Fleet Foxes’ Robin Pecknold will play a virtual solo concert at Brooklyn church St. Ann and the Holy Trinity on Monday, December 21st at 9 p.m. Et. Tickets and merch for the acoustic show, dubbed A Very Lonely Solstice Livestream, are on sale at the NoonChorus site.
Pecknold’s set will be available for replay through December 24th.
The singer-songwriter released the fourth Fleet Foxes album, Shore, in September. He recorded the LP, which follows 2017’s Crack-Up, with a wide crew of contributors, including Grizzly Bear drummer Christopher Bear.
In a statement accompanying the record,...
Pecknold’s set will be available for replay through December 24th.
The singer-songwriter released the fourth Fleet Foxes album, Shore, in September. He recorded the LP, which follows 2017’s Crack-Up, with a wide crew of contributors, including Grizzly Bear drummer Christopher Bear.
In a statement accompanying the record,...
- 12/1/2020
- by Ryan Reed
- Rollingstone.com
Crack-Up
Written by John Paxton, Ben Bengal and Ray Spencer
Directed by Irving Reis
U.S.A., 1946
A reoccurring question in the ongoing study and appreciation of art is whether art reflects life or vice versa. The real answer ostensibly lies somewhere in the middle, each informing and influencing the other, both embraced in seamless synchronicity. Knowing that, it stands to reason that art can, in effect, comment on itself and has at many a given opportunity in history. When done well one artistic medium may be utilized to comment on another, such as in the 1946 film Crack-Up, directed by Irving Reis. By no means a project lacking in potential, it misses the mark in some key respects, staying afloat with handsome visuals and capable leading actors.
George Steele (Pat O’Brien) arrives at the Manhattan art Museum one night in a state of severe intoxication. As is soon revealed,...
Written by John Paxton, Ben Bengal and Ray Spencer
Directed by Irving Reis
U.S.A., 1946
A reoccurring question in the ongoing study and appreciation of art is whether art reflects life or vice versa. The real answer ostensibly lies somewhere in the middle, each informing and influencing the other, both embraced in seamless synchronicity. Knowing that, it stands to reason that art can, in effect, comment on itself and has at many a given opportunity in history. When done well one artistic medium may be utilized to comment on another, such as in the 1946 film Crack-Up, directed by Irving Reis. By no means a project lacking in potential, it misses the mark in some key respects, staying afloat with handsome visuals and capable leading actors.
George Steele (Pat O’Brien) arrives at the Manhattan art Museum one night in a state of severe intoxication. As is soon revealed,...
- 8/17/2013
- by Edgar Chaput
- SoundOnSight
The Norma Shearer-Robert Montgomery-Herbert Marshall melodrama Riptide (1934); a remastered version of None But the Lonely Heart (1944), which earned Cary Grant his second and last Best Actor Academy Award nomination and veteran stage player Ethel Barrymore her only Oscar; and the biopic Song of Love (1947), starring Katharine Hepburn (as Clara Wieck), Paul Henreid (as Robert Schumann), and Robert Walker (as Johannes Brahms) are among the seven latest additions to the Warner Archives’ DVDs. The other four movies are: Between Two Worlds (1944), the worlds being those of the living and the dead, with John Garfield, Paul Henreid, and Eleanor Parker; John Ford‘s Flesh (1932), starring Wallace Beery, Ricardo Cortez, and Karen Morley; the film noir Crack-Up (1946), with Pat O’Brien and Claire Trevor; and The Conquerors (1932), Rko’s attempt to repeat the success of its Oscar-winning Cimarron, starring the earlier film’s leading man, Richard Dix, and Ann Harding.
- 8/24/2010
- by Andre Soares
- Alt Film Guide
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