Cynthia

I came into this film on TCM at 6:15 AM one morning, about 1/4 into it so I missed the opening and establishing of the players backgrounds and motivations, and I did not 'get them' until the denouement. The motivations of the mother and father as well as the uncle as the doctor and his family, are the engine that drive the plot. However, the directors job, once he has a decent story, is to elicit emotion of varying kinds from the audience. If you want to look at and watch Liz Taylor in all her youthful glory and magnetism, this is one of the best. Ironically if forebodes her complete life as a great actress who has health problems all her life. This film took me up and down several times much to my amazement and has a great Hollywood, happy wrap up. (nothing wrong with feeling good especially at 6 A M). Yes, of course there are some problems but I watch films for the way they make me feel in the end, not specifically to be a critic, especially films of this genre and contrived time period. I loved it because it made me feel alive and real!!We all have felt these same emotions in our youth and this well done film allows us feel these once more.

At the height of her film career Elizabeth Taylor was one of the most famous women in the world, and even after she retired from acting she remained famous, largely because of her notoriously complex love-life. And yet there are a surprisingly large number of films on her CV which today are virtually forgotten and which even when first released probably did not arouse a great deal of interest. "Cynthia", dating from 1947 when Taylor was only fifteen, is a case in point.

Cynthia Bishop is a beautiful teenage high school girl from the small town of Napoleon, Illinois. Most of the plot revolves around the point that Cynthia is supposedly physically frail and suffers from health problems and is therefore not allowed to do many of the things that teenage girls normally do, such as attending the school prom. There is also a sub-plot dealing with the frustrated dreams of her parents Larry and Louise, both of whom once dreamed of going to Vienna, Larry to study medicine and Louise to study music. They never, however, realised these ambitions, and today Larry is a badly-paid assistant in a hardware store and Louise a housewife.

The film was based on a play called "The Rich, Full Life", and although I have never seen it- indeed, I had never previously heard of it or of its author, one Viña Delmar- that title seems to sum up the general theme. The idea is that one can still live a rich, full life even if one is an invalid or if one's youthful ambitions have been thwarted. The screenplay, however, does not fully realise the potential of either of the two plotlines, and too much is left unclear. We are never told exactly why Louise and Larry were unable to study in Vienna; the implication is that Louise accidentally became pregnant out of wedlock and that theirs was a shotgun marriage, but in the moral climate of the forties, with the Production Code still in full force, this could not be made explicit. (There is no acknowledgement of the fact that the Vienna of the 1930s, torn by political strife between Nazis, Communists, Socialists and Austro-fascists, might not have been the most congenial place in which to study, nor of the fact that there are perfectly good medical schools and colleges of music in America itself; the "Vienna" of this film is simply a romantic symbol of youthful illusions, not a real-life city).

Cynthia is the title character, and most of the action revolves around her, but the healthy-looking Taylor never makes a convincing invalid. It is never made clear exactly what illnesses Cynthia suffers from, beyond the fact that she tends to catch cold easily- Taylor spends a lot of the film sneezing- or whether her status as an invalid is genuine. It is strongly hinted that she may in fact be the victim of obsessive concern on the part of her over-protective parents, backed up by the local doctor (who also happens to be Cynthia's uncle)- what one might call hypochondria by proxy.

The film-makers never seem quite clear whether they are making a comedy or a serious family drama. The overall theme is a basically serious one, but in many parts, especially those scenes dealing with the rivalry between Cynthia and her insufferable cousin Fredonia, they are obviously aiming for laughs. (Whether they actually achieve them is another matter). Taylor displays both the beauty and the charisma which were later to make her a big adult star, but not unfortunately the talent, and there are no performances of any particular merit from anyone else in the cast. It is not difficult to understand why "Cynthia" is today one of the most obscure entries in Taylor's filmography. 4/10

"Cynthia" is a must enjoyable and unusual film...and it gives you a chance to see Elizabeth Taylor receive her first onscreen kiss!

When the story begins, Larry and Louise (George Murphy and Mary Astor) fall in love and marry...and have so many wonderful dreams for their future. Sadly, however, they soon have a child...and the child is sickly. As Cynthia (Taylor) grows, her over-protective homelife begins to take its toll. Her uncle is a doctor and he insists on Cynthia living a very sheltered life...and Larry insists that they do whatever his brother-in-law says....even though he and his family are jerks. As for Louise, she is beginning to realize the damage being done to her daughter...as she's in high school and shouldn't miss the things normal kids do. Additionally, she is tired of seeing her husband behaving so spinelessly with his boss and brother-in-law...which creates a schism in the marriage. What's to come of all this? See the film.

"Cynthia" is a great example of the sort of sweet family picture MGM could make during its heyday. Excellent acting, music, direction and a sweet story elevate this 'average' film for the studio into something special.

By the way, IMDB noted it and I was surprised too to see Spring Byington playing a rather hateful person....quite unusual.

Elizabeth Taylor seemed to go almost overnight in films from child to voluptuous young woman. But in this nice low-budget (for MGM) movie, made when she was 15 at most, there is something of the sweetly awkward colt about her, in the title role. There are scenes in which she sort of oscillates between childhood and adulthood--the visual equivalent of an adolescent's voice cracking--and it was in this movie that she got her first screen kiss (from an engaging James Lydon).

It's a bittersweet movie, about the deferrals and compromises that one has to make in life--the parents who don't continue their higher education, the soldier who resumes his, the refugee professor. As Cynthia's mother, Mary Astor brings her usual warmth and common sense, and there are vague echoes of her questing, yearning character in "Dodsworth." Cynthia's illness is used as something of a metaphor for domestic discontent, and in view of Taylor's chronic health problems is a little unsettling in retrospect.

Elizabeth Taylor in the title role plays an overprotected 15-year-old who has lengthy bouts of illnesses seemingly due to a compromised immune system. She yearns to do normal teenage activities, but keeps having these setbacks related to her illness that constantly worry her parents (played by George Murphy and Mary Astor) and her doctor uncle (played by Gene Lockhart). Their strategy to prevent the illnesses from happening is to isolate her from her friends at school, have her come straight home, and forbid her from participating in school activities. Of course Cynthia is not going to be a wallflower forever, because this is a young Elizabeth Taylor here and the one thing she does not suffer from, even at 15, is awkward teenager syndrome compared to most. Noticing this right away is Ricky Latham (played by Jimmy Lydon, who was not the Zac Efron of the 40's, but somehow managed to play Taylor's love interest in "Life with Father" as well), who looks past the sicknesses and sees a beautiful, smart, charismatic young girl that just needs to get out of the house. Noticing this as well with jealousy is her cousin Fredonia (played by Carol Brannan), who has eyes on Ricky also, despite the fact she has a boyfriend of her own. Eventually, Cynthia's mother realizes that babying her will never teach her to overcome her problems, and hatches a plan with her daughter to get her to the Prom without Dad and Uncle knowing. Elizabeth Taylor shows her acting is beyond the capabilities of most other teenage actors of her day, but still displays the girlish charm of someone coming into her own. The movie has a fair amount of fretting and whining, but it does come out of it with some fine comedic scenes throughout the film and underrated performances from the supporting cast.