La vengeance du docteur Joyce

That's the advice that doctor Brefni O'Rorke (Dr Farrell) gives to surgeon James Mason (Joyce) when giving an analogy comparing insanity to an upturned glass balancing on a mantelpiece. So, that's exactly what Mason does! The film is told in flashback as Mason narrates a lecture to students on the topic of the criminal mind. He presents a case of a sane man committing murder. It's no revelation to the film audience that he is recounting his own story. What is interesting in this technique is that we realize he hasn't actually carried out the act and we then find ourselves in real time at the end of the lecture as he goes ahead with his plan after what can be seen as his confession to the students.

The root of his problem is a love affair with Rosamund Wright (Emma) which cannot be. The ending of the relationship coincides with some tragic news and Mason then turns to Pamela Mason (Kate) to discover the truth and exact revenge. The real events of the tragedy are never fully confirmed and so Mason's actions are very suspect. Is he insane? He certainly seems to be acting on a whim. Pamela Mason is excellent in her role and certainly had me rooting for her. I'm not sure this was the intention, though!

The young girl whose sight Mason saves at the beginning of the film is played by Ann Stephens who died aged 35 in 1966. I can't find any details on how she died. Can anyone help on this? It would be interesting to know. She delivers some amusing dialogue about not liking her hair and Pamela Mason's dialogue regarding her is flippantly wonderful – I'll send her boarding – ha ha. The best of us have all spent time boarding as a child. As for the film's title, I still don't know what an upturned glass means? Which way?

James Mason in one of his last British films before accepting that contract with MGM and leaving for America plays a doctor who may have become too detached from life. A prominent brain surgeon he accepts the case of young Ann Stephens whose eyesight he saves with a delicate operation. In the process he falls in love with Ann's mother Rosamund John.

Both Mason and John are separated from their respective spouses and we never meet either of them in The Upturned Glass. But their relationship contains a mixture of guilt for both of them. Shortly after they end things, Mason hears that John falls to her death in her own home.

Mason had already met Pamela Kellino and formed a bad opinion of her almost immediately. She's Rosamund's sister-in-law and Stephen's aunt and she's a selfish materialistic woman, a regular Cruela DeVille in real life. She's easy too hate and Mason courts her to get close.

The film is told about 2/3 of the way in flashback as Mason lectures to a university class on the atypical murderer, the sane and logical one which he naturally takes himself to be. The rest of the film is a revealing portrayal of how Mason should be seen.

The Upturned Glass is a nice bit of melodramatic noir with Mason really carrying this film. His perfect performance makes The Upturned Glass seem far better than it really is.

In this suspenseful movie, we meet James Mason as he lectures about crime to a group of students. He is an eminent neurologist. In flashback, we learn of the girl whose eyesight he's saved. In the course of doing this, he fell in hove with her mother.

It's a murder-mystery; so that's as much plot as I'll give. Pamela Mason is appropriately unappealing as the woman's nosy sister-in-law. Mason, one of my favorite actors, is very good.

As a suspense movie -- a noir, of sorts -- it is excellent. It positions itself as more, unfortunately. Initially, it's intriguing to realize that the central figure in the case history Mason's reciting is himself. But there are red herrings. More distracting, there is philosophizing -- not to mention a most unsatisfactory final scene.

One of the earlier reviewers suggested that the film takes "the easy way out." I partially agree, but think that the real reason for the disappointing finale was the censors. They, in their moral righteousness, did their very best to ruin any number of UK and American films. In this case, the ending makes little sense. Otherwise, a very satisfying early addition to the film noir genre. The photography and pacing are perfect and carry the bleak mood. A minor quibble is that the notion of the lovers breaking off wasn't totally credible, but then, perhaps it was a different moral universe in the 1940s. Mason, as always, is excellent to the point that the viewer cannot take his eyes off of him (not that one would want to). Pamela is a hateful character, as from all reports, she was in real life.

The Upturned Glass is really good, up until the ending, so if you like suspenseful, tense thrillers and don't mind lukewarm endings, rent it during your next movie night with the girls. It's not the best movie to rent with your sweetie pie, since you'll spend the entire time sighing over James Mason!

James stars as a brain surgeon and professor. He tells a story to his students about how, in theory, someone can get away with murder. Of course, the story is much more than a hypothetical, and soon the audience is treated to the wonderful world of flashbacks. In the past, James Mason operated on a young girl and fell in love with her mother, Rosamund John. They're both married, and after a tearful goodbye, they agree not to see each other anymore. Then, the unthinkable happens. . .

James's at-the-time wife Pamela Mason costars as Rosamund's sister-in-law, and it's always fun to see the Masons acting together. Pamela plays a great "bad girl," doesn't she? If you like James Mason, this is a great movie to watch, since he's the hero with a bit of a villainous streak hiding underneath. Plus, since so often his handsomeness was ignored by Hollywood, it's nice to see him as a romantic lead!