When a tycoon (Ernest Truex) is accused of murder, the private eye (James Stewart) tracking him finds himself roped in as an accessory and attempts to evade police, kidnapping a poetess (Cla... Read allWhen a tycoon (Ernest Truex) is accused of murder, the private eye (James Stewart) tracking him finds himself roped in as an accessory and attempts to evade police, kidnapping a poetess (Claudette Colbert) along the way.When a tycoon (Ernest Truex) is accused of murder, the private eye (James Stewart) tracking him finds himself roped in as an accessory and attempts to evade police, kidnapping a poetess (Claudette Colbert) along the way.
- Awards
- 3 wins total
- Vivian's Butler
- (uncredited)
- Newspaper Man at Ferry Landing
- (uncredited)
Featured reviews
The detective, crime-solving part of the film is well done within its confines, Edgar Kennedy and Nat Pendleton are cast well as the rather slow-witted police. If this 1939 film had been made two and a half decades earlier, they would have fallen over each other, broken things, and caused ultraviolence in a Mack Sennett sort of way.) Guy Kibbee is, of course, perfect as the Stewart's partner. I will not spoil the ending, but I can say that as with all well-written screwball comedies, the film has a delightful way of meandering through situations and reaching a conclusion which satisfies.
I don't know if this will help, but before viewing, I had to promise my wife that it was not that Christmas movie.
(The film's title comes from a line in a poem written by Colbert's character and has little, if anything, to do with the movie's plot.)
James Stewart, still early in his illustrious career, plays a private detective who is wrongfully accused and escapes on his way to prison. He thinks he can crack the case, if the cops don't catch up with him first. He is joined by Colbert's character and the two of them try to elude the police manhunt.
Stewart's character is a little different from the roles for which he's best known. As a detective he's rougher and more cynical than viewers would expect of Stewart. As always, his performance is solid. There's one part of the film when he wears a scout's master disguise, complete with silly thick-lensed eyeglasses. Some of the physical comedy stemming from the character's visual impairment is gold. It's cool to see Stewart star in a detective comedy.
Colbert is very good in this film as well, playing Stewart's accomplice. She's eager to help Stewart's character, even when he'd rather be rid of her. (She does her darndest to disprove Stewart's theory that all women are dumb.) Colbert was a seasoned Hollywood star by the time this film was made (she'd won an Oscar for 1934's IT HAPPENED ONE NIGHT) and her performance is top-notch.
Key supporting roles go to Guy Kibbee as Stewart's partner and Nat Pendleton as the police sergeant on Stewart's trail. Kibbee has some scene-stealing moments in the movie's final act. A young Hans Conried (perhaps best known for his voice work as Captain Hook, Snidely Whiplash, and Horton the Elephant) has a brief role as the stage manager at the Saugerties theater.
A lot of talent worked on this rather obscure comedy. James Stewart and Claudette Colbert starred. W.S. Van Dyke directed. The great Ben Hecht wrote the screenplay. It seems like a recipe for success, but for whatever reason IT'S A WONDERFUL WORLD is not well-remembered nowadays. (It's probably overshadowed by Stewart's other "wonderful" film, 1946's IT'S A WONDERFUL LIFE.) I think it's a nice little comedy with some big names. It has its moments and it's pretty funny. It probably won't blow you away, but it's worth checking out if it's on TCM or something.
Stewart plays a detective on the run, who's being chased by the police, because of his involvement as an accessory in a murder case, in which the principal accused is his client. Colbert is a poetess who `accidentally' gets involved in Stewart's escapade from the cops, reluctantly at first, eventually becoming a runaway herself and falling in love with Stewart, and causing him a lot of trouble in the process. Her character is joy to behold and is hilariously played with top expertise by this gifted comedienne, in one of the last original screwballs from the '30s.
This movie is a wonderful example of classic Hollywood comedy at its best, with top performances all around, by seasoned pros (Guy Kibbee, Nat Pendleton, et al). It's non-stop fun from start to finish, and by the way, Stewart plays a much rougher guy than his usual more likeable persona in this period -he even gets the chance of knocking around Colbert. It's a pity that it's not available on VHS or DVD. You may have the luck of watching it on TCM.
Stewart plays a detective, Guy Johnson, whose client (Truex) is charged with a murder he didn't commit. Guy is sentenced to prison, too, as an accessory. On the way to prison via train, he spots a clue in the newspaper and escapes. On the run, he encounters a poetess, Edwina Corday (Colbert), an attractive if clumsy woman, and he has to take her along. The two get into all sorts of trouble on the road to trying to prove Guy's client didn't murder anyone.
This film has all the elements of a great screwball comedy, and a lot of potential, but for some reason, it doesn't quite hang together. The script is a little confusing and lets the actors down. It's reminiscent of "It Happened One Night," especially when they're hanging out by the fence, and Colbert's presence indicates to me that the powers that be had that connection in mind.
The performances are all excellent, with Stewart and Colbert very funny. It seems that both these actors could do just about anything. With a little bit tighter script, this might have been a real classic. As it is, it's enjoyable and has some good moments.
Did you know
- TriviaThe original story was written with Marion Davies in mind to play the poetess Edwina Corday.
- GoofsAll of the newspapers shown in the film share many of the same articles, with the same headlines and typefaces, despite being in different newspapers and spread across several weeks.
- Quotes
Guy Johnson: You sort of changed my whole philosophy about women. I don't know... I always figured they kind of ended at the neck. You sort of begin there.
- ConnectionsFeatured in AFI Life Achievement Award: A Tribute to James Stewart (1980)
- How long is It's a Wonderful World?Powered by Alexa
Details
- Runtime1 hour 26 minutes
- Color
- Aspect ratio
- 1.37 : 1