Timid Arthur panics after mistaking the tipsy Olive for dead and dumps her on artist Galleo's terrace. Sensing an opportunity, Galleo tries to blackmail him but chaos unfolds when Olive refu... Read allTimid Arthur panics after mistaking the tipsy Olive for dead and dumps her on artist Galleo's terrace. Sensing an opportunity, Galleo tries to blackmail him but chaos unfolds when Olive refuses to stay dead.Timid Arthur panics after mistaking the tipsy Olive for dead and dumps her on artist Galleo's terrace. Sensing an opportunity, Galleo tries to blackmail him but chaos unfolds when Olive refuses to stay dead.
- Elevator Boy
- (as Charlie Smith)
- Detective Dombry
- (as Alton Horton)
- Trainman
- (uncredited)
- Milkman
- (uncredited)
- Veterinarian
- (uncredited)
- Hat Check Girl
- (uncredited)
- Restaurant Patron
- (uncredited)
Featured reviews
One day, Mrs. Earthleigh leaves to go on a trip. When she's gone, her husband meets a very strange alcoholic, Olive (Dvorak) and she follows him home and WON'T leave no matter how hard he tries. Eventually, she appears to have died and falls onto Galleo's property! Well, Earthleigh can't find this narcoleptic alcoholic...and later Galleo decides to pretend he found this lady DEAD on his terrace...and enlists Earthleigh to 'dump the body'. Galleo knows there is no body but figures this is a chance to blackmail Earthleigh into dropping his lawsuit and letting him keep his dog. What's next? Well, Olive appears to die several more times and suddenly lots of people are being accused of killing her!
This is a cute little comedy and I might have scored this very original film higher had Dvorak's performance been a bit less broad and silly. Subtle definitely would have worked better...but it still worked and is a cute little situation comedy. Worth seeing.
To begin with, the title is dull and doesn't serve to lather up interest on the part of potential viewers. But one would think the cast would engender interest, as they indeed are composed of participants plying their trade in ways we the viewers are not accustomed to. I believe they all did excellent work and played it the way the director, Leigh Jason, imagined. The writing flows well and naturally, and seldom, if ever, did it occur to me that a line was inappropriate or without logic.
For me the picture is more comfortably placed in the absurdist-droll arena rather than the zany-screwball realm, and really plays more like something akin to movies with dark humor deriving from the late 1950's to mid 1960's. It is a pleasure to see so many veteran hands having fun with something so different from their usual assignments, including Turhan Bey; he looked like a sly so-and-so at the beginning but I came to like his character as the show unfolded.
How they even came to cast Ann Dvorak in this expressively comedic role would be nice to know, and I don't think she overplayed it; if her performance were out of sorts the picture would have been rendered bereft of value. The rest of the players really offered subtle readings compared to what could have been, including George Brent, whose facial expressions were not, as some reviewers have declared, merely mugging. Virginia Mayo might have been the only one who did not have a lot of comedic antics to lend or lines to say, but she too turned in an expert reading, often as the "straight" woman. And her eyes in this film are used to excellent advantage.
I can imagine "Out of the Blue" disappeared pretty fast and without much after-chatter after spending a couple of weeks in neighborhood theaters back in 1947, but I enjoyed spending time with this group of performers and appreciate that the film was created and is here for us to enjoy all these decades later.
This is a comedy that makes use of screwball comedy set pieces. It's all about misinterpretations. And it's pretty funny in parts. Some of artist Turhan Bey's (David) reactions are expertly dialogued, especially when a dead body turns up on his balcony and he discovers what has actually happened.
The director could have made more of singer Hadda Brooks. If she's going to appear in a film, then give her a full song. Ann Dvorak takes the attention away during Hadda's scene and we don't really want to hear Dvorak singing the title song "Out of the Blue".
You have to be in the mood for this type of comedy and if the mood takes you, it is quite a good example. I'll be keeping onto it for a future viewing when in the mood. It's got a pretty good cast and is one of Carole Landis's last films.
The film fails as a true screwball comedy because the pace is too slow. Had the pace been a bit more frenetic, it might have succeeded. This was the director's fault more than anything.
Ann Dvorak's career peaked in the 1930s. Some of her best work came after that. Most of it was in dramas. It was a delight seeing her do a comic role. I urge those not familiar with her to do more research and check out some of her 1940s and 1950s performances. One that comes immediately to mind are The Secret of Convict Lake and A Life of Her Own.
Did you know
- TriviaVera Caspary also wrote the play "Ring Twice for Lora," then later turned it into a novel with a different title, which led to the famous film noir Laura (1944).
- Quotes
Olive Jenson: I have a bad heart and when I pass out I really pass out. People tell me I look positively dead.
David Gelleo: Then Earthleigh must have thought he'd killed you. So he dumps you on my terrace.
Deborah Tyler: Why, that's terrible. I never heard of such a thing.
David Gelleo: How do you like that? You can't even bury a bone on his terrace but he can throw his old dead bodies on mine.
Olive Jenson: Who's an old dead body?
- ConnectionsReferenced in Guy (1996)
- SoundtracksOut of the Blue
by Will Jason and Henry Nemo
Performed by Hadda Brooks (uncredited)
[Performed live when Arthur and Olive are at the bar together; also played on a phonograph]
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Por un cuerpo de mujer
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,100,000 (estimated)
- Runtime1 hour 24 minutes
- Color
- Aspect ratio
- 1.37 : 1