Le gang des tueurs

If Richard Attenborough hadn't been careful in his choice of roles he might very well have been typecast as a stone cold killer the rest of his career. It was the same problem that Richard Widmark had after Kiss Of Death. In Brighton Rock, Attenborough is absolutely riveting and charismatic as gang leader Pinkie Brown.

In the British seaside resort town of Brighton, Attenborough and his cronies run a protection racket and are being muscled by another gang who wants to take over their territory. In America this would call for a public machine gun blasting, but in the United Kingdom they do things in a bit more subtle way. After a prolonged chase through Brighton, Attenborough nails one of the other gang members Alan Wheatley in a fun house tunnel ride where there's even question that Wheatley might have slipped and fallen on his own.

But there are questions and Hermione Baddely is raising them, having been with Wheatley before he died and knowing how scared he was. There's also a witness after the fact who could destroy his alibi, a young and very innocent waitress played by Carol Marsh.

The reason Brighton Rock works so well is the terrifying portrait of Attenborough as a killer. Attenborough has to be a charismatic figure or the older members of his group would not be looking to him as the leader. They fear him too, but eventually the fear takes over the sway he has on the group.

Carol Marsh is good in her part. She's such an innocent, a Trilby like creature who Attenborough works like a Svengali over and gets her actually to marry him, just so she can't give evidence against him in Wheatley's murder. But when a couple more deaths occur, Marsh is frightened, but still entranced with Attenborough.

The final climax on the Brighton pier is as terrifying as any noir film you might see in America at that time. It even eclipses Wheatley's demise earlier which is also a highlight. Brighton Rock holds very well after 62 years and compares very well with some of the best American noir films of the time.

I recently screened a very old, worn 16mm print of this film in our local pub and it went down a storm.

Richard Attenborough is screen dynamite as ruthless, petulant Pinkie Brown, the driven, teenage gangster. Carol Marsh also excels as the downtrodden Rose, Pinkie's young bride. Also worthy of a mention is Hermione Baddeley who is a scream as the brash, common Ida Arnold who shrieks like a harpie when supping Gin but has a heart of gold.

This is a great creaky, old British film and has a perfect cast. The final scene is especially touching when a technical error prevents poor little Rose from learning the truth about Pinkie's feelings for her.

Go see!

A sublime performance by Richard Attenborough as Pinkie Brown is the cherry on the cake in this fantastic adaptation of Graham Green's novel. Attenborough's chilling performance is in my opinion his best ever. Hermione Baddeley plays Ida Arnold exceptionally but sadly does not receive the recognition she deserves as she is out shone by Attenborough. The film is a disturbing insight into the Brighton's gangs that nobody wants to talk about. The film has that subtle edge that only black and white movies can and there is a classic twist at the end. This is a must for anybody who loves black and white movies and will have you on the edge of your seat. If you haven't seen this movie then make a point to do so you won't be disappointed.

I just saw this picture courtesy of a local rental store which has a number of Btitish films otherwise not available. Wow!

Absolutely excellent in all departments. Attenborough gives a standout performance as Pinky and is surrounded by a sterling cast working at the same high level. The film is beautifully photographed in a way which gives texture to the story and reality to the characters. This must be one of the top British films of the Forties and can stand beside anything Hollywood was doing at the time (or any time for that matter.)

The script is credited to Graham Greene (based on his Novel) and, the unlikely seeming, Terence Rattigan (Separate Tables, Winslow Boy et al). Without knowing who contributed what to the final screenplay, I can say that it is a beautiful and coherent piece of work that has character development as well as terse and atmospheric dialog that keeps the viewer engrossed and the tension high.

Recommended (especially to fans of film noir)

Very strong thriller from the Boulting brothers with a cracking performance from Dickie Attenborough as the starey-eyed Pinkie, and William Hartnell looking young(ish) and spry as his friend, henchman and conscience Dallow. Lacking some of the book's depth and darkness, but staying surprisingly faithful to many important plot points, the pace is electric and the players all excellent. The sticky squalor and roughness of the town and the time are vividly realised, and Pinkie is about as bad as they come. One of the great British thrillers, and for those familiar with the book, check out the sweet, ingenious ending.