The daughter of a strange famiy has returned after a long time to the family estate. She has two investigators checking out the eerie goings-on on the estate's spooky mansion.The daughter of a strange famiy has returned after a long time to the family estate. She has two investigators checking out the eerie goings-on on the estate's spooky mansion.The daughter of a strange famiy has returned after a long time to the family estate. She has two investigators checking out the eerie goings-on on the estate's spooky mansion.
Photos
Mark Roberts
- Reed Cawthorne
- (as Robert Scott)
Edward Biby
- Party Guest
- (uncredited)
Boyd Davis
- Capt. Selby Martin
- (uncredited)
Russell Hicks
- Col. Wetherford
- (uncredited)
J. Louis Johnson
- Joshua
- (uncredited)
Robert Kellard
- James Wetherford
- (uncredited)
Featured reviews
The third and final entry in the I Love a Mystery series with Jack Packard (Jim Bannon) and Doc Long (Barton Yarborough). The story this time centers on a mystery at a spooky Southern mansion. Melodramatic acting from some but nobody stinks up the joint. Karen Morley stands out. Bannon is his typically bland but inoffensive self. Perhaps it's the Southern setting but Yarborough is even more Huckleberry Hound than usual ("Hey son, look a-yonder!"). Good time-killer. Better than the second film in the series, but not as good as the first. Overall, this series provided three B mystery films that were pretty good. Not without flaws, particularly with the lackluster detectives themselves. But the stories were interesting and enjoyable with lots of moody atmosphere.
"The Unknown" (1946) is a surprisingly entertaining and atmospheric mystery inspired by the "I LOVE A MYSTERY" radio program. It is actually one of three Republic B-movies based on the program, all featured straight arrow detective Jack Packard and his corn-pone partner Doc Long (Barton Yarborough).
In "The Unknown" Jack and Doc are hired to escort young Nina Arnold (Jeff Donnell) to her ancestral mansion in Kentucky for the reading of her grandmother's will. The twist is that Nina was placed in foster care as an infant and will be meeting her mother Rachel (Karen Morley) for the first time. The mansion is spooky with her grandfather's body buried behind the fireplace and a mausoleum full of seemingly restless ancestors located outside the house.
I was very surprised at how well written and nicely paced this film was. It's a good yarn with a lot of misdirection and some unexpected plot elements.
Although Bannon and Yarborough are the series regulars, top billing for "The Unknown" went to Morley. Deservedly so as it is clearly her film, she plays an addled woman who never recovered from the loss of her baby daughter. She keeps a baby crib in her bedroom and hears a baby crying throughout the film. The was probably Morley's best performance, shortly after she fell victim to the HUAC hearings and worked very little in the industry from that point.
The other two "I LOVE A MYSTERY" thrillers are also quite entertaining but neither has anything to match Morley's performance.
Then again, what do I know? I'm only a child.
In "The Unknown" Jack and Doc are hired to escort young Nina Arnold (Jeff Donnell) to her ancestral mansion in Kentucky for the reading of her grandmother's will. The twist is that Nina was placed in foster care as an infant and will be meeting her mother Rachel (Karen Morley) for the first time. The mansion is spooky with her grandfather's body buried behind the fireplace and a mausoleum full of seemingly restless ancestors located outside the house.
I was very surprised at how well written and nicely paced this film was. It's a good yarn with a lot of misdirection and some unexpected plot elements.
Although Bannon and Yarborough are the series regulars, top billing for "The Unknown" went to Morley. Deservedly so as it is clearly her film, she plays an addled woman who never recovered from the loss of her baby daughter. She keeps a baby crib in her bedroom and hears a baby crying throughout the film. The was probably Morley's best performance, shortly after she fell victim to the HUAC hearings and worked very little in the industry from that point.
The other two "I LOVE A MYSTERY" thrillers are also quite entertaining but neither has anything to match Morley's performance.
Then again, what do I know? I'm only a child.
The dominant matron of a wealthy southern family prevents her daughter Rachel (Karen Morley) from running off with the man (Robert Wilcox) she has secretly married. There's an argument; there's a struggle for a revolver; the girl's father is accidentally killed; the groom flees and the girl is stuck—to spend the next many years alone in the decaying mansion with her mother, her two bitter brothers, and a butler whose devotion to the mother runs dark and deep. So begins The Unknown—in a lengthy introductory scene narrated years later in ghostly tones by the finally deceased mother.
Jumping to the present day, we see Jim Bannon and Barton Yarborough arriving on the scene with another young woman—Jeff Donnell as Nita, the now grown daughter of the cruelly separated couple of the opening scene. Bannon and Yarborough are, of course, Jack Packard and Doc Long, back for a third and final appearance as the detectives from I Love a Mystery.
The mystery this time around involves strange baby cries from behind the walls, the unbalanced Rachel (played by a sufficiently disturbed Morley), a family crypt and house full of busy secret passages, and our detectives' efforts to present Nita as a legitimate heir to the place—efforts that are quickly expanded to include keeping her safe and sane.
The suspense develops nicely; the atmosphere crawls with sinister shadows and inscrutable, furtive glances and creepy noises; suspicion is cast cleverly over an assortment of possible villains.
Short and sweet, The Unknown is hardly nightmare-inducing, but it's certainly a fast-moving and entertaining little picture. –Call me a sucker, but I'll admit to goose bumps running up my spine in at least one scene.
Jumping to the present day, we see Jim Bannon and Barton Yarborough arriving on the scene with another young woman—Jeff Donnell as Nita, the now grown daughter of the cruelly separated couple of the opening scene. Bannon and Yarborough are, of course, Jack Packard and Doc Long, back for a third and final appearance as the detectives from I Love a Mystery.
The mystery this time around involves strange baby cries from behind the walls, the unbalanced Rachel (played by a sufficiently disturbed Morley), a family crypt and house full of busy secret passages, and our detectives' efforts to present Nita as a legitimate heir to the place—efforts that are quickly expanded to include keeping her safe and sane.
The suspense develops nicely; the atmosphere crawls with sinister shadows and inscrutable, furtive glances and creepy noises; suspicion is cast cleverly over an assortment of possible villains.
Short and sweet, The Unknown is hardly nightmare-inducing, but it's certainly a fast-moving and entertaining little picture. –Call me a sucker, but I'll admit to goose bumps running up my spine in at least one scene.
Back in 1946, A trio of films was made from the "I Love a Mystery" radio programs; this was one of them. (The other 2 were the "Devils' Mask" and the "Decapitation of Jefferson Monk"). This film is about the 2nd best of the series (with "Monk" being the best).
Someone had told me that this film was based on the "ILAM" pgm, "The Thing That Cries in the Night", but it ISN"T! (The only thing it has in common is the sound of a baby crying).
FAR too much time is given to the "history" and "family skeletons" of a Southern family (in fact, the film reminded me of "Hush, Hush Sweet Charlotte"!). Jack & Doc were added almost as an afterthought!
And, unbelieveable as it seems, some of those Civil War people were STILL alive in 1946; this is stretching the imagination a bit TOO far!
Carleton E. Morse had (potentially) great material to work with; this is one of his (very few) failures.
Norm
Someone had told me that this film was based on the "ILAM" pgm, "The Thing That Cries in the Night", but it ISN"T! (The only thing it has in common is the sound of a baby crying).
FAR too much time is given to the "history" and "family skeletons" of a Southern family (in fact, the film reminded me of "Hush, Hush Sweet Charlotte"!). Jack & Doc were added almost as an afterthought!
And, unbelieveable as it seems, some of those Civil War people were STILL alive in 1946; this is stretching the imagination a bit TOO far!
Carleton E. Morse had (potentially) great material to work with; this is one of his (very few) failures.
Norm
The third and last film based on the I Love A Mystery series has San Francisco PIs
Jim Bannon and Barton Yarborough accompanying Jeff Donnell for the reading of andma's will at the Martin Family estate. The Martins are an old southern family
in the Tennessee Williams/William Faulkner tradition and they are on creepy
bunch.
Donnell has been raised away from them in a boarding school all her life and she's now meeting her family including her unbalanced mother Karen Morley for the first time. There's grandma s will to be read, but a whole lot of strange things going on including one real murder.
Good thing Donnell has teo {Is with her as Bannon and Yarborough get to the bottom of things,
Nice if cheaply made mystery with some horror overtones.
Donnell has been raised away from them in a boarding school all her life and she's now meeting her family including her unbalanced mother Karen Morley for the first time. There's grandma s will to be read, but a whole lot of strange things going on including one real murder.
Good thing Donnell has teo {Is with her as Bannon and Yarborough get to the bottom of things,
Nice if cheaply made mystery with some horror overtones.
Did you know
- TriviaThird and final entry in the 'I Love a Mystery' series released by Columbia Pictures, based on the popular radio program of the same name that aired on the NBC radio network from 1939 to 1944.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: The Unknown (1969)
Details
- Runtime1 hour 10 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content