Nuages sur l'Europe

Everyone involved with this brisk comedy/thriller seems to be enjoying themselves immensely. It's a ripping yarn about spies, disappearing planes and a secret ray gun, lit up by Olivier and Richardson, with lots of cheerful gags along the way. It's dated, of course, but if you can leave that aside it's still good fun.

... instead it is a fun little espionage piece with a witty script with its tongue placed firmly in its cheek. Set during the tense years preceding the outbreak of WWII, the Brits are losing experimental aircraft (the titular Q Planes) in mysterious circumstances, and Ralph Richardson's character is head of a government agency out to discover whats really going on, whilst Valerie Hobson is seemingly a spy for a foreign power, trying none-too-subtly to extract information from a bemused, cynical test pilot played by Laurence Olivier just before he headed off to bigger things.

The tone of the film is set from the initial scene, which opens with a composed, but confused Richardson trying to work out what he's doing in a trashed room, why he's surrounded by police, and what the heck his own name is.

Aside from a fun plot & great cast, there are some neat period aircraft up for viewing, for those with an interest in such things. Some other interesting tidbits that Wikipedia turned up are that airfield shots in the film were filmed at Brooklands (an early center of aviation & motor racing) and that the film was apparently based off actual events where the British government believed that the Germans were behind the downing of an experimental plane over the English Channel, so they helped fund this movie to let the Germans know that they were on to them, without any messy diplomatic unpleasantness being needed.

Beneath the British B-picture exterior lies a hidden gem of an espionage thriller. Q PLANES is briskly paced and delightfully entertaining, balancing exciting spy intrigue with lighthearted character moments. The villains' dastardly scheme foreshadows James Bond villainy to come, and one can almost hear the John Barry music swell up during certain scenes.

The film is anchored by Ralph Richardson in a droll performance as a slightly Holmesian secret service man: undeniably brilliant, if a tad eccentric and prone to absent-mindedness. The triumvirate of stars is completed by Laurence Olivier as a pilot (and all-around good guy) and Valerie Hobson, who we learn is a newspaper reporter out looking for a scoop (in the grand tradition of such characters).

Top-secret experimental planes are disappearing under mysterious circumstances and Richardson is doing everything he can to get to the bottom of it. The main cast of Richardson, Olivier, and Hobson are great together and the movie manages to blend real comedy with real excitement. This little-known British thriller is a real winner. It's lots of fun and a wonderful surprise. Try to catch it on TCM sometime.

A secret British aviation project is being disrupted by a foreign power. Agent Charles Hammond (Ralph Richardson), is assigned the case. What follows is an espionage thriller that refuses to take itself seriously. Yet strangely, this odd mixture of screwball comedy and political potboiler actually works.

"Q Planes" (released in the U. S. as "Clouds Over Europe") was directed by an American, Tim Whelan. He establishes an anarchic tone throughout. He satirizes what his contemporaries considered too serious to examine lightly. In the story, British experimental aircraft are being "electronically" hijacked right out of the sky. The culprits' nationality is never identified, but you can guess their origin as soon as they speak their lines in that thick Teutonic accent.

The dialogue, much of it written and improvised by Richardson and his co-star Laurence Olivier, is crackling and smart. The action, though wildly improbable, is as unreal and stylized as the characters. The joker in the deck is Hammond himself. He boasts of his own considerable skills as a solver of crimes, crossword puzzles, and lovers' squabbles. Despite such brashness, Hammond is never tedious. Richardson plays him as an eccentric of many shades - horse-racing addict, amateur master chef, verbal wit extraordinaire, constant belittler of his valet (Gus McNaughton), and a man whose obsession with his case causes him to repeatedly ignore his beloved Daphne (Sandra Storme), the single character who bests Hammond in the film's fittingly ironic conclusion.

Hammond is aided on the case by his intrepid sister-reporter, Kay (Valerie Hobson), and a temperamental test-pilot, Tony McVane (Laurence Olivier), whom Kay picks up while snooping around an aircraft factory. Kay's character, a caricature of the working English suffragette, holds her own when competing with her two male cohorts - McVane, who hates reporters no matter their gender and Hammond, the egoist-as-detective ("I'm right - and the whole world is wrong!"). As if any enemy country could measure up against single representatives of MI-5, Fleet Street, and the RAF.

The young Oliver and Richardson -- especially Richardson -- are obviously having a ball in this mix of spies, high adventure, and tongue in cheek comedy According to Michael Powell, the two stars tore up the script, and devised their own scenes, and the pleasure they have in sending up the material, and in each other's work, shines through. (In fact, once or twice, Oliver seems to be trying not to crack up at Richardson's antics.) Patrick Macnee says he based The Avengers' John Steed on Richardson's character in this film, and that, too, shows. Thrills, spills,secret rays, gags and eccentric British characters, and villains from a country suspiciously reminiscent of Germany, but not named in 1938.