A telephone operator covering for a friend's "fling" finds herself in the middle of a major disaster when the city is hit by a big flood and her switchboard is the center of communications.A telephone operator covering for a friend's "fling" finds herself in the middle of a major disaster when the city is hit by a big flood and her switchboard is the center of communications.A telephone operator covering for a friend's "fling" finds herself in the middle of a major disaster when the city is hit by a big flood and her switchboard is the center of communications.
Ronnie Cosby
- Ted Molloy
- (as Ronnie Cosbey)
Dorothy Vaughan
- Mrs. Molloy
- (as Dorothy Vaughn)
Lynton Brent
- Ranger in Radio Cabin
- (uncredited)
Jack 'Tiny' Lipson
- Counterman
- (uncredited)
Pat McCall
- Sam
- (uncredited)
Lafe McKee
- Campbell's Watchman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The version I downloaded from the Internet Archive must be heavily cut, as it's only 53m. Despite this inexcusable decimation, I found this flick to be quite satisfying, for what it is. We've got cocksure telephone linesmen, surly switchboard operators, kids with shortwave radios, a failing dam, and a terrific flood - 30's style, and stuffed into little more than an hour! The cast are all sufficiently capable in their roles, particularly leads Allen and Withers, but it was the colorful details that really sustained my interest. Things like Helen's kid brother setting his alarm for 5 so he can listen to a Boy Scout rally from England on the shortwave. The film is a nifty little time capsule of the 1930's telecommunications industry at work, and its importance to daily life in that decade.
Lively, well-made programmer from lowly Monogram, with a great look at how telephoning used to work. Get a load of the old-time technology, back when calls had to go through switchboards with operators to plug you in to your party, maybe requiring row after row of nimble fingered women. It's quite a sight and contrast to today's magical cell-phones.
Seems Red and humorous sidekick Shorty are linemen who keep the phone lines operating across long distances. It's a heckuva job, climbing high poles in all kinds of weather. Plot-wise Red's got a crush on cutie operator Helen who's plenty distant at first. But of course things warm up when they battle to keep lines working during a monster rain and flood.
Happily, there's plenty of snappy dialog as the characters bounce off one another before settling down, while director Pembroke keeps things moving. Then too, the raging flood footage blends in skillfully with the dramatics to create a bigger budget effect. And catch the artful rising water in the phone office; that had to be studio sets, but you'd never know it. The humorous asides are also well modulated and smoothly inserted. It helps too, that the actors appear geared into their roles, especially Allen who centers the film.
All in all, for a programmer, it's extremely well-crafted, showing that budget need not determine quality when, thanks to a common effort, the elements come skillfully together.
Seems Red and humorous sidekick Shorty are linemen who keep the phone lines operating across long distances. It's a heckuva job, climbing high poles in all kinds of weather. Plot-wise Red's got a crush on cutie operator Helen who's plenty distant at first. But of course things warm up when they battle to keep lines working during a monster rain and flood.
Happily, there's plenty of snappy dialog as the characters bounce off one another before settling down, while director Pembroke keeps things moving. Then too, the raging flood footage blends in skillfully with the dramatics to create a bigger budget effect. And catch the artful rising water in the phone office; that had to be studio sets, but you'd never know it. The humorous asides are also well modulated and smoothly inserted. It helps too, that the actors appear geared into their roles, especially Allen who centers the film.
All in all, for a programmer, it's extremely well-crafted, showing that budget need not determine quality when, thanks to a common effort, the elements come skillfully together.
I have to put it down to personal misfortune that I watched a chopped up copy, with voices cut off in mid-sentence and abrupt changes of scenario - but, in spite of those shortcomings (which some rate 'dated' and 'old' because they are rooted in the present), I still found it arresting enough to watch it to the final frame.
Direction by Scott Pembroke (about whom I know nothing) is quite good, as is the script brimming with funny situations and sharp one-liners as a number of men try to win over a gorgeous telephone operator nicely played by stunning Judith Allen... and suddenly Riverdale Dam bursts open and all hell breaks loose as Allen goes to the switchboard to convey warnings, save lives... and be proposed marriage! 6/10.
Direction by Scott Pembroke (about whom I know nothing) is quite good, as is the script brimming with funny situations and sharp one-liners as a number of men try to win over a gorgeous telephone operator nicely played by stunning Judith Allen... and suddenly Riverdale Dam bursts open and all hell breaks loose as Allen goes to the switchboard to convey warnings, save lives... and be proposed marriage! 6/10.
Grant Withers and Warren Hymer are two tough line men for the company. They come to Riverdale, where they set their sights on operators Judith Allen and Alice White.
Given director Scott Pembroke's grounding in comedy -- he was the director of Stan Laurel's burlesques of big hits, like RUPERT OF HEEHAW and DOCTOR PYCKLE AND MISTER PRYDE, you'd think the comedy bits in this early Monogram would be better; well, Miss White is pretty good, but the other actors are rather lugubrious. Until the big finale, it's all tough guys in leather jackets and fedoras pounding on each other, and slow-and-steady progress in the romantic plots.
The big set piece is the flood, and that's handled using stock footage of floods and ranks of telephone operators standing at their boards, while voice-overs tell people "There's a flood. Tell your neighbors." Oh, so that's why the third floor of my house is underwater?
Actually it's a decent movie until that repeated voice-over. Not bad for a Poverty Row Second Feature. Withers is typically fine. t's just that the finale goes on too long.
Given director Scott Pembroke's grounding in comedy -- he was the director of Stan Laurel's burlesques of big hits, like RUPERT OF HEEHAW and DOCTOR PYCKLE AND MISTER PRYDE, you'd think the comedy bits in this early Monogram would be better; well, Miss White is pretty good, but the other actors are rather lugubrious. Until the big finale, it's all tough guys in leather jackets and fedoras pounding on each other, and slow-and-steady progress in the romantic plots.
The big set piece is the flood, and that's handled using stock footage of floods and ranks of telephone operators standing at their boards, while voice-overs tell people "There's a flood. Tell your neighbors." Oh, so that's why the third floor of my house is underwater?
Actually it's a decent movie until that repeated voice-over. Not bad for a Poverty Row Second Feature. Withers is typically fine. t's just that the finale goes on too long.
Whatever morals, standards, conventions existed before WW2 (see other review), this story is sweet and nostalgiac. Those days when telephone operators and switchboards were the latest in technology are shown for us to visit past times and lifestyles. The wardrobe and dance scenes are lovely. The acting is excellent. Characters who may at first seem sketchy and self-serving are challenged to step up to the plate and choose to do the right when called up, Their character transformation and growth in relationships is fulfilling and the ending is happy!
Not too heavy nor scary but some tense times. Some comedy and some romance. Delightful.
Not too heavy nor scary but some tense times. Some comedy and some romance. Delightful.
Did you know
- TriviaThe earliest documented telecast of this film took place in New York City Friday 5 May 1950 on the Night Owl Theatre on WPIX (Channel 11).
Details
- Release date
- Country of origin
- Language
- Also known as
- Pelo Telefone
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 10 minutes
- Color
- Aspect ratio
- 1.37 : 1
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