Singapour

Singapore is a mix of crime and romance, Matt Gordon has just returned to Singapore from the war, where he reminisces about his lost love who he thought had died during a Japanese bombing.

As a pearl smuggler, he has a second reason to return, hidden pearls that he has stashed in a hotel room and that he hopes to get his hands on again.

When he discovers that his lost love who is believed to be dead, is still alive but has amnesia,and is now married to someone else and no longer knows anything about her past with him, things become a lot more complicated for him.

Fred Macmurray once again in a serious role, and he does it properly, Ava Gardner is again a sight to see, their romance is not very well developed, but who cares.

Great mix between a touch of crime and romance.

SINGAPORE (1947) Fred MacMurray, Ava Gardner. ** Bland mix of film noir, and imitation CASABLANCA. Imagine all the CASABLANCA characters portrayed by competent but unmemorable actors. Place them, again, in an exotic setting, in a story about passionate lovers separated by war and later reunited. Once more, the love of the hero's life is married to another man, but this time the plot includes amnesia and pearl smuggling. Gardner is radiant and sexy, but her acting inexperience shows. MacMurray is wooden. First rate cinematography, however.

Ava Gardner is such a pleasure to look at, even a B movie in which she plays makes my time worthwhile .Actually,Fred McMurray has got pearls and a gem .The screenplay is far-fetched -with an improbable outcome- and includes smuggling,war (no battles or camp of prisoners though),and even amnesia -but the viewer is not taken in by it a single minute ;there is of course the usual flashback ,which can be found in almost all the films noirs of the era.Compared to "the killers" ,Gardner's precedent movie ,it's obvious Brahm is no match for Siodmak.A couple of tourists -the kind of people we often see in the hotels- provides the comic relief.If you do not ask too much ,it's pretty entertaining and well acted.

Fred's back from the service looking to retrieve the pearls he was smuggling before Singapore was invaded and is haunted by the memory of what he thinks is his lost love Ava. One day she reappears but she doesn't remember him. What's the answer to the mystery?

Studio bound adventure is entertaining enough but serves more as a study in star building.

This was Ava Gardner's last film before she moved into the top tier of MGM stars with her next film, One Touch of Venus. Having scored heavily in two supporting roles for her home studio, The Killers & The Hucksters, they loaned her to Universal for the female lead in this alongside the established Fred MacMurray to test her lead appeal with minimal risk. She seems a bit cautious at times but radiates star quality every second she's on screen.

Considering the magnitude of the stars in the leads this is curiously obscure but if you enjoyed Gilda or similar fare it's worth the time.

On her way up the Hollywood ladder MGM loaned Ava Gardner out for this potboiler adventure film Singapore. As the area suggests romance and mystery just the title alone would bring in a few customers at the box office. In fact Singapore still is an area of intrigue though now enjoying a prosperity that could not have been imagined when this film was made.

Fred MacMurray and Ava Gardner are a pair of star crossed lovers who marry just before the Japanese invade and occupy the city. MacMurray has a fortune in pearls that he stashes and while trying to retrieve them the bombs are dropped and he thinks Gardner is killed. He barely gets away in his schooner with other refugees without pearls and without Ava who he married just before the attack.

After the war Fred's back to get his pearls, but he sees Ava now married to Roland Culver and with a bad case of amnesia. And he's got other problems as villains Thomas Gomez and George Lloyd want them as well.

Singapore was created on the Universal back lot and didn't have the advantage that its remake Istanbul had with color and location shooting. But they did make a better film though not all that much better. It's been compared to Casablanca by many to the detriment of Singapore. But those letters of transit that will allow two people, which two to escape and join the fight against Nazism are a much bigger prize than Fred's pearls. You care a lot more about Bogey, Bergman, and Henreid than the triangle here. And this film didn't have As Time Goes By either.

MacMurray and Gardner also don't have the chemistry that Bogey and Bergman do. But that's not fair, who else ever did?

Singapore is your routine potboiler another film MacMurray was grabbing for the paycheck after he left Paramount. As for Ava after The Killers and The Hucksters it was not a step down, but just keeping her on the same career plateau as before.