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A medical researcher visits the deserted home of a pioneer in cryogenic science who disappeared 10 years earlier and finds him frozen in ice but still alive.A medical researcher visits the deserted home of a pioneer in cryogenic science who disappeared 10 years earlier and finds him frozen in ice but still alive.A medical researcher visits the deserted home of a pioneer in cryogenic science who disappeared 10 years earlier and finds him frozen in ice but still alive.
Bruce Bennett
- State Trooper
- (uncredited)
James Conaty
- Doctor Spectator
- (uncredited)
Minta Durfee
- Frozen Therapy Patient
- (uncredited)
Charles Halton
- Doctor in Front Row in Final Scene
- (uncredited)
William Marion
- Doctor Spectator
- (uncredited)
Ivan Miller
- Sheriff Haley
- (uncredited)
Wedgwood Nowell
- Doctor Spectator
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Boris Karloff plays Dr. Kravaal, a pioneer in human cryogenics who, at one time past, was conducting unethical experiments before he mysteriously vanished along with a small group of law officials who were apprehending him for his crimes at that time. We then fast forward ahead ten years to the 'present' day of 1940 where young Dr. Mason (Roger Pryor) and his fiancée/assistant, Judy (Jo Ann Sayers) are making great strides in the treatment of cancer patients through means of 'Frozen Therapy,' a process originally spearheaded by the missing Kravaal himself. Curious to know exactly what happened to the old doctor, Mason and Judy embark on a search to Kravaal's long abandoned residence. Descending many steps downward below the surface of his home, they discover the scientist mysteriously preserved alive inside his own ice chamber, along with the men who tried to arrest him. Once all the main players are revived, Kravaal remains as wrapped up in his experiments as ever, and is now determined to continue them at any price -- even if it means using the people around him as unwilling human guinea pigs. This was another in a series of similar mad doctor movies which Karloff made for Columbia Pictures in the 1940s. As far as this series go, this one is an interesting offering. **1/2 out of ****
Nick Grinde once again directs Boris Karloff, this time as Dr. Kravaal, a pioneer in cryogenic research who was interrupted in his cancer research when a relative of the wealthy man he was operating on brings in the authorities, who force Kravaal to take them to his island home to prove his work viable. Unfortunately, their interference leads to the patient's death, and all five men end up frozen for 10 years, until Dr. Mason(played by Roger Pryor) and Nurse Blair(played by Joanne Sayers) visit his home and revive him, but Kravaal picks up right where he left off, endangering all their lives... Good thriller with another fine performance from Karloff; good sets and atmosphere aid imaginative plot.
It's an unusually intelligent storyline for a horror flick. In short, what are the ethical limits to scientific experimentation, even in finding a cure for cancer. Using what is now called "cryogenics", Dr. Kravaal (Karloff) crowds those limits while experimenting with a cancer cure on a remote island. Unfortunately, the promising experiments require live subjects who may not be so lucky. Dr. Mason (Pryor), one of the men trapped on the island with Kravaal, is torn by Kravaal's challenge to conventional ethics. So he's the one we sympathize with as we struggle with the same dilemma-- just how much can be sacrificed in finding a cure.
By no means does Karloff ham up his role. Instead he's perfect as a dedicated and distinguished medical scientist, more obsessed than evil. Except for actor Brown's overdone Adams, the rest of the cast also manages conflicted roles. Credit Columbia for the riveting sets-- for example, the cabin about to be eaten by dead plants, the many dingy underground scenes that really do look subterranean, the laboratory that really looks worked in. All in all, it's an unusually well mounted flick for its subject matter. If there's a problem, it's with the absence of a clear bad guy to heighten a sense of horror amid the dark surroundings. I don't get a sense of menace common to the genre. Instead, the 74-minutes is more like a "think piece", which all in all, may be more worthwhile than a good scare.
By no means does Karloff ham up his role. Instead he's perfect as a dedicated and distinguished medical scientist, more obsessed than evil. Except for actor Brown's overdone Adams, the rest of the cast also manages conflicted roles. Credit Columbia for the riveting sets-- for example, the cabin about to be eaten by dead plants, the many dingy underground scenes that really do look subterranean, the laboratory that really looks worked in. All in all, it's an unusually well mounted flick for its subject matter. If there's a problem, it's with the absence of a clear bad guy to heighten a sense of horror amid the dark surroundings. I don't get a sense of menace common to the genre. Instead, the 74-minutes is more like a "think piece", which all in all, may be more worthwhile than a good scare.
This little known gem from 1940 is impressive for a few reasons: first, it stands head and shoulders above most of the B movies of the era, largely due to a good script and a great performance from Boris Karloff. Also, while made in the midst of the Universal horror period, it demonstrates some of the best elements of that genre, however it also pre-figures the oncoming decade of sci-fi flicks of the 50s, but with a more intelligent, and mysterious, plot than most of the B sci-fi films that followed. It also incorporates some noir elements such as shadowy images, gun play, etc. The Man with Nine Lives is also known under the alternative title Behind the Door (which is actually more accurate).
A doctor (Roger Pryor) studying cryogenics visits the deserted home of Dr. Leon Kravaal (Boris Karloff), a pioneer in the field who went missing ten years before. Uncovering a secret passage in the basement, he and his nurse girlfriend (Jo Ann Sayers) find Kravaal and four other men frozen in ice. They successfully revive Kravaal, who then revives the others. It turns out Kravaal had frozen himself and the others years before when they tried to arrest him. So now the somewhat mad doctor holds them all hostage while he tries to recover his original formula.
Very interesting and entertaining Karloff mad scientist movie. The subject of cryogenics (never called that here, just frozen therapy) is ahead of its time. The rest of the cast is fine but obviously it's Karloff's show the whole way. Intriguing premise with fun execution. A solid "B" movie that's highly enjoyable.
Very interesting and entertaining Karloff mad scientist movie. The subject of cryogenics (never called that here, just frozen therapy) is ahead of its time. The rest of the cast is fine but obviously it's Karloff's show the whole way. Intriguing premise with fun execution. A solid "B" movie that's highly enjoyable.
Did you know
- TriviaThe word "cancer" was normally not permitted by the Production Code (it was usually replaced by a tame euphemism such as "long illness"), but perhaps because this was not considered an important picture, they somehow allowed it to pass.
- GoofsIn an early scene, the calendar date of "Saturday, March 16" is prominently displayed on Dr. Kravaal's wall. This is the actual 1940 calendar date, the year when the movie was filmed. However, later when the doctor and others are revived from a frozen sleep, they are informed that they have been frozen for ten years and that the year is now 1940. If that is the case, then the original calendar page on Dr. Kravaal's wall should have read "Saturday, March 15" which was the correct date in 1930.
- Quotes
Dr. Tim Mason: [after Kravaal has shot Adams in the back] He's dead!
Dist. Atty. John Hawthorne: Murdered!
Dr. Leon Kravaal: [bitterly] You call everything murder, don't you?
- ConnectionsFeatured in Classic Nightmares: The Man with Nine Lives (1958)
Details
- Release date
- Country of origin
- Language
- Also known as
- Behind the Door
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 14 minutes
- Color
- Aspect ratio
- 1.37 : 1
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By what name was The Man with Nine Lives (1940) officially released in India in English?
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