Simon Templar, the Saint, is brought to New York. His search for the identity of "the Big Fellow" takes him through many dangerous situations.Simon Templar, the Saint, is brought to New York. His search for the identity of "the Big Fellow" takes him through many dangerous situations.Simon Templar, the Saint, is brought to New York. His search for the identity of "the Big Fellow" takes him through many dangerous situations.
- Director
- Writers
- Stars
- Awards
- 1 win total
- Hutch Rellin
- (as Sig Rumann)
- Eddie - Hood
- (uncredited)
- Bonacci
- (uncredited)
- Driver
- (uncredited)
- Policeman at the Zoo
- (uncredited)
- Viola Throckmorton
- (uncredited)
- Shooting Witness
- (uncredited)
- Jacob S. 'Jake'
- (uncredited)
- …
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- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The story itself is pretty routine: cleaning up the city by getting the mysterious Big Fellow. Not much excitement or suspense as the one-man-army sort of bounces back and forth between bad guys, snapping off occasional nifty one-liners. Then there's the sexy Kay Sutton to ease the eyes after all the ugly bad guys. And though her delivery sometimes sounds a flat note, she and Hayward manage to make their boilerplate romance surprisingly wistful.
Anyway, I've got to say this about someone, and I think it's director Ben Holmes. How many of these programmers have you seen where somebody gets shot in one scene, yet turns up miraculously made whole in the next. Not here. The Saint gets wounded in one scene and, by golly, he favors that shoulder for the rest of the film. So an unofficial Oscar for Attention to Neglected Detail to Ben Holmes by default since such matters are usually the job of the director. Then too, on a slightly different note, I hope cable comes up with Holmes' intriguingly titled Cutie on Duty (1943) sometime real soon.
The Saint is "hired" by the NYPD to flush out and deal with a group of gangsters strangling the city. In his role as unpaid mercenary Prince he has to deal in his own inimitable fashion with 7 metaphorical dwarf hoodlums before moving on to the shadowy "Big Fellow" whilst falling in love with an alluring raven-haired femme fatale. This is Snow White for adults!
A real pity Haywood only played the Saint this glorious once in Hollywood - I don't count his 50's British attempt - although Sanders was very funny in his 5 films didn't really hit the right note. My favourite Haywood film came much later, Fritz Lang's "House by the river", an overlooked suspense gem from 1950.
Templar here is played by Louis Hayward, all smirky confidence, lithe and deadly, Templar is "hired" by some big city suits to snuff out New York's baddies who have in turn been snuffing out policemen and getting away with it. He's deadly, has a quip on the tongue and laughs in the face of danger, and of course he can charm the ladies as well. He gets into scrapes, meaning we get to enjoy his many escapes from impending death, he does indeed assassinate bad guys; and has us firmly on side in the process, and he crucially has us hankering for more of Charteris' rogue good guy!
It's good old fashioned fantastical fun mixed with some rugged 1930s gangster shenanigans. Hooray! 7/10
Did you know
- TriviaThe kidnapped child is Viola Throckmorton. In the novel, her name is Viola Inselheim, daughter of a prominent Jewish businessman. This is one of several alterations of ethnicity in the film adaptation. "Dutch", a gangster, becomes "Hutch" in the film. This was a possible reference to New York mobster Dutch Schultz - born Arthur Simon Flegenheimer - who was killed in 1935.
- GoofsTemplar speaks the cabby's phone number, then dials it. It's Columbus 5-1098; on a rotary dial phone, 0, 9, and 8 are full or nearly full turns of the dial, but when he dials the phone, it's all small turns until the last digit.
- Quotes
Simon Templar, aka The Saint: [flags down cab which brakes hard. Leans in] I smell burning rubber.
Sebastian Lipke, Taxi Driver: Best brakes in town, Boss, where to?
Simon Templar, aka The Saint: [Gets in] 49th, near 8th.
[reads taxi license on back of seat]
Simon Templar, aka The Saint: Just forget about those lights, Sebastian.
Sebastian Lipke, Taxi Driver: [looks back] Say, I know you!
Simon Templar, aka The Saint: Why shouldn't you? My life's an open book.
Sebastian Lipke, Taxi Driver: [looks back again] Why, you're the Saint! I seen your picture in tonight's paper!
Simon Templar, aka The Saint: Terrible picture. Made me look like Tarzan.
- Alternate versionsPossibly for local censorship reasons some theatrical prints delete the brief scene revealing that the nun at the scene of the first of the Saint's killings was the Saint. Rather than a straight cut, it dissolves from the bystanders crowding round the body to the Saint's conversation after he has divested himself of the nun's habit.
- ConnectionsFollowed by Le Saint contre-attaque (1939)
Details
Box office
- Budget
- $128,000 (estimated)
- Runtime1 hour 9 minutes
- Color
- Aspect ratio
- 1.37 : 1