The mirthful adventures of Police Sergeant Samuel Dudfoot and his two constables, Albert Brown and Jeremiah Harbottle, who stage a fabricated crime wave to save their jobs - then find themse... Read allThe mirthful adventures of Police Sergeant Samuel Dudfoot and his two constables, Albert Brown and Jeremiah Harbottle, who stage a fabricated crime wave to save their jobs - then find themselves involved in the real thing.The mirthful adventures of Police Sergeant Samuel Dudfoot and his two constables, Albert Brown and Jeremiah Harbottle, who stage a fabricated crime wave to save their jobs - then find themselves involved in the real thing.
- Motorist
- (uncredited)
- Radio Announcer
- (uncredited)
- BBC commentator
- (uncredited)
- Revenue Officer
- (uncredited)
- Headless Coachman
- (uncredited)
- Witness
- (uncredited)
- Broadcasting Engineer
- (uncredited)
Featured reviews
Much like Will Hay's Good Morning, Boys (1937) followed a similar formula to that of one of his earlier pictures, Boys Will Be Boys (1935), so it be with Ask A Policeman in that it has close links with critics fave, Oh Mr. Porter! (1937). However, that in no way is a bad thing because Ask A Policeman is utter joy from start to finish. In fact I would go so far as to say that the writing is actually better here. With a writing team consisting of Marriott Edgar, Sidney Gilliat, Val Guest and J.O.C. Orton, it's no wonder that the gags come thick and fast and still hold up over 80 years later.
Marcel Varnel once again directs Hay and his blunderingly magnificent sidekicks, Marriott and Moffatt, and each of them are on terrific form as they within a heartbeat lurch from incredulity to stupidity. They are helped by the story and its delightful supernatural set ups. These coppers have been having it easy for so long they have forgotten just what it takes to be a copper. More content with bending the rules for an easy life (note some nice satire in the writing), these guys are suddenly faced with the supernatural and actual real crime. Something they are delightfully unable to properly cope with. From trying to set up a roadside speeding arrest to an attempt at solving an ancient smugglers rhyme, Ask A Policeman, courtesy of an across the board team on fire, is to my mind one of the greatest British films of all time. So pay attention to the jokes and admire the visual comedy that goes with them, and then hopefully you too will appreciate just what genius Hay and his cohorts brought to British comedy between 1936 to 1940. 10/10
Instead of being railway employees at a lonely railway station up against smugglers this time they're police officers at a lonely police station up against smugglers.
In other words it's a beautiful re-run of OMP, but after watching it you can still think of just how inventive Val Guest, Marriott Edgar and Sidney Gilliat were in the screenplay, just how versatile Hay, Moffat and Marriott were in their portrayals of the Superior, Albert and Jerry and what a marvellous bookend this is for Oh, Mr.Porter!
This is one of those rare films where the plot is almost an intrusion ; who cares about a smuggling ring in rural England, when we can instead enjoy the antics of Hay and his cohorts, playing possibly the most inept police team in the history of law enforcement. Their attempts to set a speed trap, and then to justify their results to an irate motorist, may be the high spot of the film.
I only saw this because HMV record shop (in the UK) were selling off tons of Will Hay DVDs at £6.99 each - what better chance than to discover anew the great Will Hay. I didn't even think that Will Hay would be available on DVD, yet there are many.
The three-man team of Hay, Marriott, and Moffatt are brilliant as usual, just a bunch of bumbling clowns pretending to themselves that they know what they're doing. Of course, by pure luck, they manage to catch the villains and do themselves credit.
Interesting shots of Brooklands racing circuit in the pre-War years (this circuit remains but has been chopped up in parts).
Please watch it, you'll love it.
Did you know
- TriviaThe first section of the film contains an in-joke about Will Hay's real-life career. In 1937 his radio show was faded out to make time for a broadcast by the Prime Minister. Hay was furious and vowed never to broadcast again. A popular outcry led by the Daily Express forced the BBC to apologize before Hay would go back on the air. When Dudfoot's broadcast ends the same way, he says, "The BBC always fade out the best items", and when threatened with dismissal he says, "If only we could get the Daily Express behind us . . . "
- GoofsWhen the garage door opens 'spontaneously' the wire used to pull it open is visible.
- Quotes
Constable Jeremiah 'Jerry' Harbottle: [as Harbottle senior] When the tide runs low in the smugglers' cove, / And the 'eadless 'orseman rides above, / He drives along with his wild hallo, / And that's the time when the smugglers go in their little boats to the schooner and bring back the kegs of brandy and rum and put them all in the Devil's Cove below.
- ConnectionsReferenced in James Bond: Licence to Kill - The Royal Premiere (1989)
Details
- Release date
- Country of origin
- Language
- Also known as
- Constables
- Filming locations
- Islington Studios, Islington, London, England, UK(Studio, uncredited)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 1.37 : 1