Meurtre à crédit

"Murder in Reverse" has the most fiendishly clever premise I've encountered in all my years of movie-watching. The plot outline listed for "Murder in Reverse" on this IMDb site is inaccurate, so I'll give you the set-up:

The crimelord of a London gang is murdered, his corpse is defaced, and the evidence points to dock labourer Tom Masterick. Unable to prove his innocence, Masterick is sentenced to a long prison term. Then, through the prison grapevine, Masterick learns the truth: the crimelord wanted to disappear and start over, so he staged his own murder and is living under a new identity, after framing Masterick for a crime that never took place. But now that he knows the truth, Masterick can't convince the authorities that the "murder" victim is still alive. Unable to get justice, Masterick plans revenge.

After a long sentence, Masterick is released from prison, aged and embittered. Now Masterick intends to do precisely what the Home Office insists he has already done: HE WILL MURDER THE MAN HE HAS ALREADY BEEN CONVICTED OF MURDERING. He will commit a "Murder in Reverse".

Think about it: what can they possibly do to this poor bloke? If Masterick gets caught, he can't be convicted twice for the same murder ... or CAN he?

Unfortunately, after setting up this brilliant premise, "Murder in Reverse" loses steam. The ultimate payoff is unsatisfying, with a too-obvious twist. The old- age make-up on William Hartnell is crude and obvious. Petula Clark and Dinah Sheridan (sharing the role of Masterick's daughter, before and after his long bowl of porridge) give excellent performances: Petula Clark's success as a singer has always obscured her very real talents as a dramatic actress.

"Murder in Reverse" has much to recommend it, but not quite enough to make this movie the first-rate suspense yarn it very nearly could have been.

Yet another enterprising production from Louis H. Jackson's ill-fated British National Pictures is this extraordinary drama from the brief period when William Hartnell was commanding film leads.

During the course of the film Hartnell ages 15 years with the application of white hair which has the striking effect of transforming him into a dead ringer for Dr Who. Another later TV favourite is John Slater, looking exactly the same as he did during the seventies in 'Z Cars'. One of several other surprises is a fleeting glimpse of a very young Pet Clark who in a truly bizarre twist grows up into Dinah Sheridan (appearing opposite her husband Jimmy Hanley) without the latter ever becoming aware of the fact.

Dock worker Tom Masterick chases his wife's lover out of a pub one night, and is later convicted for his murder.

I've seen many, many films from this era, this genre, but there was something about Murder in Reverse that was a little different. It's an excellent storyline, it's very well produced, the acting is excellent. It's well paced, it doesn't drag out, it moves along quickly, and features some impressive scenes.

How lovely to see William Hartnell as the leading man, of course I will forever adore him as The First Doctor, but he was a super talent, he's rather captivating here. Poor Hartnell is once again wearing a wig. The scene where he gets to shout about his justice was excellent.

I'm so glad I've finally gotten to see this forgotten gem, I thoroughly enjoyed it, 7/10.

Murder in Reverse for some unknown reason sticks in my mind from my childhood more than any other film, and is one I would dearly love to see again. I always recall Hartnell passing by the berthed ship and seeing the man he 'killed' on board, but by MIA-reading the name of the ship it was never traced... I have scoured the TV listing to see it broadcast but gave up some years ago. The twist at the end is delicious. I have always been a fan of William Hartnell from the original 1950's Army Game through Carry On Sergeant to Dr Who. It had an impressive cast for the time of Hanley, Slater and Hartnell and you really felt sympathy for the man as he was led away to prison for a crime we all know he did not commit. Does anyone have a copy of this film or know if it has ever been released on video either in UK or overseas. Thanks, Trevor

Fifteen years before the events of the movie, stevedore William Hartnell (in his last performance credited as "Billy Hartnell") was married to Chili Bouchier, with Petula Clark their daughter. His wife was carrying on an affair with John Slater. Hartnell found out the hard way, when Miss Bouchier left him for her lover. The men ran into each other in a pub, and Hartnell chased him into the docks with a big sword, then suffered a fugue state and forgot about it, until neighbors grassed him to the police. As they took him away, he thought he spotted Slater on the deck of a ship, but that didn't stop them from convicting him of murder. It was only through the intervention of then reporter Brefni O'Rorke that a capital offense was commuted to life imprisonment; O'Rorke also adopted Miss Clark.

Now Hartnell has been released on a ticket-of-leave. O'Rorke, risen to editor, assigns Jimmy Hanley to go interview the man. Hanley -- who seems thoroughly inept as a reporter, probably kept on staff because O'Rorke's daughter, now grown into Dinah Sheridan, is in love with him -- can't find him, because Hartnell is in O'Rorke's office, asking after his girl, and explaining he's going to find Slater.

It's a very nice little movie, a first feature for writer-director Montgomery Tully. Hartnell is excellent in a leading role, and his old-man make-up makes him look as he would during his run in Doctor Who. DP Ernest Palmer offers some nice, dark lighting. It's a good story about high-sounding principles running up against official indifference, and worth a look.