[go: up one dir, main page]

    Release CalendarTop 250 MoviesMost Popular MoviesBrowse Movies by GenreTop Box OfficeShowtimes & TicketsMovie NewsIndia Movie Spotlight
    What's on TV & StreamingTop 250 TV ShowsMost Popular TV ShowsBrowse TV Shows by GenreTV News
    What to WatchLatest TrailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily Entertainment GuideIMDb Podcasts
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuideSTARmeter AwardsAwards CentralFestival CentralAll Events
    Born TodayMost Popular CelebsCelebrity News
    Help CenterContributor ZonePolls
For Industry Professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign In
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Cast & crew
  • User reviews
  • Trivia
IMDbPro

The Saint in New York

  • 1938
  • Approved
  • 1h 9m
IMDb RATING
6.3/10
1.1K
YOUR RATING
Louis Hayward and Kay Sutton in The Saint in New York (1938)
Hard-boiled DetectiveSuspense MysteryCrimeDramaMysteryRomance

Simon Templar, the Saint, is brought to New York. His search for the identity of "the Big Fellow" takes him through many dangerous situations.Simon Templar, the Saint, is brought to New York. His search for the identity of "the Big Fellow" takes him through many dangerous situations.Simon Templar, the Saint, is brought to New York. His search for the identity of "the Big Fellow" takes him through many dangerous situations.

  • Director
    • Ben Holmes
  • Writers
    • Charles Kaufman
    • Mortimer Offner
    • Leslie Charteris
  • Stars
    • Louis Hayward
    • Kay Sutton
    • Sig Ruman
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    1.1K
    YOUR RATING
    • Director
      • Ben Holmes
    • Writers
      • Charles Kaufman
      • Mortimer Offner
      • Leslie Charteris
    • Stars
      • Louis Hayward
      • Kay Sutton
      • Sig Ruman
    • 33User reviews
    • 15Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Photos3

    View Poster
    View Poster
    View Poster

    Top cast31

    Edit
    Louis Hayward
    Louis Hayward
    • Simon Templar, aka The Saint
    Kay Sutton
    Kay Sutton
    • Fay Edwards
    Sig Ruman
    Sig Ruman
    • Hutch Rellin
    • (as Sig Rumann)
    Jonathan Hale
    Jonathan Hale
    • Inspector Henry Fernack
    Jack Carson
    Jack Carson
    • Red Jenks
    Paul Guilfoyle
    Paul Guilfoyle
    • Hymie Fanro
    Frederick Burton
    Frederick Burton
    • William Valcross
    Ben Welden
    Ben Welden
    • Boots Papinoff
    Charles Halton
    Charles Halton
    • Vincent Nather
    Cliff Bragdon
    • Sebastian Lipke
    Jay Adler
    Jay Adler
    • Eddie - Hood
    • (uncredited)
    George Anderson
    • Bonacci
    • (uncredited)
    Leon Belasco
    Leon Belasco
    • Driver
    • (uncredited)
    Stanley Blystone
    Stanley Blystone
    • Policeman at the Zoo
    • (uncredited)
    Shirley Coates
    • Viola Throckmorton
    • (uncredited)
    Harry Depp
    Harry Depp
    • Shooting Witness
    • (uncredited)
    Lester Dorr
    Lester Dorr
    • Jacob S. 'Jake'
    • (uncredited)
    • …
    Paul Fix
    Paul Fix
    • Phil Farrell - Doorman at the Silver Club
    • (uncredited)
    • Director
      • Ben Holmes
    • Writers
      • Charles Kaufman
      • Mortimer Offner
      • Leslie Charteris
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews33

    6.31K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Featured reviews

    8silverscreen888

    Extraordinary in its Ethical Dimension; a Fast-Paced Noir Mission

    This by my lights is a splendid and very good story about Leslie Charteris's enigmatic character, Simon Templar, "the Saint"; it was the first of a series of films which starred several actors inn the role. Louis Hayward is fascinating inn the part, occasionally a bit stodgy but intelligent, and compelling. The film was directed by Ben Holmes, and also stars Kay Sutton as an enigmatic bad girl, Sig Ruman, Jonathan Hale, Jack Carson and many others in small but effective parts. The storyline is what set\s this ethical masterpiece apart. Templar is tracked down in foreign parts by an honest man representing a group in New York who want to bring down the mysterious crime boss who is poisoning the city with his influence. Templar, for his own reasons--the challenge, the chance to accomplish something worthwhile--agrees to risk his life; not for altruism but for his own code of values, his own desire to use his talents to the full. He starts pushing, commits some questionable break-ins and more,, all the time making himself more dangerous and getting closer to finding out who the big fella" is. I will not reveal the climax or the ending, except to say Templar has fallen in love with Kay--but she can never be his after what happens. Roy Webb wrote the music; the production values of this B/W gem are subtle and a little above average. But what drives it is the script, written from Charteris's novel,; it is the best of an interesting series because it is fast-paced, original, clever in dialogue and clear in its contexted ethical purposiveness; the group who hired him and the viewers finally come to know that they picked the right man, whatever doubts they may originally have had about the famous and notorious Simon Templar. Sutton is very good; Carson and several others are very competent also. Highly recommended.
    dougdoepke

    An Un-saintly Saint

    Hayward does cut a dashing figure with an easy smile, a penchant for poetical one-liners, and a snap-brim fedora. His version of the Saint is also more interesting than the standard sleuth of the period since he's not above breaking the law when it serves justice or following his own code of integrity. Too bad this kind of character complexity didn't survive the many sequels.

    The story itself is pretty routine: cleaning up the city by getting the mysterious Big Fellow. Not much excitement or suspense as the one-man-army sort of bounces back and forth between bad guys, snapping off occasional nifty one-liners. Then there's the sexy Kay Sutton to ease the eyes after all the ugly bad guys. And though her delivery sometimes sounds a flat note, she and Hayward manage to make their boilerplate romance surprisingly wistful.

    Anyway, I've got to say this about someone, and I think it's director Ben Holmes. How many of these programmers have you seen where somebody gets shot in one scene, yet turns up miraculously made whole in the next. Not here. The Saint gets wounded in one scene and, by golly, he favors that shoulder for the rest of the film. So an unofficial Oscar for Attention to Neglected Detail to Ben Holmes by default since such matters are usually the job of the director. Then too, on a slightly different note, I hope cable comes up with Holmes' intriguingly titled Cutie on Duty (1943) sometime real soon.
    didi-5

    original Simon Templar

    The first film in RKO's series (continued, successfully, with George Sanders, and unsuccessfully, with Hugh Sinclair), this features tiny, white-suited Louis Hayward, as the dangerous psychotic Simon Templar, law-enforcer of a kind (mainly by shooting people), on a mission to find the 'big fellow', head of a crime gang. Hayward is excellent in this, having just the right amount of repartee and daring (without making the role comedic as Sanders did or boring as Sinclair did), as is his love interest, Kay Sutton, who seemed to do very little in films despite her good looks and strong voice. One gripe about the film would be that the print currently available on video is poor as regards picture and sound - I understand this entry in the series was lost for a while and it really does cry out for restoration. Still, this aside it has many compensations. Hayward went on to be the man in the iron mask, the son of Monte Cristo, and the snipey son Oliver in My Son My Son. Jonathan Hale, introduced here as the Saint's cop foil, went on to other Saint entries and eventually committed suicide.
    7Spondonman

    Stylish b noir

    The first Saint movie was a very good effort, true to the spirit of the book albeit made on the cheap by RKO. I grew up thinking that Roger Moore was the Saint and no-one could top him, but have to admit that Louis Haywood was just right in the title role with the right amount of debonair, imperturbable devil-may-care attitude. I hadn't seen this for over 10 years until off UK cable TV tonight, but there was a small but significant chunk of action which for some reason was cut out of the print shown. I hope the full version is still out there somewhere!

    The Saint is "hired" by the NYPD to flush out and deal with a group of gangsters strangling the city. In his role as unpaid mercenary Prince he has to deal in his own inimitable fashion with 7 metaphorical dwarf hoodlums before moving on to the shadowy "Big Fellow" whilst falling in love with an alluring raven-haired femme fatale. This is Snow White for adults!

    A real pity Haywood only played the Saint this glorious once in Hollywood - I don't count his 50's British attempt - although Sanders was very funny in his 5 films didn't really hit the right note. My favourite Haywood film came much later, Fritz Lang's "House by the river", an overlooked suspense gem from 1950.
    7hitchcockthelegend

    I'm such a hero I hardly recognise myself.

    So it begins, the start of the realisation of Leslie Charteris' literary creation, one Simon Templar, AKA: The Saint. And it's a good start to be sure.

    Templar here is played by Louis Hayward, all smirky confidence, lithe and deadly, Templar is "hired" by some big city suits to snuff out New York's baddies who have in turn been snuffing out policemen and getting away with it. He's deadly, has a quip on the tongue and laughs in the face of danger, and of course he can charm the ladies as well. He gets into scrapes, meaning we get to enjoy his many escapes from impending death, he does indeed assassinate bad guys; and has us firmly on side in the process, and he crucially has us hankering for more of Charteris' rogue good guy!

    It's good old fashioned fantastical fun mixed with some rugged 1930s gangster shenanigans. Hooray! 7/10

    More like this

    Le Saint à Londres
    6.4
    Le Saint à Londres
    Le Saint contre-attaque
    6.2
    Le Saint contre-attaque
    Le Saint à Palm Springs
    6.2
    Le Saint à Palm Springs
    The Case of the Howling Dog
    6.9
    The Case of the Howling Dog
    Arsène Lupin
    6.9
    Arsène Lupin
    My Gun Is Quick
    6.1
    My Gun Is Quick
    Simon Templar face au Saint
    6.0
    Simon Templar face au Saint
    Le roi et la figurante
    6.2
    Le roi et la figurante
    Le Masque
    6.1
    Le Masque
    Le Saint reprend du service
    6.5
    Le Saint reprend du service
    Le retour d'Arsène Lupin
    6.7
    Le retour d'Arsène Lupin
    Riff-Raff
    6.8
    Riff-Raff

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The kidnapped child is Viola Throckmorton. In the novel, her name is Viola Inselheim, daughter of a prominent Jewish businessman. This is one of several alterations of ethnicity in the film adaptation. "Dutch", a gangster, becomes "Hutch" in the film. This was a possible reference to New York mobster Dutch Schultz - born Arthur Simon Flegenheimer - who was killed in 1935.
    • Goofs
      Templar speaks the cabby's phone number, then dials it. It's Columbus 5-1098; on a rotary dial phone, 0, 9, and 8 are full or nearly full turns of the dial, but when he dials the phone, it's all small turns until the last digit.
    • Quotes

      Simon Templar, aka The Saint: [flags down cab which brakes hard. Leans in] I smell burning rubber.

      Sebastian Lipke, Taxi Driver: Best brakes in town, Boss, where to?

      Simon Templar, aka The Saint: [Gets in] 49th, near 8th.

      [reads taxi license on back of seat]

      Simon Templar, aka The Saint: Just forget about those lights, Sebastian.

      Sebastian Lipke, Taxi Driver: [looks back] Say, I know you!

      Simon Templar, aka The Saint: Why shouldn't you? My life's an open book.

      Sebastian Lipke, Taxi Driver: [looks back again] Why, you're the Saint! I seen your picture in tonight's paper!

      Simon Templar, aka The Saint: Terrible picture. Made me look like Tarzan.

    • Alternate versions
      Possibly for local censorship reasons some theatrical prints delete the brief scene revealing that the nun at the scene of the first of the Saint's killings was the Saint. Rather than a straight cut, it dissolves from the bystanders crowding round the body to the Saint's conversation after he has divested himself of the nun's habit.
    • Connections
      Followed by Le Saint contre-attaque (1939)

    Top picks

    Sign in to rate and Watchlist for personalized recommendations
    Sign in

    Details

    Edit
    • Release date
      • June 3, 1938 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Helgonet i New York
    • Filming locations
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, California, USA(Studio)
    • Production company
      • RKO Radio Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $128,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 9 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

    Related news

    Contribute to this page

    Suggest an edit or add missing content
    Louis Hayward and Kay Sutton in The Saint in New York (1938)
    Top Gap
    What is the English language plot outline for The Saint in New York (1938)?
    Answer
    • See more gaps
    • Learn more about contributing
    Edit page

    More to explore

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb app
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb app
    For Android and iOS
    Get the IMDb app
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.