Mon mari conduit l'enquête

This is the second installment of a series created by Harry Kurnitz from his book "Fast Company," featuring a husband and wife team, Joel and Garda Sloane, rare book dealers who were amateur detectives. The first outing was "Fast Company" starring Melvyn Douglas and Florence Rice. "Fast and Loose" came next. Then the Sloane's misadventures came to a screeching halt with "Fast and Furious" featuring Franchot Tone and Ann Sothern." One reason for the demise was the rapid turnover in the lead roles with different actors playing Joel and Garda in each film. A common thread for all three was the writing of Harry Kurnitz which accounts for the similarities in dialog and story structures.

True, the series may remind viewers of Nick and Nora Charles but in reality there are many husband and wife flicks from the period that were somewhat patterned after the successful and popular "The Thin Man." These three films can stand on their own without such comparisons being necessary. Of the three, the first "Fast Company" is possibly the best with Douglas and Rice making a fine pair of sleuths. But the other two have merits of their own.

Robert Montgomery and the indomitable Rosalind Russell interact well with each other. The story about a forged Shakespeare which leads to murder with a whole gallery of suspects isn't always easy to follow but it's worth the time and effort. Montgomery and Russell share many a witty line and comeback, not quite as fast, nor as cutting, as the repartee between Russell and Cary Grant in "His Girl Friday" which was released the following year but still enough gibes to keep all fast and loose. There is also a running joke that carries on to the end involving a donut cushion from a previous case when Joel Slaone was shot in the tush.

The title is apt for the script and direction which are fast and loose. Not on a par with "The Thin Man," but still an entertaining piece of fluff.

Neither ROBERT MONTGOMERY nor ROSALIND RUSSELL can do much to raise this above an average Nick and Nora type of mystery as they try to solve a crime involving a stolen Shakespearean manuscript worth a fortune. Montgomery and Russell are both adept at this sort of comedy and make an excellent pair in the leads, so different than the roles they played in NIGHT MUST FALL.

The wealthy household where the first murder takes place is full of suspects, including RALPH MORGAN, JOHN HOWARD, REGINALD OWEN, ALAN DINEHART and TOM COLLINS. SIDNEY BLACKMER does a nice job as a crooked gambling house owner.

With Montgomery and Russell as the husband and wife team, the accent is more on comedy than mystery when Ralph Morgan is found murdered near the open vault in his library. As Montgomery investigates, there are plenty of red herrings that seem to plant suspicion on every member of the household.

Despite all the A production trappings, there's no way this can be considered anything more than a mildly entertaining programmer.

Serviceable part-time-detective story set in the world of rare-book collecting and presented in the Thin Man style. (The writer, Harry Kurnitz, later contributed to the 4th and 5th Thin Man movies.)

Points for premise and some good one-liners ("I request the pleasure of your absence"); unfortunately, the leads wear their roles with all the comfort of sackcloth. Robert Montgomery's transitions between lighthearted husband and tough-guy sleuth are awkward -- like he was just rehearsing to be Lord Peter Wimsey in "Haunted Honeymoon" a year later -- and the usually superior Rosalind Russell as a "wifey" isn't sharp enough for the Nora Charles league.

Otherwise, it's an OK way to kill some time on a rainy afternoon ... but I wouldn't waste 1.5 hours of videotape to watch it later.

During the 1930s and 40s, MGM produced many successful "Thin Man" movies starring William Powell and Myrna Loy. They were wonderful little mystery films with a very strong emphasis on humor and the banter between the two leads. Here, MGM tries to make the formula pay off again, but this time with Robert Montgomery and Rosalind Russell in the leads. In so many ways the film was this old formula all over again, but somehow despite their best efforts the two leads just don't make it work as well as Powell and Loy--partly because the Thin Man films are so good it's hard to match them and partly because the script just isn't as good as the Thin Man scripts--it's just too complex and not all that interesting. Still, considering the Russell and Montgomery still are wonderful actors, the film pays off well enough to recommend it. I especially liked Montgomery's easy-going manner, though unfortunately the usually strong characters Russell plays aren't as evident here and she's rather over-shadowed by Montgomery.

So overall, it's not a bad little film--just don't expect the magic of Nick and Nora Charles.

It's a good thing Robert Montgomery and Rosalind Russell were the stars of "Fast and Loose," otherwise, there would be nothing to recommend it.

They are wonderful as a sort of penniless Nick and Nora hot on the trail of a stolen Shakespearian manuscript. I found it a little hard to follow as far as who killed whom and why.

Both actors were excellent at both comedy and drama, and in fact, right before seeing this, I saw them in "Night Must Fall." What a difference! And really, it is a tribute to the talent of both that they could do such different types of films so easily.

I wish they'd had a better script to work with. This film is too long and too confusing. But if you want to see two masters at work, by all means, check it out.