La Reine des rebelles

That's an actual line of dialog from the script. Really.

The Belle Starr story, never actually told in the movies (partially because the real story isn't that interesting..) is told here in early Hollywood color and all the vim and vigor with which they revered the South. The plot hook is that one of the aforementioned "darkies" actually tells the fable as the narrator. Without spoiling the movie, Belle and her husband continue fighting after the War Against Treason, using those traditional Civil War Southern values of robbery, assassination, treason and protecting known criminals to keep Missouri safe for, well,the same people it was safe for before the War. Hey, it works in the movie.

The point made by vitaleralphlouis in his review is well taken. How dare we criticize Hollywood for showing how a loving mammy would help keep Belle safe, or that another "darkie" (their word, not mine) shows Belle's antagonist how disgusting he was. We all know that negroes formerly held as slaves had nothing but love for their former (or in this case present) slaveowners.

This is a classic example of a movie obviously made with care, but looked at today 99% of its viewers would wonder what was in the coffee they served at the story-pitching conference. Because even as a joke, this kind of movie could never be made again, and if there's one good thing you can say about Hollywood, that's it.

Oh, and by the way: a moment of silence for black actors like Louise Beavers who could only find work like this in her era.

How many westerns have there been about the life of Belle Starr? For that matter who knows that much about her real life? I remember seeing this film as a youngster and fell in love with it. I have always liked civil war films and 20th Cent. Fox put together a very good cast in the 1941 version. Gene Tierney plays the bandit queen very well, despite forcing herself to use a phony southern accent throughout the film. Randolp Scott is resplendent as captain Sam Starr, a renegade who rounds up bunch of confederate soldiers near the end of the civil war to stir up trouble in post war Missouri. Scott hates carpetbaggers and yankee soldiers in equal amounts and has no problem raiding banks and railroads for booty. Along the way he meets up with Belle Starr, who finds Scott very brave. Belle Starr is a fiery southern belle and when the yankees burn down her home because she is caught harboring Captain Starr, she joins forces with the rebels in her hatred against the transplanted Yankee forces sent to Missouri to clean out the "rebel rabble". An odd love twist forms when her childhood friend, Dana Andrews, a yankee captain, fights to conceal his true feelings for her and his hatred against Sam Starr and his rebel friends. Along the way Scott and Tierney become married and continue raiding and chasing out carpetbaggers out of Missouri. The twosome become a Missouri legend, much to the anger of the yankee forces trying to capture them. Jasper Tench, a town misfit and drunk, shoots and kills Belle Starr near the end of the film, sending Scott into surrendering to the yankee forces. Good scene at end when Scott surrenders to Andrews and both men nearly lose their composure in sadness over Belle's death. Belle's "mammy", played by Louise Beavers in a good supporting role adds a touch of warmth and comfort to Belle throughout the film.

Good performances by Chill Wills as a redneck southern soldier, and John Shepard who plays Belle's brother, Ed. You might get teary eyed at the end of this film. Excellent western.

Gene Tierney stars as Belle Shirley, the feisty daughter of a Missouri plantation owner during the Civil War era. Her father was killed by "Yankee devils", and when her brother Ed (Shepperd Strudwick) returns home to tell her that the South has surrendered, she's devastated. Things only get worse when Yankee carpetbaggers show up, stirring up the "colored folk" and causing misery to the good, Confederacy-supporting Missourians. When Belle learns of a Confederate outlaw named Sam Starr (Randolph Scott) who is causing no end of trouble for the Union army in the area, she joins up with him, and the two fall in love. Also featuring Dana Andrews as the local Union Army commander who also has eyes for Belle.

Those with any knowledge of the real Belle Starr story will know that about the only thing this movie has in common with the real person is that they were both white females. The real story of the much-married mother of two who was also a bandit across multiple states is instead swapped for a "South will rise again!" Civil War revenge fantasy that traffics in regrettable racial stereotypes and exaggerated distortions. While the moment Randolph Scott calls Louise Beavers an "Ethiopian elephant" is bad, the recurring motif of Strudwick trying to tell jokes, even on his death bed, is worse. The film is given the sort of lavish Technicolor treatment that helped make Jesse James a hit in 1939, but that film had a better script and a better director.

BELLE STAR should have a disclaimer at the start. Any resemblance between the people portrayed here and the real life characters is strictly coincidental. Furthermore, someone should have told LOUISE BEAVERS that she is no substitute for HATTIE McDANIEL.

The film reeks with what it portrays as Southern charm, including the heavily accented Miss Tierney who struggles with what was supposed to be a star-making role. Fortunately, she's surrounded by a couple of pros: RANDOLPH SCOTT as her husband Sam Starr and DANA ANDREWS as a Yankee who finds himself enamored of her while chasing the outlaw woman in a series of melodramatic skirmishes that seem like throwaways from GONE WITH THE WIND.

Gene Tierney never did receive good reviews for her early films and BELLE STAR is no exception. Furthermore, the Technicolor needs restoration if this ever goes to DVD.

Summing up: A slow paced account of Belle Star's criminal career with a miscast and sophisticated Gene Tierney playing the outlaw in a below par performance that never strikes the necessary spark.

"What's a legend?" a little girl asks her grandfather at the start of Belle Starr. "A legend is the best part of the truth," he answers before explaining the legend of the famed female outlaw. I love everything about this western, including the thoughtful, touching script. The scenery is great, the story is exciting (especially for those who don't know about Belle Starr), and the acting is top-notch. How many times are you going to see Randolph Scott cry in one of his westerns? I've seen fifty of his movies and only seen tears three times.

Gene Tierney is a vision, so delightful, vivacious, and beautiful it's no wonder she was a top tier actress for the next ten years. This was only her third movie, but her screen presence feels like she's a Hollywood veteran. She's wild, tough, yet remarkably feminine. When you watch her in this movie, you realize what a crying shame it was that she wasn't discovered just one year earlier to play Scarlett O'Hara. She plays a Southern belle turned outlaw in this western, angry because her family lost everything in the Civil War. Teamed up with fellow outlaw Randolph Scott, they fall in love.

Dana Andrews is a military man on a mission to catch the bandits. But as soon as he sees how beautiful Gene is, he falls for her, too! Including Louise Beavers as the "Mammy" role (since she's a superior actress than Hattie McDaniel, she could have easily been in the 1939 classic), and Shepperd Strudwick, Elizabeth Patterson, and Chill Wills in the supporting cast. I highly recommend this classic. It's not often there's a female lead in a western, and Gene Tierney is fantastic.