he was, don't even notice the body of the auctioneer for a good while, and never stop and ask themselves WHY would Blackie shoot at all of these people.
Now let's turn our attention to the IQ of the art thieves. They make hollowed out statue replicas that anyone that knows art could spot in 10 seconds, install secret panels in their statues which is a big tipoff that this is not an original, and insist on having their art studio in what is obviously an underground death trap under the right circumstances - it wouldn't take OSHA to spot the hazard here. And if their goal is to ultimately steal the original, why not just do that in the first place rather than stage this elaborate ruse with poorly made replicas?
So why watch this theatre of the absurd? Mainly because of the wit and wisdom of Chester Morris as Boston Blackie plus it's just plain fun. On the lighter side we get to see Blackies's sidekick, the runt, attempt to evict an amazon who claims to be Blackie's wife from Blackie's apartment. Recommended for the fun of it all.
Did you know
- TriviaAccording to director Edward Dmytryk Chester Morris hated to do stunt work but loved showing his skill with magician's card tricks.
- Quotes
Inspector Farraday: I wouldn't trust you as far as I could throw one of those statues.
Boston Blackie: Those lousy cigars you smoke are ruining your wind.
- ConnectionsFollowed by Alias Boston Blackie (1942)
Details
- Release date
- Country of origin
- Language
- Also known as
- O Segredo da Estátua
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 5 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Confessions of Boston Blackie (1941) officially released in India in English?
Answer