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Don Ameche has the title role in "The Story of Alexander Graham Bell" in this 1939 film starring Henry Fonda, Loretta Young, Charles Coburn, Gene Lockhart, and Spring Byington.

This movie was a big hit - it must have been, because in 1941's "Ball of Fire," Barbara Stanwyck teaches Gary Cooper slang and refers to the telephone as "the Ameche," as others have mentioned here. As far as how accurate the story is - for Fox, not bad at all. The background of Bell's teaching experience and family history of working with speech and sound is correct, he did have a demonstration of his new device, he did have patent problems, he did take on the little boy and Mabel as deaf clients to teach, he did teach finger-spelling, he did have patent problems, he did marry Mabel, their first child was a girl, and Mabel's father was one of his investors. The Fonda character, Watson, was also real, though Bell had two other assistants, and the scene where Bell finds out the telephone works when he calls for Watson is accurate. Also, Bell mentions a great interest in aeronautics in the movie - he indeed did a lot of work in aeronautics later on.

Don Ameche does a great job as Bell. Before Tyrone Power appeared at 20th Century Fox, Ameche was set for many more lead roles; Power's popularity pushed him into second leads. If Ameche seems melodramatic in the courtroom scenes, that was the style of the day. He gives a serious, intense, and sincere performance. It's probably the role for which he's best remembered. Henry Fonda is wonderful - he's funny and relaxed, positively excellent. In another year, he'd be starring in his own movies. Loretta Young as Mabel is believable as well as lovely, and her sisters in real life -- Sally Blane, Polly Young, and Georgiana Young - play her sisters here.

Gene Lockhart as Sanders is another standout in a poignant performance as a man who wants his deaf son to be able to speak. Charles Coburn plays Mable's no-nonsense, gruff father very well.

Considering that the movie "Suez" is fiction from beginning to end, 20th Century Fox is to be commended for bringing so much real history into this film and making it so entertaining.

If are looking for an accurate and detailed lesson about either the life of Alexander Graham Bell or the invention of the telephone, this film is far from perfect. Often it takes liberties and omissions--all in the aim of producing an entertaining film first and foremost. However, if you understand that it is NOT great history but purely there to entertain, it's pretty good. I would not put in on par with the Edison films at MGM or the wonderful Warner Brothers films on Pasteur and Erlich, but it is quite good.

The movie only concerns the period just before the telephone was invented as well as the process of inventing and marketing the device. So, if you want information about his work as a deaf educator or about his interesting family background, this film is maddeningly silent. I would LOVE to see a film talk particularly talking about his hatred of sign language (as he felt the deaf MUST be forced to learn to talk and function like the hearing) or the disdain many deaf today have for him. Perhaps this sort of discussion would be best dealt with in a documentary, but it IS fascinating stuff.

As far as this film goes, Ameche, Fonda and Young are all very good here, the direction very nice and the entire production is polished and pleasant from start to finish.

This biopic about the invention of the telephone proved to be a surprise. Not having seen it, we took the chance and it proved to be a real charmer. Under the direction of Irving Cummings, we get to know a great deal, not only about the invention itself, but a little bit about the man.

Alexander Graham Bell was an ambitious man who was interested in helping a young deaf-mute boy, as the picture opens. We see him toiling at a prototype for the telegraph, and stumbling into the transmission of sound through wires, thus creating something that revolutionized society, business and the world at large. In retrospect, one can only imagine how could anyone survived without it! Thanks to Mr. Bell, his invention is something that benefited all of us.

Don Ameche makes an intense Alexander Graham Bell. He was a charming actor who never ceased to amaze us in all the movies he left behind. Loretta Young, makes a wonderful Mabel Hubbard, Mr. Bell's beloved wife who had to struggle with her own deafness. A young Henry Fonda is seen as Bell's loyal friend Thomas Watson.

The cast assembled for the film shows the best Hollywood could offer. Charles Coburn and Spring Byinton play the kind Hubbards. Gene Lockhart is also quite good as Thomas Sanders. Two of Loretta Young sisters Polly Ann and Georgiana play two of the Hubbard girls, as well as Sally Blane who is the fourth daughter.

This is a film that is instructive as well as fun to watch because of the subject matter and the cast that made the story come alive.

This film has a unique place in movie history. The Story of Alexander Graham Bell not only gave Don Ameche his signature role, but Ameche's very name entered the English slang. Still today, a telephone is sometimes referred to as an "ameche."

Bell was a Scottish immigrant who came by way of Canada to the Boston area. At the time the film opens, Don Ameche is a teacher of deaf children. He's also employed as a private tutor to one particular child, Bobs Watson who is Gene Lockhart's son. There scenes have a particular poignancy.

Ameche also woos and wins Loretta Young, a deaf woman who is the son of prominent businessman, Charles Coburn, who later backs him in his scientific work and business ventures.

As you can imagine living in a world with a whole lot of silent people and a natural scientific bent made him curious about sound. In inventing the telephone, Bell sought to break the sound barrier which was then limited by how loud the loudest person could shout.

The famous scene with assistant Henry Fonda when Bell's own voice goes over a wire for the first time is there. And his later patent struggles are also well documented.

But it is Don Ameche's sincere and straightforward interpretation of Alexander Graham Bell that makes this film memorable. And he's matched every step of the way by Loretta Young as his wife. Ms. Young by the way got to be in this film with all three of her sisters, playing her sisters, a rare treat.

Given Bell's lifelong interest in the deaf, I'm sure that today with the invention of TTY lines to help deaf people communicate by phone, he'd be doubly proud of what he had accomplished.

A good film and a great tribute to a great scientific and humanitarian individual.

Just how factual all the events are in Fox's biographical account of THE STORY OF Alexander GRAHAM BELL, I don't know, but it seems safe to say they have taken the basic outline of his life and embellished it with a series of vignettes that serve to show us how and why he became the inventor of the telephone.

Although this is DON AMECHE's signature role (indeed the invention is often referred to as "The Ameche"), he clearly had better roles in his future. Here he overacts to a tiresome degree under Irving Cummings' direction. On the other hand, there's a considerable amount of underplaying by LORETTA YOUNG and HENRY FONDA in subordinate roles. Young is Ameche's deaf wife and Fonda is his laboratory assistant.

Factual or not, it moves at a slow pace and may not be the kind of biography for everyone, lacking the vigorous style of a story about Jesse James, for example. There's a little too much talk before we get to the crucial scene in the film where Ameche spills acid and calls for help over the wire to Fonda in the next room.

Supporting cast includes GENE LOCKHART, SPRING BYINGTON and CHARLES COBURN (who must have been one of Hollywood's busiest character actors in the '30s and '40s).

Don Ameche stars as the famed telephone inventor in this 1939 biopic. He gives a solid performance, and the film isn't nearly as corny and ridiculous as the two Thomas Edison movies made the following year, but it's not really a top-tier flick. His love interest is Loretta Young, and her sometimes disapproving, sometimes supportive parents are Charles Coburn and Spring Byington. Loretta plays someone deaf who relies only on lip-reading, and her consistency led to her playing another deaf woman in 1944's And Now Tomorrow. If you like her in this one, check out the other, where she really shines. Henry Fonda in the 1930s was usually in movies that showed off his handsome mug, but perhaps he had a yearly quota to fulfil and was forced to play Don Ameche's lazy, perpetually hungry sidekick. He has hardly any screen time, and what little he does have is spent complaining about his growling stomach. I can't imagine he had much fun in this movie, since he's given none of Don's rousing speeches, purpose to the plot, romantic scenes, or memorable contribution.

In a couple of scenes you'll get to see Harry Davenport, as yet another judge, and Elizabeth Patterson, as Don's cranky landlady. Bobs Watson joins the supporting cast as a mute boy whom Don Ameche tries to cure. His father is Gene Lockhart, and it never ceases to impress me how versatile Gene's roles are. In the same year he played a sleazy slimeball in Blackmail, he plays a devoted, sorrowful father who bursts into tears as easily as Bobs usually does in his movies. It's a perfect father-son casting as they wrap their arms around each other and cry.

This was disappointing in that went too far on the love angle instead of the "inventing" angle. After all, Alexander Graham Bell is one of the most famous inventors of all time, so why not emphasize that? No, they went with romance, making to attract the female crowd.

Actually, Loretta Young was a lot more pleasing to see than Don Ameche (Bell) or Henry Fonda (Bell's assistant.) Ameche overrated brutally in this film, bordering on hysteria in certain scenes. Fonda's character did nothing but gripe and moan and be unenthusiastic as Bell's partner.

When I think of other uplifting biographical films of this time: Lincoln, Pasteur, Thorpe, Rockne, etc.) this one just doesn't measure up.

Irving Cummings does an excellent job directing the cast of assembled actors in this film. The story itself is taken from the memories of the daughter of Alex Bell and follows through with all the trials and tribulations of Bell himself. Beginning with the decision he gave up teaching the deaf and dumb to speak and through the obscure and menial existence of an inventor, up through the difficult task fighting for his invention in court. Don Ameche plays Alexander Graham Bell, who does so with such spirit and vitality, audiences will later realize why this actor is so synonymous with the character. The same is true with Henry Fonda who plays Thomas Watson who also is easily identified with this movie. Loretta Young, Charles Coburn and Gene Lockhart are magnificent and help insure this black and white becomes a solid standard in any collection of what we now understand as Classic films. ****

The Story of Alexander Graham Bell (1940) : Brief Review -

Ahoy, this is Alexander Graham Bell Speaking (to the audience to ring the bell in their hearts, instead of the Telephone!). Firstly, I'd like to pinch myself to believe that Alexander Graham Bell was this handsome. How!?? Even Marx Bros. Couldn't resist making a spoof of him as "Don Ameche". Dear Ameche, you just made me believe that those great scientists and investors didn't just have good brains but good looks too. It doesn't matter what their usual pictures on Google show; the cinema is always the best medium to showcase their images. Watching a biopic of Alexander Graham Bell in the 2023, 5G era, on my mobile by downloading, with Bluetooth earphones on.. Guess how fascinating and amusing this experience is. Here I am using all these electronic devices that make my life easy and accessible, and there he was, the great Bell, who had to have sleepless nights with an empty stomach in a cheap attic. What good have we done to have been born on the same planet, using the helpful devices created by the legendary scientist? We all know Graham Bell's name now, but how many of us are aware of his struggle? Behind every successful man, there is a woman, they say. Well, Alec had Mable. If there had been no Mable, he would have given up his invention of Telephone. So, let's thank Mable Bell too. A handsome man like Bell had to choose a deaf woman as his life partner. That also tells you a great deal about humanity and how God has made perfect pairs for us. The Story of Alexander Graham Bell is a little bit overdramatic and less intelligent, but it's inspiring, encouraging, emotional, and enthusiastic. Writing a review of the inventor of Telephone on my mobile has to be one of the most metaphorical things that have ever happened in my life. Irving Cummings and the solid cast made sure that the tale of tele-phone (and somewhat of aeronautics) reached me with a clear voice. Thank you, Mr. Bell, and thank you to the team for making this film.

RATING - 7/10*

By - #samthebestest.

Yes it's only a very vague and reminiscent memory from the Summer of 1979 but how I recall best this brief clip in which on Wall Street the display ribbon outside of the building got stuck then when Bell offered to fix it one man told him come back at Christmastime.Then when his boss said "Let him try." He then managed to fix it and then was thanked and Bell said to that other man "Merry Christmas." Then My Mom,My Older Sister and I were Laughing. Yes thus showing how Bell like Edison had many talents beyond the one he was most famous for of which is of course the Telephone.

Truly, Stephen "Steve"G.Baer a.k.a."Ste" of Framingham,Ma.

Movies about history are very important. They also need to be entertaining and believable. All three of those qualities need to be involved in a film such as this. Don Ameche brings to the silver screen an early representation of the life of Alexander Graham Bell and his contribution to the world. The invention of the telegraph and the telephone are explored in this Irving Cummings film.

I bet you didn't know that AGB got his inspiration for the telephone from his years of teaching the deaf talk and communicate. That brings us to the love interest portion of the film, when we are introduced to the future Mrs. Mable Bell, who also is deaf, played by Loretta Young. It is a very interesting contrast between the film's intention and what the facts entail, because the first full decade of the talkies and sound happened in the 1930s, which makes that the quietest decade in film history, as it applies to full sound in film. It is interesting that there is no music in the movie, hardly at all, because this is a movie about trying to achieve the ability to hear and to transmit sound, so this is, kind of, an interesting juxtaposition of how this movie feels.

It also is interesting seeing a film that was made only 65 years after Bell did his experiments, so you get a more uniquely believable script, then if it was one produced today, because 150 years have now gone by since Bell did his experiments. It also is apparent that the mind of an inventor can also be driven by his love of people or his compassion towards the world he/she lives in. None of that is more apparent when we see the love that is shared between Bell and his deaf students and his eventual love to Mable.

Ameche is also contrasted with his less intelligent assistant Thomas Watson, played by Henry Fonda, who compensates for his lack of certain knowledge by being Bell's friend and cheerleader. This film teaches us that drive and desire doesn't always have to lead to power and money, but can sometimes lead to what it really should, love and accomplishment.

8.1 (B MyGrade) = 8 IMDB.

"The Story of Alexander Graham Bell" (1939), directed by Irving Cummings, is a classic biographical film that harkens back to the filmmaking style of its time, showcasing both its strengths and limitations. Much like other films of that era, it stands out for its professionalism and a top-notch cast, but it also incorporates a degree of naiveté, romanticism, and perhaps a touch of sentimentality, not always staying true to historical facts.

What surprised me the most about this work was the small but memorable role of Henry Fonda. His portrayal of Thomas Watson, a friend of Graham Bell, is simply impeccable; even his yawns seem authentic. Portraying a seemingly lazy character, focused on eating and sleeping, is a remarkable feat for Fonda, as it's not easy to create empathy for such a person, especially when contrasted with the energetic, brilliant, and ambitious Graham Bell portrayed by Don Ameche (in a solid performance). Loretta Young also shines, as usual, with her charming performance.

However, the script leaves gaps in explaining the deep friendship between these two friends, leaving room for the viewer's imagination. Initially, it even seems like Watson could be Bell's brother, both facing financial difficulties yet always dressed impeccably with well-groomed faces. These are typical characteristics of Hollywood cinema of that time, and while they may seem somewhat implausible, they contribute to the film's charm.

Well-deserved praise also goes to the black-and-white cinematography, one of the film's highlights, courtesy of the talented Leon Shamroy, one of Hollywood's best cinematographers. For those without overly high expectations, "The Story of Alexander Graham Bell" can be an enjoyable pastime, a journey to a bygone era of cinema, filled with nostalgia and talent.

Story of Alexander Graham Bell, The (1939)

*** (out of 4)

Delightful tale of Alexander Graham Bell (Don Ameche) who while attempting to create the telephone falls in love with a mute girl (Loretta Young). The film really doesn't go into much detail about how the phone was created but instead it focuses on the pain that Bell went through while trying to break through. Ameche is downright brilliant in every shape of the word and his strong performance makes you forget several of the flaws throughout the film. Loretta Young is also very good as his wife and Henry Fonda adds nice support as the assistant. The film has some nice humor to go along with the drama and while I'm sure there are some facts made up, the film is still worth watching if you're a fan of the cast.

I always thought of him being an under rated actor. He certainly was versatile. He could sing, play comedy and drama, and if for no other reason, the academy finally realized his talents and gave him an oscar. It was long overdue. As for this film, he was very good and keep in mind Henry Fonda was playing a supporting role. As for Loretta Young..she was very lovely during those years, but her role had me squirming. As a deaf person, she spoke very well and the audience knows she's deaf because she makes it obvious as to her glaring at the actors mouths. I don't recall anyone mentioning if she was born deaf, or acquired it in later life.All in all, a satisfying film..thanks to Don's performance.