L'île enchantée

Van Johnson and June Allyson head a talented cast in this enchantingly dotty romantic fantasy about true love in peace and war. The romance begins when they're children, and the childhood scenes have some charmingly surreal moments, such as when the two run away to join the circus. Someone must have been reading Freud in his spare time when making this one. There are enough symbols, phallic and otherwise, to fill a fair-sized textbook. Director Jack Conway did an admirable job on the film, with beautifully composed shots which at times recall the best silent pictures. He had flair for investing what are, on the surface, mundane images,--a water tower, a tropical island--with a subliminal power rare in a Hollywood movie. Since much of the story is related in flashback, there's a slight but unmistakable distortion involved in what unfolds on the screen that makes the movie feel at times like a dream. There are strange, abrupt transitions,--a storm comes seemingly out of nowhere--that make the movie resonate in one's memory years after one has seen it. Corny as hell, this is in many respects a remarkable film.

I hope the following words do not turn some folks off on this truly good movie. It is a sweet movie! Want to get lost in something nice, get this movie, want to feel good about friendship and romance, get this movie. I usually say "the actors did their job and earned their pay," well they surely did in this one. With me, anything June Allyson did was super for me. With Mr. Johnson, I can say, I like just about all of the work he has done, that I have seen. Brigadoon, is one of my favorites with him. When the movie started they had me, and took me along with the story, and I am very glad they did. To all involved with this movie, thank you.

I grew up watching movies from the 30's and 40's as a kid in the 50's. The early days of T.V. had a lot of time to fill and they did it with movies. Remember the Fabulous 52!, a movie of the week at 11:15 on Saturday nights? I probably knew those movies better than the ones from my own era. I was a particular fan of Van Johnson and June Allyson. This movie haunted me and my youthful imagination. I probably first saw this movie at age 12 when it was already 10 years old. Everyone needs a 'High Barbaree' in his life, a dream put there by some crazy uncle like the character Thomas Mitchell plays so well in this movie. I wish they'd put this movie on DVD so I could buy it and show it to my family and friends.

This is just a great movie. Part romance, part Leave it to Beaver, part mystical journey. And part Norman Rockwell, Tom Sawyer, and PT 109 for that matter! It is a very simple story of a downed U.S. Navy flier relating his upbringing and romances to a fellow flier. But it is just so beautifully done and filled with the laughter and tears, triumph and tragedies of life that is is irresistable.

I haven't seen this for decades, but I do remember it. The pilot, reminiscing to his shipmate, while downed on a tropical island, goes on and on about his past experiences, including his dream since childhood about an island paradise called High Barbaree.

On and on he goes, as one reviewer observed, slowly boring his companion to death. And the theme and throughout his ramblings, the subject of High Barbaree recurs.

SPOILER FOLLOWS: Toward the end of the film, a Polynesian native appears, and offers him entry to High Barbaree, but he realizes that he shouldn't go there then. Not if he wants to keep on living. For High Barbaree _is_ Paradise (as in Heaven).

It's a very slow film, but there have been far worse.